Margaret Brassler Kane | |
---|---|
Born |
East Orange, New Jersey, U.S. | May 25, 1909
Died | April 10, 2006
Cos Cob, Connecticut, U.S. | (aged 96)
Nationality | American |
Style | Figurative art, sculpture |
Margaret Brassler Kane (May 25, 1909 – April 10, 2006) was an American figurative sculptor known for her use of the direct-carving method. [1] [2]
Brassler Kane was born to parents Hans and Mathilde Trumpler Brassler in East Orange, New Jersey, and moved with her parents to Brooklyn in 1918. [3] She attended Packer Collegiate Institute, Syracuse University, and the Art Students League of New York, as well as took lessons with John Hovannes. [3] She won a number of prizes for her art during the 1940s. Many of her pieces depicted contemporary life, and tackled current issues of the day, including socioeconomic injustice and war. [4] [5] Brassler Kane was married to Arthur Ferris Kane in June 1930. [3] [5]
One of Brassler Kane's best known works is a group of large relief panels carved in limewood, each six-by-six foot: Symbols of Changing Man (1937-39), Earthbound (1950-57), and Micro-Macrocosm (1960-67). [3] The panels depict the history of humanity, exploring themes of science, technology, industry, religion, and social conflict. [1] [2] [6] However, until 2018, all of the panels had never been exhibited together. [2] Blackout, which shows an family of refugees fleeing from war, was exhibited at the Metropolitan Museum of Art in 1942 in a contemporary art show entitled "Artists for Victory." [7] Bread and Wine (1940) is a bronze work that contrasts impoverished figures on a Great Depression-era breadline with well-off bargoers mingling over cocktails. [5] [6] Harlem Dancers (1937), carved in Tennessee marble, is in the collection of the Smithsonian American Art Museum. [8]
Kane was a founding member of the Sculptors Guild. [5]
Margaret Brassler Kane | |
---|---|
Born |
East Orange, New Jersey, U.S. | May 25, 1909
Died | April 10, 2006
Cos Cob, Connecticut, U.S. | (aged 96)
Nationality | American |
Style | Figurative art, sculpture |
Margaret Brassler Kane (May 25, 1909 – April 10, 2006) was an American figurative sculptor known for her use of the direct-carving method. [1] [2]
Brassler Kane was born to parents Hans and Mathilde Trumpler Brassler in East Orange, New Jersey, and moved with her parents to Brooklyn in 1918. [3] She attended Packer Collegiate Institute, Syracuse University, and the Art Students League of New York, as well as took lessons with John Hovannes. [3] She won a number of prizes for her art during the 1940s. Many of her pieces depicted contemporary life, and tackled current issues of the day, including socioeconomic injustice and war. [4] [5] Brassler Kane was married to Arthur Ferris Kane in June 1930. [3] [5]
One of Brassler Kane's best known works is a group of large relief panels carved in limewood, each six-by-six foot: Symbols of Changing Man (1937-39), Earthbound (1950-57), and Micro-Macrocosm (1960-67). [3] The panels depict the history of humanity, exploring themes of science, technology, industry, religion, and social conflict. [1] [2] [6] However, until 2018, all of the panels had never been exhibited together. [2] Blackout, which shows an family of refugees fleeing from war, was exhibited at the Metropolitan Museum of Art in 1942 in a contemporary art show entitled "Artists for Victory." [7] Bread and Wine (1940) is a bronze work that contrasts impoverished figures on a Great Depression-era breadline with well-off bargoers mingling over cocktails. [5] [6] Harlem Dancers (1937), carved in Tennessee marble, is in the collection of the Smithsonian American Art Museum. [8]
Kane was a founding member of the Sculptors Guild. [5]