Niccolò Franchini (1704-1783) was an Italian painter, active in Siena, depicting mainly religious canvases in a late- Baroque style. Niccolò Franchini (1704-1783) was an Italian painter, active in Siena, depicting mainly religious canvases in a late- Baroque style.
The Bichi Chapel of the Church of Sant'Agostino has an altarpiece of San Cristoforo (1755) that replaced the former triptych by Luca Signorelli. [1] He also has works in the church of San Giorgio in Siena. [2] He also painted the ceiling of the oratory of the painters guild in Siena, adjacent to the church of San Vigilio. [3] He painted a Return of Pope Gregory XI to Rome with Catherine of Siena once in the Oratory of the Santissimo Crocefisso in Siena. [4]
Luigi Lanzi in his exhaustive review of Italian painters places him at the end of the decline in Sienese painters, citing only praises in his roles as a restorer: [5]
in restoring injured specimens to their original beauty, without applying to them a fresh pencil, and in supplying the faded colours with others taken from paintings of less value, he entitled himself, in fact, to the praise of a new discovery.
- ^ Via de Siena website, entry on the church of Sant'Agostino.
- ^ Scoprire Siena website entry on Church of San Giorgio.
- ^ Artistic Guide to Siena and Its Environs, Second Edition, 1908, page 86.
- ^ Saint Catherine of Siena and Her Times, page 191.
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^ Lanzi, Luigi (1828).
Thomas Roscoe (translator) (ed.).
History of Painting in Italy; from the Period of the Revival of the Fine Arts to the End of the 18th-Century: Schools of Florence and Siena. Vol. I. London: W. Simpkin and R. Marshall. p. 454.
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Niccolò Franchini (1704-1783) was an Italian painter, active in Siena, depicting mainly religious canvases in a late- Baroque style. Niccolò Franchini (1704-1783) was an Italian painter, active in Siena, depicting mainly religious canvases in a late- Baroque style.
The Bichi Chapel of the Church of Sant'Agostino has an altarpiece of San Cristoforo (1755) that replaced the former triptych by Luca Signorelli. [1] He also has works in the church of San Giorgio in Siena. [2] He also painted the ceiling of the oratory of the painters guild in Siena, adjacent to the church of San Vigilio. [3] He painted a Return of Pope Gregory XI to Rome with Catherine of Siena once in the Oratory of the Santissimo Crocefisso in Siena. [4]
Luigi Lanzi in his exhaustive review of Italian painters places him at the end of the decline in Sienese painters, citing only praises in his roles as a restorer: [5]
in restoring injured specimens to their original beauty, without applying to them a fresh pencil, and in supplying the faded colours with others taken from paintings of less value, he entitled himself, in fact, to the praise of a new discovery.
- ^ Via de Siena website, entry on the church of Sant'Agostino.
- ^ Scoprire Siena website entry on Church of San Giorgio.
- ^ Artistic Guide to Siena and Its Environs, Second Edition, 1908, page 86.
- ^ Saint Catherine of Siena and Her Times, page 191.
-
^ Lanzi, Luigi (1828).
Thomas Roscoe (translator) (ed.).
History of Painting in Italy; from the Period of the Revival of the Fine Arts to the End of the 18th-Century: Schools of Florence and Siena. Vol. I. London: W. Simpkin and R. Marshall. p. 454.
{{ cite book}}:|editor=has generic name ( help)
| International | |
|---|---|
| National | |
| Artists | |