Maurice Pasternak | |
---|---|
Born | 22 December 1946 Bruxelles (Belgique) |
Nationality | Belge |
Education | École Nationale Supérieure des Arts Visuels de La Cambre (Brussels, Belgium) |
Known for | Artiste, graveur et dessinateur |
Website | http://www.mauricepasternak.be/ |
Maurice Pasternak (born 1946 in Brussels) is a Belgian artist, engraver and drawer. [1]
His work is essentially focused on mezzotint technique. [2] [3] He also develops drawing artworks, with various techniques: pastel, wax and pigments, and graphite. [4] [5] [6]
Human relationships are at the very core of his work. [7]
Until 2010s, his work mainly consists of engravings and pastels.
The topic of space, deeply linked to the particular use of perspective: objective and subjective as well as to the different light sources [8]
The graphite technique enabled him to articulate various themes (subjects) through changing handwriting on the legible limits [9] [10]
His work expresses an intemporality of intention, and is profoundly imbued with its existential questioning [9]
Maurice Pasternak | |
---|---|
Born | 22 December 1946 Bruxelles (Belgique) |
Nationality | Belge |
Education | École Nationale Supérieure des Arts Visuels de La Cambre (Brussels, Belgium) |
Known for | Artiste, graveur et dessinateur |
Website | http://www.mauricepasternak.be/ |
Maurice Pasternak (born 1946 in Brussels) is a Belgian artist, engraver and drawer. [1]
His work is essentially focused on mezzotint technique. [2] [3] He also develops drawing artworks, with various techniques: pastel, wax and pigments, and graphite. [4] [5] [6]
Human relationships are at the very core of his work. [7]
Until 2010s, his work mainly consists of engravings and pastels.
The topic of space, deeply linked to the particular use of perspective: objective and subjective as well as to the different light sources [8]
The graphite technique enabled him to articulate various themes (subjects) through changing handwriting on the legible limits [9] [10]
His work expresses an intemporality of intention, and is profoundly imbued with its existential questioning [9]