Marion Lorraine Ranyak | |
|---|---|
| Born | 25 January 1925 |
| Died | 22 August 2018 (aged 93) |
| Nationality | American |
| Education | Wheelock College |
| Known for | Painting |
Marion Lorraine Ranyak (25 January 1925 — 22 August 2018) [1] was an American painter who lived and worked in Rye, New York, and was a founding member of SOHO20. [1]
Born Marion Hannig in New York City, she was the daughter of William A. Hannig and Carolyn Exner Hannig. [1] [2] Her father was a public school principal and later a member of the Board of Examiners (1921–53), an agency in New York City that set personnel standards for administrators and educators. [2] [3] Her mother operated a successful family-owned sand and gravel company. [2] [3] In 1950, Marion Hannig married John A. Ranyak; [4] they divorced in the mid-1970s [5]
In 1946, after an unsatisfactory educational experience at Wheelock College, [1] [3] Marion Ranyak spent six weeks in Provincetown, Massachusetts, where she studied with the painter Hans Hofmann. [5] The result, she said, was a "very strong feeling of the two-dimensionality of the surface" which was "always there" in her paintings. [5] Ranyak also began to travel—to California, France, and eventually Italy. [3] While her husband was enrolled at MIT and she was raising their three children, Ranyak had little time to paint; she ceased for 14 years but resumed work in 1962. [3] Reading Betty Friedan’s The Feminine Mystique, as she later noted, "gave me a support that I got nowhere else in my life." [3] Ranyak identified as a feminist and supported many liberal causes. [1]
Ranyak was a founding member of SOHO20 (est. 1973), the second all-women, artist-run art gallery in New York City. [6] [7] At SOHO20, she initially exhibited painted geometric abstractions [8] and cement "sandcastings," [9] but an interest in photography led her to explore more realistic views of nature. [3] Her small paintings of pebbles, stones, rocks, grass, and leaves—exhibited at SOHO20 in 1978—emphasize flatness through simplified but precise forms. [8] Ranyak's acrylic paintings were positively reviewed in The New York Times by Vivian Raynor, [10] who described her landscapes as "modest" but with "an air of authority." [11] Raynor later wrote that Ranyak "makes Neil Welliver look like an Expressionist." [12] Ranyak was praised by another critic for her ability to suggest texture while using flatly applied acrylic paint, [13] as in Nova Scotia—Grassy Slope (1985). [14] Her later paintings of fields in upstate New York were well received by Michael Brenson, who wrote, "She touches the canvas as delicately as a bird … The light in her paintings is always at that point of gray heat that sets everything in a landscape in motion." [15]
Ranyak remained a full member of SOHO20 until 1988 and continued as an associate member until 1995. [5] In later years, she lost interest in the urban art scene and exhibited primarily in Westchester County, New York. [5] She died on 22 August 2018, in Stamford, Connecticut) [1]
- ^ a b c d e f "Obituary: Marion Lorraine Ranyak". The Journal News. 7 October 2018. Retrieved 7 October 2018.
- ^ a b c "Dr. William Hannig, 85, Dies; Screened City School Personnel". The New York Times. 28 June 1972.
- ^ a b c d e f g Challis, Georgina (August 1985). "Marion Ranyak". American Artist. 49: 44–48, 87–88.
- ^ "Miss Marion Hannig Wed to M.I.T. Student". The New York Times. 2 July 1950.
- ^ a b c d e Dickey, Tina. "Interview with Marion Ranyak, New York City, 5/7/1998". Archives of American Art. Retrieved 7 October 2018.
- ^ Lubell, Ellen (Summer 1977). "SoHo 20". Womanart. 1 (1): 16.
- ^ Broude, Norma; Garrard, Mary D., eds. (1994). The Power of Feminist Art: The American Movement of the 1970s, History and Impact. New York: Harry N. Abrams, Inc.
- ^ a b Heit, Janet (Spring 1978). "Marion Ranyak". Womanart. 2 (3): 41.
- ^ Lubell, Ellen (June 1976). "Arts Reviews: Marion Ranyak/Rachel Rolon de Clet". Arts Magazine. 50 (10): 30.
- ^ Raynor, Vivian (17 August 1980). "The Brightly Realistic Perspective of Jack Beal". The New York Times.
- ^ Raynor, Vivian (21 September 1980). "Competency on Display at Bridge Gallery". The New York Times.
- ^ Raynor, Vivian (25 August 1991). "ART: Artists Crusading for Nature". The New York Times.
- ^ Charles, Eleanor (23 June 1996). "Westchester Guide". The New York Times.
- ^ "Christie's Interiors, New York, 5–6 April 2011, Sale 2430". Retrieved 7 October 2018.
- ^ Brenson, Michael (2 May 1986). "Art: Fonseca's Archaeological Sculpture". The New York Times.
Marion Lorraine Ranyak | |
|---|---|
| Born | 25 January 1925 |
| Died | 22 August 2018 (aged 93) |
| Nationality | American |
| Education | Wheelock College |
| Known for | Painting |
Marion Lorraine Ranyak (25 January 1925 — 22 August 2018) [1] was an American painter who lived and worked in Rye, New York, and was a founding member of SOHO20. [1]
Born Marion Hannig in New York City, she was the daughter of William A. Hannig and Carolyn Exner Hannig. [1] [2] Her father was a public school principal and later a member of the Board of Examiners (1921–53), an agency in New York City that set personnel standards for administrators and educators. [2] [3] Her mother operated a successful family-owned sand and gravel company. [2] [3] In 1950, Marion Hannig married John A. Ranyak; [4] they divorced in the mid-1970s [5]
In 1946, after an unsatisfactory educational experience at Wheelock College, [1] [3] Marion Ranyak spent six weeks in Provincetown, Massachusetts, where she studied with the painter Hans Hofmann. [5] The result, she said, was a "very strong feeling of the two-dimensionality of the surface" which was "always there" in her paintings. [5] Ranyak also began to travel—to California, France, and eventually Italy. [3] While her husband was enrolled at MIT and she was raising their three children, Ranyak had little time to paint; she ceased for 14 years but resumed work in 1962. [3] Reading Betty Friedan’s The Feminine Mystique, as she later noted, "gave me a support that I got nowhere else in my life." [3] Ranyak identified as a feminist and supported many liberal causes. [1]
Ranyak was a founding member of SOHO20 (est. 1973), the second all-women, artist-run art gallery in New York City. [6] [7] At SOHO20, she initially exhibited painted geometric abstractions [8] and cement "sandcastings," [9] but an interest in photography led her to explore more realistic views of nature. [3] Her small paintings of pebbles, stones, rocks, grass, and leaves—exhibited at SOHO20 in 1978—emphasize flatness through simplified but precise forms. [8] Ranyak's acrylic paintings were positively reviewed in The New York Times by Vivian Raynor, [10] who described her landscapes as "modest" but with "an air of authority." [11] Raynor later wrote that Ranyak "makes Neil Welliver look like an Expressionist." [12] Ranyak was praised by another critic for her ability to suggest texture while using flatly applied acrylic paint, [13] as in Nova Scotia—Grassy Slope (1985). [14] Her later paintings of fields in upstate New York were well received by Michael Brenson, who wrote, "She touches the canvas as delicately as a bird … The light in her paintings is always at that point of gray heat that sets everything in a landscape in motion." [15]
Ranyak remained a full member of SOHO20 until 1988 and continued as an associate member until 1995. [5] In later years, she lost interest in the urban art scene and exhibited primarily in Westchester County, New York. [5] She died on 22 August 2018, in Stamford, Connecticut) [1]
- ^ a b c d e f "Obituary: Marion Lorraine Ranyak". The Journal News. 7 October 2018. Retrieved 7 October 2018.
- ^ a b c "Dr. William Hannig, 85, Dies; Screened City School Personnel". The New York Times. 28 June 1972.
- ^ a b c d e f g Challis, Georgina (August 1985). "Marion Ranyak". American Artist. 49: 44–48, 87–88.
- ^ "Miss Marion Hannig Wed to M.I.T. Student". The New York Times. 2 July 1950.
- ^ a b c d e Dickey, Tina. "Interview with Marion Ranyak, New York City, 5/7/1998". Archives of American Art. Retrieved 7 October 2018.
- ^ Lubell, Ellen (Summer 1977). "SoHo 20". Womanart. 1 (1): 16.
- ^ Broude, Norma; Garrard, Mary D., eds. (1994). The Power of Feminist Art: The American Movement of the 1970s, History and Impact. New York: Harry N. Abrams, Inc.
- ^ a b Heit, Janet (Spring 1978). "Marion Ranyak". Womanart. 2 (3): 41.
- ^ Lubell, Ellen (June 1976). "Arts Reviews: Marion Ranyak/Rachel Rolon de Clet". Arts Magazine. 50 (10): 30.
- ^ Raynor, Vivian (17 August 1980). "The Brightly Realistic Perspective of Jack Beal". The New York Times.
- ^ Raynor, Vivian (21 September 1980). "Competency on Display at Bridge Gallery". The New York Times.
- ^ Raynor, Vivian (25 August 1991). "ART: Artists Crusading for Nature". The New York Times.
- ^ Charles, Eleanor (23 June 1996). "Westchester Guide". The New York Times.
- ^ "Christie's Interiors, New York, 5–6 April 2011, Sale 2430". Retrieved 7 October 2018.
- ^ Brenson, Michael (2 May 1986). "Art: Fonseca's Archaeological Sculpture". The New York Times.