Marian Wilson Kimber | |
---|---|
Born | Marian Wilson |
Academic background | |
Alma mater | Florida State University ( PhD) |
Thesis | Felix Mendelssohn's Works for Solo Piano and Orchestra: Sources and Composition (1993) |
Doctoral advisor | Douglas Seaton |
Academic work | |
Discipline | Musicologist |
Institutions | University of Iowa |
Main interests | 19th century music |
Marian Wilson Kimber is an American musicologist and a Professor of Music at the University of Iowa. Having completed a dissertation on the autograph scores of Felix Mendelssohn's piano concertos, Wilson Kimber received her PhD in Musicology from Florida State University in 1993. [1] Her work covers topics of gender, biography, performance, and bibliography in the nineteenth century. Specifically, she has published on Felix Mendelssohn-Bartholdy and Fanny Mendelssohn Hensel, Jane Austen, spoken-word recitation to musical accompaniment, and female performance genres. [2] Wilson Kimber's recent book The Elocutionists: Women, Music, and the Spoken Word ( University of Illinois Press, 2017), was a recipient of grants from both the American Musicological Society and the Society for American Music. [3]
Marian Wilson Kimber | |
---|---|
Born | Marian Wilson |
Academic background | |
Alma mater | Florida State University ( PhD) |
Thesis | Felix Mendelssohn's Works for Solo Piano and Orchestra: Sources and Composition (1993) |
Doctoral advisor | Douglas Seaton |
Academic work | |
Discipline | Musicologist |
Institutions | University of Iowa |
Main interests | 19th century music |
Marian Wilson Kimber is an American musicologist and a Professor of Music at the University of Iowa. Having completed a dissertation on the autograph scores of Felix Mendelssohn's piano concertos, Wilson Kimber received her PhD in Musicology from Florida State University in 1993. [1] Her work covers topics of gender, biography, performance, and bibliography in the nineteenth century. Specifically, she has published on Felix Mendelssohn-Bartholdy and Fanny Mendelssohn Hensel, Jane Austen, spoken-word recitation to musical accompaniment, and female performance genres. [2] Wilson Kimber's recent book The Elocutionists: Women, Music, and the Spoken Word ( University of Illinois Press, 2017), was a recipient of grants from both the American Musicological Society and the Society for American Music. [3]