Lydia Kallipoliti | |
---|---|
Λυδία Καλλιπολίτη | |
Nationality | Greek |
Academic background | |
Alma mater |
Aristotle University of Thessaloniki Massachusetts Institute of Technology Princeton University |
Academic work | |
Discipline | Architecture |
Sub-discipline | Architectural history |
Institutions | The Cooper Union for the Advancement of Science and Art |
Website | anacycle.com |
Lydia Kallipoliti is a Greek architect, engineer, architectural historian, action researcher, and scholar. [1] [2] Her work examines interdisciplinary studies involving architecture, technology, and environmental politics. [3]
Kallipoliti grew up in Thessaloniki where she graduated from Anatolia College in 1994. [4] [5] She studied at Aristotle University of Thessaloniki, and graduated with a diploma in architecture and engineering. [6] She has an Master of Science in architecture studies from MIT, a Master of Arts and a PhD from Princeton University. [7]
Kallipoliti was a visiting fellow at the Canadian Center for Architecture, [8] the University of Queensland, [9] and a visiting critic at the University of Technology Sydney. She currently works as an assistant professor at the Cooper Union for the Advancement of Science and Art in New York. [10] [11] She had been an assistant professor at Rensselaer Polytechnic Institute, Syracuse University, and an assistant professor Adjunct at Columbia Graduate School of Architecture, Planning and Preservation. [12] She manages ANAcycle a design studio and thinktank based in New York. [13]
In 2016, she curated the Closed Worlds exhibition at the Storefront for Art and Architecture in New York, funded by a grant awarded by New York State Council on the Arts in 2015. [14] [15] Other editions of the exhibition were held at Woodbury University School of Architecture's WUHO Gallery, [16] and at the University of Technology Sydney's Art Gallery. [17]
Year | Title | Place |
---|---|---|
2011 | Ecoredux 02: Design Manuals for a Dying Planet [18] | Disseny Hub, Barcelona, Spain |
2016 | Closed Worlds [15] | Storefront for Art and Architecture, New York |
2019 | Closed Worlds [16] | University of Technology Sydney, Australia |
Year | Title | Place |
---|---|---|
2015 | Shenzhen Bi-City Biennale of Urbanism\Architecture (UABB) (“Re-Living The City”) [19] | Shenzhen, China |
2016 | The Third Istanbul Design Biennial (Are We Human?) [20] | Istanbul, Turkey |
2017 | Onassis Culture (Tomorrows: Urban fictions for possible futures) [21] | Diplareios School, Athens, Greece |
2019 | Oslo Architecture Triennale (Enough: The Architecture of Degrowth) [22] | Oslo, Norway |
2019 | The Design Museum (Moving to Mars) [23] | London, UK |
2020 | National Gallery of Victoria, Melbourne Design Week (Climate Imagery) [24] | Melbourne, Australia |
2021 | Biennale Architettura 2021 (How Will We Live Together?) [25] | Venice, Italy |
Lydia Kallipoliti | |
---|---|
Λυδία Καλλιπολίτη | |
Nationality | Greek |
Academic background | |
Alma mater |
Aristotle University of Thessaloniki Massachusetts Institute of Technology Princeton University |
Academic work | |
Discipline | Architecture |
Sub-discipline | Architectural history |
Institutions | The Cooper Union for the Advancement of Science and Art |
Website | anacycle.com |
Lydia Kallipoliti is a Greek architect, engineer, architectural historian, action researcher, and scholar. [1] [2] Her work examines interdisciplinary studies involving architecture, technology, and environmental politics. [3]
Kallipoliti grew up in Thessaloniki where she graduated from Anatolia College in 1994. [4] [5] She studied at Aristotle University of Thessaloniki, and graduated with a diploma in architecture and engineering. [6] She has an Master of Science in architecture studies from MIT, a Master of Arts and a PhD from Princeton University. [7]
Kallipoliti was a visiting fellow at the Canadian Center for Architecture, [8] the University of Queensland, [9] and a visiting critic at the University of Technology Sydney. She currently works as an assistant professor at the Cooper Union for the Advancement of Science and Art in New York. [10] [11] She had been an assistant professor at Rensselaer Polytechnic Institute, Syracuse University, and an assistant professor Adjunct at Columbia Graduate School of Architecture, Planning and Preservation. [12] She manages ANAcycle a design studio and thinktank based in New York. [13]
In 2016, she curated the Closed Worlds exhibition at the Storefront for Art and Architecture in New York, funded by a grant awarded by New York State Council on the Arts in 2015. [14] [15] Other editions of the exhibition were held at Woodbury University School of Architecture's WUHO Gallery, [16] and at the University of Technology Sydney's Art Gallery. [17]
Year | Title | Place |
---|---|---|
2011 | Ecoredux 02: Design Manuals for a Dying Planet [18] | Disseny Hub, Barcelona, Spain |
2016 | Closed Worlds [15] | Storefront for Art and Architecture, New York |
2019 | Closed Worlds [16] | University of Technology Sydney, Australia |
Year | Title | Place |
---|---|---|
2015 | Shenzhen Bi-City Biennale of Urbanism\Architecture (UABB) (“Re-Living The City”) [19] | Shenzhen, China |
2016 | The Third Istanbul Design Biennial (Are We Human?) [20] | Istanbul, Turkey |
2017 | Onassis Culture (Tomorrows: Urban fictions for possible futures) [21] | Diplareios School, Athens, Greece |
2019 | Oslo Architecture Triennale (Enough: The Architecture of Degrowth) [22] | Oslo, Norway |
2019 | The Design Museum (Moving to Mars) [23] | London, UK |
2020 | National Gallery of Victoria, Melbourne Design Week (Climate Imagery) [24] | Melbourne, Australia |
2021 | Biennale Architettura 2021 (How Will We Live Together?) [25] | Venice, Italy |