Lorenzo Carcassi was a 1700s Florentine instrument maker. [1] He often worked with his younger sibling and business partner, Tomaso Carcassi. [2] [3]
He and Tomaso were probably students of Giovanni Baptista Gabrielli, another Florentine instrument maker. [4] His instruments are played to this day by artists including Gwendolyn Masin (a violin from 1761) and Vito Paternoster (a violoncello from 1792). [5]
- ^ "Lorenzo Carcassi". Tarisio.com. Retrieved 2019-08-28.
- ^ "Lorenzo & Tomaso Carcassi". InglesHayday.com. Retrieved 2019-08-28.
- ^ "Tomaso Carcassi". Tarisio.com. Retrieved 2019-08-28.
- ^ "Lorenzo & Tomaso Carcassi". InglesHayday.com. Retrieved 2019-08-28.
- ^ musanim. "Bach Calligraphy". Vimeo.com. Retrieved 2019-08-28.
 | This Italian biographical article related to music is a stub. You can help Wikipedia by expanding it. |
Lorenzo Carcassi was a 1700s Florentine instrument maker. [1] He often worked with his younger sibling and business partner, Tomaso Carcassi. [2] [3]
He and Tomaso were probably students of Giovanni Baptista Gabrielli, another Florentine instrument maker. [4] His instruments are played to this day by artists including Gwendolyn Masin (a violin from 1761) and Vito Paternoster (a violoncello from 1792). [5]
- ^ "Lorenzo Carcassi". Tarisio.com. Retrieved 2019-08-28.
- ^ "Lorenzo & Tomaso Carcassi". InglesHayday.com. Retrieved 2019-08-28.
- ^ "Tomaso Carcassi". Tarisio.com. Retrieved 2019-08-28.
- ^ "Lorenzo & Tomaso Carcassi". InglesHayday.com. Retrieved 2019-08-28.
- ^ musanim. "Bach Calligraphy". Vimeo.com. Retrieved 2019-08-28.
| This Italian biographical article related to music is a stub. You can help Wikipedia by expanding it. |