Miko Revereza is an experimental filmmaker from Manila. [1] Revereza lived in the United States as an undocumented immigrant; an experience which informs his work. [2] He holds an MFA from Bard College, but has no undergraduate degree. [3] In 2021, he won the Vilcek Prize for Creative Promise in Filmmaking and his short films have been featured by the Criterion Collection. [4] [5]
No Data Plan was filmed during a cross-country train journey by Revereza and includes audio from conversations with his mother about immigration held on a burner phone. It was listed as one of the best films of 2019 by BFI's Sight & Sound International Film Magazine, Hyperallergic, and CNN Philippines. [6] [7] The film was screened at several locations, including the Smithsonian's National Museum of Asian Art and the National Gallery of Art. [8] [9]
In Nowhere Near, the filmmaker returns to the Philippines to reckon with a "family curse" and the legacy of imperialism. [10] It was included in the Marché du Film de Cannes Docs Showcase. [11] It received funding through a Purin Pictures grant, the Open City Documentary Festival's Assembly Grant, and the International Film Festival Rotterdam's Hubert Bals Fund Bright Future Award. [12] [13] [14]
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Miko Revereza is an experimental filmmaker from Manila. [1] Revereza lived in the United States as an undocumented immigrant; an experience which informs his work. [2] He holds an MFA from Bard College, but has no undergraduate degree. [3] In 2021, he won the Vilcek Prize for Creative Promise in Filmmaking and his short films have been featured by the Criterion Collection. [4] [5]
No Data Plan was filmed during a cross-country train journey by Revereza and includes audio from conversations with his mother about immigration held on a burner phone. It was listed as one of the best films of 2019 by BFI's Sight & Sound International Film Magazine, Hyperallergic, and CNN Philippines. [6] [7] The film was screened at several locations, including the Smithsonian's National Museum of Asian Art and the National Gallery of Art. [8] [9]
In Nowhere Near, the filmmaker returns to the Philippines to reckon with a "family curse" and the legacy of imperialism. [10] It was included in the Marché du Film de Cannes Docs Showcase. [11] It received funding through a Purin Pictures grant, the Open City Documentary Festival's Assembly Grant, and the International Film Festival Rotterdam's Hubert Bals Fund Bright Future Award. [12] [13] [14]
{{
cite web}}
: CS1 maint: numeric names: authors list (
link)