MagentaMantaLoveTree | ||||
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Studio album by | ||||
Released | 1993 | |||
Genre | Modern rock | |||
Length | 64:51 | |||
Label | Brainstorm Artists, Intl, Word Records | |||
Producer |
Gene Eugene Dighayzoose | |||
Dighayzoose chronology | ||||
|
Review scores | |
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Source | Rating |
Cross Rhythms | (not rated) link [1] |
CCM Magazine | (not rated) [2] |
True Tunes News | (not rated) [3] |
Cornerstone | (not rated) [4] |
MagentaMantaLoveTree (1993) was the second album released by Dighayzoose with a duration of nearly 65 minutes. All band members, except of Jimmi Rodrigez, participated in the writing process. [3] The album was a departure from their debut which had been, according to multiple critics, essentially a Red Hot Chili Peppers clone. [5] [3] According to True Tunes News the band used the language of psychedelia to create "bizarre and visual lyrics." [3] Their lyrics touched sometimes personal topics such as love & beauty in a dream about a future wife ("MagentaMantaLoveTree"), hate ("H8 Machine"), and self-loathing ("Diggin' Away"). [2] [4] Musically the album contained a great number of styles [1] mashed together into a George Clinton style "cosmic slop." [2] One review drew musical parallels to Steve Vai, Primus, Faith No More, Janes Addiction, and Scaterd Few. [4]
Many of the tracks are prepended by short samples.
MagentaMantaLoveTree | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | 1993 | |||
Genre | Modern rock | |||
Length | 64:51 | |||
Label | Brainstorm Artists, Intl, Word Records | |||
Producer |
Gene Eugene Dighayzoose | |||
Dighayzoose chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Cross Rhythms | (not rated) link [1] |
CCM Magazine | (not rated) [2] |
True Tunes News | (not rated) [3] |
Cornerstone | (not rated) [4] |
MagentaMantaLoveTree (1993) was the second album released by Dighayzoose with a duration of nearly 65 minutes. All band members, except of Jimmi Rodrigez, participated in the writing process. [3] The album was a departure from their debut which had been, according to multiple critics, essentially a Red Hot Chili Peppers clone. [5] [3] According to True Tunes News the band used the language of psychedelia to create "bizarre and visual lyrics." [3] Their lyrics touched sometimes personal topics such as love & beauty in a dream about a future wife ("MagentaMantaLoveTree"), hate ("H8 Machine"), and self-loathing ("Diggin' Away"). [2] [4] Musically the album contained a great number of styles [1] mashed together into a George Clinton style "cosmic slop." [2] One review drew musical parallels to Steve Vai, Primus, Faith No More, Janes Addiction, and Scaterd Few. [4]
Many of the tracks are prepended by short samples.