Nigel Shafran (born 1964) is a photographer[1][2] and artist. His work has been exhibited at
Tate and the
Victoria and Albert Museum. In the 1980s Shafran worked as a fashion photographer,[3] before turning to
fine art photography. Talking to The Guardian journalist Sarah Philips, Shafran described his work as, "a build-up of images, often in sequences. There is a connection between them all. Basically, I'm a one-trick pony: it's all life and death and that's it."[4]
Publications
Ruthbook. Self-published, 1995. Supported by Focal Point Gallery. Edition of 600 copies.
Dad’s Office. Self-published, 1999.
ISBN0953628906. Edition of 1000 copies.
Edited Photographs: Photoworks Monograph. Brighton,
Photoworks; Göttingen,
Steidl: 2004.
ISBN3-88243-976-9. Photographs by Shafran. Edited by Celia Davies, with essays by
Val Williams and
Paul Elliman, and an interview with Shafran by Charlotte Cotton.
Flowers for ______. London: Koenig, 2008.
ISBN978-3-86560-481-1. Edition of 750 copies.
Nigel Shafran (born 1964) is a photographer[1][2] and artist. His work has been exhibited at
Tate and the
Victoria and Albert Museum. In the 1980s Shafran worked as a fashion photographer,[3] before turning to
fine art photography. Talking to The Guardian journalist Sarah Philips, Shafran described his work as, "a build-up of images, often in sequences. There is a connection between them all. Basically, I'm a one-trick pony: it's all life and death and that's it."[4]
Publications
Ruthbook. Self-published, 1995. Supported by Focal Point Gallery. Edition of 600 copies.
Dad’s Office. Self-published, 1999.
ISBN0953628906. Edition of 1000 copies.
Edited Photographs: Photoworks Monograph. Brighton,
Photoworks; Göttingen,
Steidl: 2004.
ISBN3-88243-976-9. Photographs by Shafran. Edited by Celia Davies, with essays by
Val Williams and
Paul Elliman, and an interview with Shafran by Charlotte Cotton.
Flowers for ______. London: Koenig, 2008.
ISBN978-3-86560-481-1. Edition of 750 copies.