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From Wikipedia, the free encyclopedia
Matsunaga Teitoku
松永 貞徳
Born1571
Died1654
Other names長頭丸 (Tyōzumaru)
逍遊軒 (Syōyūken)
Era Edo period
ChildrenMatsunaga Sekigo
Parent
  • Matsunaga Eisyu (father)

Matsunaga Teitoku (松永 貞徳, 1570-1653) was a Japanese haikai and waka poet. As a teacher of Teimon Haikai, he spread haikai throughout Japan. He was considered by R H Blyth to be the most important of Matsuo Bashō's predecessors. [1]

Achievements

Teitoku played a significant role in regularising the rules for Haikai, and in raising its importance and status as a genre. [2] He specialised in elegant wordplay, and in subject-matter reflecting the Chinese classics and waka. [3]

Through his disciples in the Teimon school, he influenced succeeding generations of haiku poets: thus for example Bashō's first haiku teacher, Kigin, came from his school. [4]

Criticism

Teitoku's approach was criticised by the Danrin school for shallowness and excessive wordplay. [5] One member, Bashō himself, is reported to have said of its founder, Nishiyama Sōin, that, if not for him, "we would still be licking the slaver of aged Teitoku". [6]

See also

References

  1. ^ R H Blyth, A History of Haiku Vol I (1963) p. 67
  2. ^ R H Blyth, A History of Haiku Vol I (1963) p. 67
  3. ^ Nobuyuki Yuasa trans., The Narrow Road to the Deep North (1983) p. 17
  4. ^ Nobuyuki Yuasa trans., The Narrow Road to the Deep North (1983) p. 20-1
  5. ^ Makoto Ueda, Matsuo Bashō (1982) p. 38-40
  6. ^ Nobuyuki Yuasa trans., The Narrow Road to the Deep North (1983) p. 24
From Wikipedia, the free encyclopedia
Matsunaga Teitoku
松永 貞徳
Born1571
Died1654
Other names長頭丸 (Tyōzumaru)
逍遊軒 (Syōyūken)
Era Edo period
ChildrenMatsunaga Sekigo
Parent
  • Matsunaga Eisyu (father)

Matsunaga Teitoku (松永 貞徳, 1570-1653) was a Japanese haikai and waka poet. As a teacher of Teimon Haikai, he spread haikai throughout Japan. He was considered by R H Blyth to be the most important of Matsuo Bashō's predecessors. [1]

Achievements

Teitoku played a significant role in regularising the rules for Haikai, and in raising its importance and status as a genre. [2] He specialised in elegant wordplay, and in subject-matter reflecting the Chinese classics and waka. [3]

Through his disciples in the Teimon school, he influenced succeeding generations of haiku poets: thus for example Bashō's first haiku teacher, Kigin, came from his school. [4]

Criticism

Teitoku's approach was criticised by the Danrin school for shallowness and excessive wordplay. [5] One member, Bashō himself, is reported to have said of its founder, Nishiyama Sōin, that, if not for him, "we would still be licking the slaver of aged Teitoku". [6]

See also

References

  1. ^ R H Blyth, A History of Haiku Vol I (1963) p. 67
  2. ^ R H Blyth, A History of Haiku Vol I (1963) p. 67
  3. ^ Nobuyuki Yuasa trans., The Narrow Road to the Deep North (1983) p. 17
  4. ^ Nobuyuki Yuasa trans., The Narrow Road to the Deep North (1983) p. 20-1
  5. ^ Makoto Ueda, Matsuo Bashō (1982) p. 38-40
  6. ^ Nobuyuki Yuasa trans., The Narrow Road to the Deep North (1983) p. 24

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