Miss Van (born 1973 in Toulouse, France), also known as Vanessa Alice, is a graffiti and street artist. [1] [2] Miss Van started painting on the street of Toulouse alongside Mademoiselle Kat at the age of 18. Today, she is now internationally known as a street and fine artist. Primarily, her work is marked by the use of unique characters, called poupées, or dolls. [3] Miss Van's work has appeared on streets internationally, although she also exhibits canvases in galleries across France, Europe and the United States. [1] Today, her work is characterized by both street art and fine art, blurring the lines between both worlds. [4]
Miss Van currently resides in Barcelona and has written and published several books with the publishing house Drago and coordinated several art shows across Europe. [5] She remains one of the most famous female street and graffiti artists in the world, recognized as one of the top figures in early 21st-century street art canon. [6]
In her artwork, Miss Van typically depicts sloe-eyed women, covering a varied array of female forms and expressing many different emotions. [7] Common themes in her work include eroticism, sexuality, desire and innocence which are represented by animal masks, pastel colors, and revealing clothing. [2] [4] Miss Van's work illustrates a cartoonish, dream-like world of female sexuality. [8] Over time the stylization of the women has changed, reflecting Miss Van's artistic and personal evolution as she has grown and matured. [8] This change is paralleled in Miss Van's increased preference for the gallery over the street. [8] In the gallery, Miss Van embraces enclosed and intimate gallery space as part of the artistic experience . [8]
Between 2008 and 2016, Miss Van exhibited artwork in private galleries in Shanghai, London, Rome, Berlin, Paris and Vienna. [4] In North America, she has held shows in Detroit, [9] Santa Monica, Los Angeles, Montreal, Chicago and New York. [4] Notable shows include, Still a Little Magic at Upper Playground, San Francisco in 2008; Cachetes Colorados at Upper Playground, Mexico City in 2010; and A Moment in Time at Saatchi Gallery, London in 2016. [4] The same year, Miss Van also showed at the Atmossphere Biennale in Moscow, where she exhibited a woven wool rug based on an original painting. [10]
Thematically, her work has provoked a negative reaction from some feminists due to the portrayal of women in her graffiti. [1] Although she receives this backlash, her reasoning for her painting is more personal. "Painting on walls was a way to show that I was boycotting the conventional art world". [11] Despite negative critique of her work, some critics perceive her portrayal of sexuality and feminity as a powerful rejection of male supremacy and male-dominated art. [8] Her work is also appreciated for centering women and increasing the representation of women in street art. [8] Furthermore, the depiction of a full-figured female form in Miss Van's work is representative of body positive politics. [12] Miss Van is regarded as one of the most famous female graffiti and street artists in the world, a genre that is generally considered as having few female artists. [12]
In 2013, Miss Van painted a street art piece with collaborators depicting what is commonly referred to as "Blackface." She faced a string of criticism on her personal instagram account as a white European woman appropriating the culture of Black Americans. Despite personal pleas of people of color, the artist chose to delete and censor their posts, causing even more of a disruption.
In 2016, Miss Van held her first institutional art show at Centro de Arte Contemporáneo de Málaga in Spain, titled "For The Wind in My Hair." [2] The show featured 39 original paintings on canvas. Artnet News calls the show as "interesting discourse between the worlds of fine art and street art." [2] Miss Van also displays how meaning changes between these two artistic sites, the street and the gallery. [8]
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external links may not follow Wikipedia's policies or guidelines. (October 2021) |
2014 – Miss Van: Glamorous Darkness, StolenSpace Gallery, London – Solo Show
2014 – Spectrum: Winter Group Show, StolenSpace Gallery, London – Group Show
2014 – Art Truancy: Celebrating 20 Years of Juxtapoz Magazine, Johnathan LeVine Projects – Group Show
2014 – StolenSpace Gallery at SCOPE Miami Beach 2014 – Fair
2015 – The Reasons for the Seasons, StolenSpace Gallery, London – Group Show
2015 – FESTIN DE ARTE at Isabelle Croxatto Galleria, Isabelle Croxatto Galleria, Santiago – Group Show
2015 – 'Freedom' a Group Show, StolenSpace Gallery, Berlin – Group Show
2015 – FIFTY24MX at LA Art Show 2015 – Fair
2016 – Ch. ACO'16, Isabel Croxatto Galería, Santiago – Group Show
2016 – Isabel Croxatto Galeria at Contemporary Istanbul 2016, Şişli – Fair
2017 – Flor de Piel, Victor Lope Arte Contemporaneo, Barcelona – Solo Show
2017 – Welcome to New Jersey, Jonathan LeVine Projects, Jersey City – Group Show
2017 – Isabel Croxatto Galeria at Art Central 2017 – Fair
Miss Van (born 1973 in Toulouse, France), also known as Vanessa Alice, is a graffiti and street artist. [1] [2] Miss Van started painting on the street of Toulouse alongside Mademoiselle Kat at the age of 18. Today, she is now internationally known as a street and fine artist. Primarily, her work is marked by the use of unique characters, called poupées, or dolls. [3] Miss Van's work has appeared on streets internationally, although she also exhibits canvases in galleries across France, Europe and the United States. [1] Today, her work is characterized by both street art and fine art, blurring the lines between both worlds. [4]
Miss Van currently resides in Barcelona and has written and published several books with the publishing house Drago and coordinated several art shows across Europe. [5] She remains one of the most famous female street and graffiti artists in the world, recognized as one of the top figures in early 21st-century street art canon. [6]
In her artwork, Miss Van typically depicts sloe-eyed women, covering a varied array of female forms and expressing many different emotions. [7] Common themes in her work include eroticism, sexuality, desire and innocence which are represented by animal masks, pastel colors, and revealing clothing. [2] [4] Miss Van's work illustrates a cartoonish, dream-like world of female sexuality. [8] Over time the stylization of the women has changed, reflecting Miss Van's artistic and personal evolution as she has grown and matured. [8] This change is paralleled in Miss Van's increased preference for the gallery over the street. [8] In the gallery, Miss Van embraces enclosed and intimate gallery space as part of the artistic experience . [8]
Between 2008 and 2016, Miss Van exhibited artwork in private galleries in Shanghai, London, Rome, Berlin, Paris and Vienna. [4] In North America, she has held shows in Detroit, [9] Santa Monica, Los Angeles, Montreal, Chicago and New York. [4] Notable shows include, Still a Little Magic at Upper Playground, San Francisco in 2008; Cachetes Colorados at Upper Playground, Mexico City in 2010; and A Moment in Time at Saatchi Gallery, London in 2016. [4] The same year, Miss Van also showed at the Atmossphere Biennale in Moscow, where she exhibited a woven wool rug based on an original painting. [10]
Thematically, her work has provoked a negative reaction from some feminists due to the portrayal of women in her graffiti. [1] Although she receives this backlash, her reasoning for her painting is more personal. "Painting on walls was a way to show that I was boycotting the conventional art world". [11] Despite negative critique of her work, some critics perceive her portrayal of sexuality and feminity as a powerful rejection of male supremacy and male-dominated art. [8] Her work is also appreciated for centering women and increasing the representation of women in street art. [8] Furthermore, the depiction of a full-figured female form in Miss Van's work is representative of body positive politics. [12] Miss Van is regarded as one of the most famous female graffiti and street artists in the world, a genre that is generally considered as having few female artists. [12]
In 2013, Miss Van painted a street art piece with collaborators depicting what is commonly referred to as "Blackface." She faced a string of criticism on her personal instagram account as a white European woman appropriating the culture of Black Americans. Despite personal pleas of people of color, the artist chose to delete and censor their posts, causing even more of a disruption.
In 2016, Miss Van held her first institutional art show at Centro de Arte Contemporáneo de Málaga in Spain, titled "For The Wind in My Hair." [2] The show featured 39 original paintings on canvas. Artnet News calls the show as "interesting discourse between the worlds of fine art and street art." [2] Miss Van also displays how meaning changes between these two artistic sites, the street and the gallery. [8]
![]() | This article's use of
external links may not follow Wikipedia's policies or guidelines. (October 2021) |
2014 – Miss Van: Glamorous Darkness, StolenSpace Gallery, London – Solo Show
2014 – Spectrum: Winter Group Show, StolenSpace Gallery, London – Group Show
2014 – Art Truancy: Celebrating 20 Years of Juxtapoz Magazine, Johnathan LeVine Projects – Group Show
2014 – StolenSpace Gallery at SCOPE Miami Beach 2014 – Fair
2015 – The Reasons for the Seasons, StolenSpace Gallery, London – Group Show
2015 – FESTIN DE ARTE at Isabelle Croxatto Galleria, Isabelle Croxatto Galleria, Santiago – Group Show
2015 – 'Freedom' a Group Show, StolenSpace Gallery, Berlin – Group Show
2015 – FIFTY24MX at LA Art Show 2015 – Fair
2016 – Ch. ACO'16, Isabel Croxatto Galería, Santiago – Group Show
2016 – Isabel Croxatto Galeria at Contemporary Istanbul 2016, Şişli – Fair
2017 – Flor de Piel, Victor Lope Arte Contemporaneo, Barcelona – Solo Show
2017 – Welcome to New Jersey, Jonathan LeVine Projects, Jersey City – Group Show
2017 – Isabel Croxatto Galeria at Art Central 2017 – Fair