Mark Arthur Cheetham (born 1954) is professor in the department of Art History at the University of Toronto. Cheetham is a specialist in writing about art in modern and
contemporary art.[1][2]
Selected publications
Theory Between the Disciplines: Authority Vision Politics. Coeditor with Martin Kreiswirth. Ann Arbor:
University of Michigan Press, 1990.
Remembering Postmodernism: Trends in Recent Canadian Art. Oxford and Toronto:
Oxford University Press, 1991. Second, revised ed. OUP, 2012.
The Rhetoric of Purity: Essentialist Theory and the Advent of Abstract Painting. Cambridge: Cambridge University Press (Cambridge New Art History and Criticism series, ed. Norman Bryson), 1991.
La Mémoire Postmoderne: Essai sur l’art canadien postmoderne. Trans. Jean Papineau. Montréal: Liber, 1992. (This is a French ed. of Remembering Postmodernism, cited below. Recipient of the Prix littéraire du Gouverneur général, catégorie traduction, 1992)
Alex Colville: The Observer Observed. Toronto: ECW Press, 1994. (2nd ed., 1995).
The Subjects of Art History: Historical Objects in Contemporary Perspective. Coeditor with Michael Ann Holly and Keith Moxey, Cambridge University Press, 1998. (Korean translation, Seoul:
Kyungsung University Press, 2007)
Kant, Art, and Art History: Moments of Discipline. Cambridge University Press, 2001.[3][4] Chinese trans., Nanjing: Jiangsu Fine Arts Publishing House, 2010.
Abstract Art Against Autonomy: Infection, Resistance, and Cure since the '60s.
Cambridge University Press, 2006.
Artwriting, Nation, and Cosmopolitanism in Britain: The "Englishness" of English Art Theory since the 18th Century. Ashgate: British Art: Global Contexts series. Feb. 2012.
Mark Arthur Cheetham (born 1954) is professor in the department of Art History at the University of Toronto. Cheetham is a specialist in writing about art in modern and
contemporary art.[1][2]
Selected publications
Theory Between the Disciplines: Authority Vision Politics. Coeditor with Martin Kreiswirth. Ann Arbor:
University of Michigan Press, 1990.
Remembering Postmodernism: Trends in Recent Canadian Art. Oxford and Toronto:
Oxford University Press, 1991. Second, revised ed. OUP, 2012.
The Rhetoric of Purity: Essentialist Theory and the Advent of Abstract Painting. Cambridge: Cambridge University Press (Cambridge New Art History and Criticism series, ed. Norman Bryson), 1991.
La Mémoire Postmoderne: Essai sur l’art canadien postmoderne. Trans. Jean Papineau. Montréal: Liber, 1992. (This is a French ed. of Remembering Postmodernism, cited below. Recipient of the Prix littéraire du Gouverneur général, catégorie traduction, 1992)
Alex Colville: The Observer Observed. Toronto: ECW Press, 1994. (2nd ed., 1995).
The Subjects of Art History: Historical Objects in Contemporary Perspective. Coeditor with Michael Ann Holly and Keith Moxey, Cambridge University Press, 1998. (Korean translation, Seoul:
Kyungsung University Press, 2007)
Kant, Art, and Art History: Moments of Discipline. Cambridge University Press, 2001.[3][4] Chinese trans., Nanjing: Jiangsu Fine Arts Publishing House, 2010.
Abstract Art Against Autonomy: Infection, Resistance, and Cure since the '60s.
Cambridge University Press, 2006.
Artwriting, Nation, and Cosmopolitanism in Britain: The "Englishness" of English Art Theory since the 18th Century. Ashgate: British Art: Global Contexts series. Feb. 2012.