This is a list of films and miniseries that are based on actual events. All films on this list are from
American production unless indicated otherwise.
Not all films have remained true to the genuine history of the event or the characters they are portraying, often adding action and drama to increase the substance and popularity of the film. This list should only include films supported by a Wikipedia article.
Capital Execution (Danish: Henrettelsen) (1903) –
Danishsilent film telling the true story of a French woman who is condemned to death for killing her two children[6]
Betsy Ross (1917) –
silenthistorical film depicting the story of Revolutionary War heroine
Betsy Ross who finds herself in competition with her sister for the affections of a British soldier[88]
The Black Stork (1917) –
drama film depicting a fictionalized account of his eugenic infanticide of the child John Bollinger[89]
Comradeship (German: Kameradschaft) (1931) –
French-
Germandrama film concerning a mine disaster where German
miners rescue French miners from an underground fire and explosion. The story takes place in the Lorraine–Saar regions, along the border between France and Germany[279]
Road to Life (Russian: Putyovka v zhizn) (1931) –
Sovietdrama film in which hundreds of orphans are sent to a labor commune[286]
M (German: M) (1931) – M is a 1931 German mystery suspense thriller film directed by Fritz Lang, a film in which the German Police are unable to capture a notorious child murderer.
Hans Westmar (German: Hans Westmar. Einer von vielen. Ein deutsches Schicksal aus dem Jahre 1929) (1933) –
Nazi Germanpropaganda film depicting a partially fictionalized biography of the Nazi martyr
Horst Wessel[302]
The Prisoner of Shark Island (1936) –
drama film loosely based on the life of Maryland physician
Samuel Mudd, who treated the injured presidential assassin
John Wilkes Booth and later spent time in prison after his controversial conviction for being one of Booth's accomplices[374]
Sutter's Gold (1936) –
Western film depicting a fictionalized version of the aftermath of the discovery of gold on Sutter's property, spurring the California
Gold Rush of 1849[381]
Suez (1938) – romantic
drama film based on events surrounding the construction, between 1859 and 1869, of the
Suez Canal, planned and supervised by French diplomat
Ferdinand de Lesseps[435]
Pukar (Urdu: پُکار) (1939) –
IndianUrdu-languagehistorical film about Mughal emperor
Jehangir's legendary justice and his inner conflict when his wife kills an innocent citizen by mistake[464]
^Wemaere, Séverine; Duval, Gilles (2011),
La couleur retrouvée du Voyage dans la Lune(PDF), Groupama Gan Foundation for Cinema and Technicolor Foundation for Cinema Heritage, p. 165, archived from
the original(PDF) on 11 November 2011, retrieved 19 December 2014
^Jackson, Sally; Shirley, Graham (2006).
"The Story of the Kelly Gang". National Film and Sound Archive, Australia. Archived from
the original on 5 February 2013. Retrieved 2013-01-09.
^Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998, 7
^Grieveson, Lee (24 May 2004). Policing cinema: movies and censorship in early-twentieth-century America. Berkeley: University of California Press. p. 39.
ISBN978-0-520-93742-0.
OCLC56713994.
^Robertson, Patrick (2007). Film Facts. Wigston: Quantum Books. pp. 45–46.
ISBN978-1-84573-235-6.
^Langman, Larry; Borg, Ed (1989).
"American Revolution". Encyclopedia of American War Films. Garland Reference Library of the Humanities. Garland Publishing. p. 22.
ISBN978-0-8240-7540-8.
^Moliterno, Gino (2009). The A to Z of Italian Cinema. Lanham: Scarecrow Press. p. 6.
ISBN978-0-8108-6896-0.
^Dewey, Donald (2016). Buccaneer: James Stuart Blackton and the Birth of American Movies. Lanham: Rowman & Littlefield. pp. 134–137.
ISBN978-1-4422-4258-6.
^Klossner, Michael. The Europe of 1500-1815 on Film and Television: A Worldwide Filmography of Over 2550 Works, 1895 Through 2000. McFarland & Company, 2002. Page 289
^"De Voortrekkers 1916", Africa in Motion Film Festival, screenings at Filmhouse, Edinburgh, Scotland, 4 November 2017; London Castle Cinema, London, England, 9 December 2017. Film distribution by MNet South Africa, Randburg, South Africa. Retrieved 12 August 2021.
^Low, Rachael (September 13, 2013). History of the British Film, 1914–1918. History of British Film. Vol. 3 (1st ed.). Routledge.
ISBN978-0-415-67988-6.
^Babington, Bruce; Barr, Charles (2018). The Call of the Heart: John M. Stahl and Hollywood Melodrama. Bloomington: John Libbey Publishing.
ISBN978-0-86196-736-0.
^"Reviews: Du Barry". Exhibitors Herald. 6 (6). New York City: Exhibitors Herald Company: 25. February 2, 1918.
^Soister, John T. (2002). Conrad Veidt on Screen: A Comprehensive Illustrated Filmography. Jefferson, North Carolina and London:
McFarland & Company. p. 62.
ISBN978-0-7864-4511-0.
^Review, synopsis and link to watch the film:
"A cinema history". Retrieved 15 July 2014.
^Kreimeier, Klaus (1999). The Ufa Story: A History of Germany's Greatest Film Company, 1918–1945. Berkeley: University of California Press. p. 93.
ISBN978-0-520-22069-0.
^Waltraud Maierhofer & Gertrud M. Roesch. Women Against Napoleon: Historical and Fictional Responses to His Rise and Legacy. Campus Verlag, 2007. Page 284.
^Hake, Sabine. Passions and Deceptions: The Early Films of Ernst Lubitsch. Princeton University Press, 1992. Page 47
^von Dassanowsky, Robert (2005). Austrian Cinema: A History. Jefferson: McFarland. p. 36.
ISBN978-0-7864-2078-0.
^Workman, Christopher; Howarth, Troy (2016). Tome of Terror: Horror Films of the Silent Era. Baltimore: Midnight Marquee Press. p. 252.
ISBN978-1-936168-68-2.
^Macnab, Geoffrey (2000). Searching for Stars: Stardom and Screen Acting in British Cinema. Cassell.
^Bock, Hans-Michael; Bergfelder, Tim (2008). The Concise Cinegraph: Encyclopedia of German. Oxford: Berghahn Books.
ISBN978-1-57181-655-9.
^White Munden, Kenneth (1997). The American Film Institute Catalog of Motion Pictures Produced in the United States: Feature Films, 1921–1930. University of California Press. p. 149.
ISBN0-520-20969-9.
^Fawkes, Richard (2000). Opera on Film. London: Duckworth. p. 29.
ISBN978-0-7156-2943-7.
^Klossner, Michael (2014). The Europe of 1500–1815 on Film and Television: A Worldwide Filmography of Over 2550 Works, 1895 Through 2000. Jefferson: McFarland & Co. p. 151.
ISBN978-0-7864-7751-7.
^Gustafsson, Tommy (2014). Masculinity in the Golden Age of Swedish Cinema: A Cultural Analysis of 1920s Films. Jefferson: McFarland. p. 126.
ISBN978-0-7864-9478-1.
^Moliterno, Gino (2008). Historical Dictionary of Italian Cinema. Lanham: Scarecrow Press. p. 158.
ISBN978-0-8108-6254-8.
^Rollberg, Peter (2016). Historical Dictionary of Russian and Soviet Cinema. US: Rowman & Littlefield. pp. 93–94.
ISBN978-1-4422-6842-5.
^Sundholm, John; Thorsen, Isak; Andersson, Lars Gustaf (2012). Historical Dictionary of Scandinavian Cinema. Lanham: Scarecrow Press. pp. 228–229.
ISBN978-0-8108-5524-3.
^Kapczynski, Jennifer M.; Richardson, Michael D., eds. (2014) [2012]. A New History of German Cinema. New York: Boydell & Brewer.
ISBN978-1-58046-854-1.
^Mustafa, Sam A. (2008). The Long Ride of Major Von Schill: A Journey Through German History and Memory. Lanham: Rowman & Littlefield. p. 217.
ISBN978-0-7425-5743-7.
^Reynaud, Daniel (2007). Celluloid Anzacs: The Great War Through Australian Cinema. Melbourne: Australian Scholarly Publishing. p. 110.
ISBN978-1-74097-128-7.
^Munden, Kenneth White, ed. (1997). The American Film Institute Catalog of Motion Pictures Produced in the United States, Part 1. University of California Press. p. 174.
^Klossner, Michael (2002). The Europe of 1500–1815 on Film and Television: A Worldwide Filmography of Over 2550 Works, 1895 Through 2000. Jefferson: McFarland & Co. p. 203.
ISBN978-0-7864-1223-5.
^Klossner, Michael. The Europe of 1500–1815 on Film and Television: A Worldwide Filmography of Over 2550 Works, 1895 through 2000. McFarland, 2002. Page 234.
^Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 328.
ISBN978-1936168-68-2.
^Klossner, Michael. The Europe of 1500–1815 on Film and Television: A Worldwide Filmography of Over 2550 Works, 1895 Through 2000.
McFarland & Company, 2002. p. 15.
^Prawer, Siegbert Salomon (2005). Between Two Worlds: The Jewish Presence in German and Austrian Film, 1910–1933. New York: Berghahn Books. p. 97.
ISBN978-1-84545-074-8.
^Klossner, Michael (2002). The Europe of 1500–1815 on Film and Television: A Worldwide Filmography of Over 2550 Works, 1895 Through 2000. McFarland. p. 77.
^Schaudig, Michael (1996). Positionen deutscher Filmgeschichte. Diskurs-Film-Verlag. p. 122.
^Prawer, Siegbert Salomon (2007). Between Two Worlds: Jewish Presences in German and Austrian Film, 1910–1933. New York City: Berghahn Books. p. 97.
ISBN978-1-84545-303-9.
^"Svatý Václav (1929)". Czech and Slovak Film Database (in Czech). Retrieved 23 February 2018.
^Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress. The American Film Institute. c. 1978. p. 3.
^Butler, Craig
"Review" on
Allmovie.com. Quote: "Pabst brings a sense of realism to the proceedings, aided enormously by Robert Baberske and Fritz Arno Wagner's cinematography, which manages to be both starkly naturalistic and emotionally subjective at the same time."
^Hake, Sabine (2002). German National Cinema. New York: Routledge. p. 247.
ISBN978-0-415-08901-2.
^Vieira, Mark A. (1999). Sin in Soft Focus: Pre-Code Hollywood. New York: Harry N. Abrams, Inc. p. 52.
ISBN0-8109-4475-8.
^Rollberg, Peter (2009). Historical Dictionary of Russian and Soviet Cinema. US: Rowman & Littlefield. pp. 665–666.
ISBN978-0-8108-6072-8.
^Hull, David Stewart (1969). Film in the Third Reich: A Study of the German Cinema, 1933–1945. Berkeley: University of California Press. p. 251.
ISBN978-0-520-01489-3.
^Noack, Frank (2016). Veit Harlan: The Life and Work of a Nazi Filmmaker. Lexington: University Press of Kentucky. p. 59.
ISBN978-0-8131-6700-8.
^Gevinson, Alan (1997). Within Our Gates: Ethnicity in American Feature Films, 1911–1960. Oakland: University of California Press. p. 1372.
ISBN978-0-520-20964-0.
^Bondanella, Peter (2009). A History of Italian Cinema. London: Continuum. p. 37.
ISBN978-1-4411-6069-0.
^Mitchell, Charles P. (2004). The Great Composers Portrayed on Film, 1913 through 2002. McFarland.
^The American Film Institute Catalog Features Films: 1931–40 published by The American Film Institute, c. 1993
^Kester, Bernadette (2002). Film Front Weimar: Representations of the First World War in German films of the Weimar Period (1919–1933). Amsterdam: Amsterdam University Press. pp. 112–113.
ISBN978-90-5356-597-1.
^SCHALLERT, E. (June 8, 1933). "News and reviews of the stage, screen and music; gossip of studios and the theater". Los Angeles Times.
ProQuest163196084.
^D. Welch, Propaganda and the German Cinema, pp. 61–71.
^Kobal, John (1979). "Garbo". The Movie. Orbis Publishing. p. 29.
^Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress, (<-book title) p.203 c.1978 by The American Film Institute
^Bergfelder, Tim; Bock, Hans-Michael (2009). The Concise Cinegraph: Encyclopedia of German. New York: Berghahn Books. p. 538.
ISBN9780857455659.
^'The Brownings' Correspondence', ed. P. Kelley, et al., Wedgestone Press, vol. 10, pg. 17
^Klossner, Michael (2002). The Europe of 1500–1815 on Film and Television: A Worldwide Filmography of Over 2550 Works, 1895 Through 2000. Jefferson: McFarland & Company. p. 77.
ISBN978-0-7864-1223-5.
^Hinton, David B. (2000). The films of Leni Riefenstahl. Lanham: Rowman & Littlefield. p. 18.
ISBN978-1-57886-009-8.
^[4] English language online article by Eric A. Goldman, 'Hollywood's Most Misunderstood and Forgotten Jewish Movie', published 23 September 2014 in The Forward magazine. Accessed 23 July 2021.
^Waltzes from Vienna: A Musical Romance in Three Acts. London: Josef Weinberger Ltd. 1966.
^"William The Taciturn"L. Abelous, translated by J.P. Lacroix, Nelson & Phillips of New York, 1872. Library of Congress
[5] catalogued with subject "William I, Prince of Orange (1534–1584)
^Tamuli, Babul (2002)
""The making of Joymoti"". Archived from the original on 27 October 2009. Retrieved 2007-03-18.{{
cite web}}: CS1 maint: bot: original URL status unknown (
link), The Assam Tribune.
^Kennedy-Karpat, Colleen (2013). Rogues, Romance, and Exoticism in French Cinema of the 1930s. Vancouver: Fairleigh Dickinson University Press. p. 103.
ISBN978-1-61147-613-2.
^Brown, Tom (2015). Spectacle in Classical Cinemas: Musicality and Historicity in the 1930s. Abingdon-on-Thames: Routledge. p. 157.
ISBN978-1-138-85294-5.
^Hake, Sabine (2001). Popular Cinema of the Third Reich. Austin: University of Texas Press. p. 145.
ISBN978-0-292-73458-6.
^"ROYAL CAVALCADE (1935)". Ftvdb.bfi.org.uk. BFI Film & TV Database. 16 April 2009. Archived from
the original on 12 October 2012. Retrieved 7 January 2014.
^William A. Wellman by Frank T. Thompson, The Scarecrow Press, Inc., 1983.
^Dugan, Eleanor Knowles (2011). The Films of Jeanette MacDonald and Nelson Eddy. San Francisco: Grand Cyrus Press. pp. 128, 145.
ISBN978-0-9790994-5-8.
^p.36 Thompson, Frank Alamo Movies 1991 Woodware Productions
^McIlroy, Brian (1986). Sweden (v. 2) (World Cinema). Trowbridge: Flicks Books. p. 176.
ISBN978-0-948911-48-4.
^Rollberg, Peter (2016). Historical Dictionary of Russian and Soviet Cinema (Historical Dictionaries of Literature and the Arts) (2nd ed.). Washington, DC: Rowman & Littlefield Publishers. p. 499.
ISBN978-1-4422-6841-8.
^Landy, Marcia (1998). The Folklore of Consensus: Theatricality in the Italian Cinema, 1930–1943. Albany: SUNY Press. pp. 141–142.
ISBN978-0-7914-3804-6.
^Moliterno, Gino (2020). Historical Dictionary of Italian Cinema (2nd ed.). Washington, DC: Rowman & Littlefield Publishers. pp. 57–58.
ISBN978-1-5381-1947-1.
^Kennedy-Karpat, Colleen (2013). Rogues, Romance, and Exoticism in French Cinema of the 1930s. Vancouver: Fairleigh Dickinson University Press. p. 204.
ISBN978-1-61147-613-2.
^Sira, Halle (1891). Gjest Baardsen: en Forbryders Livsroman: Fortælling fra Aarhundredets Begyndelse: Efter Forhørsakter, Optegnelser og Meddelelser, 1.-2. Del. Kristiania: Folkeskriftselskabet.
^"The Mad Empress". AFI Catalog of Feature Films. AFI. Retrieved September 9, 2015.
^Schallert, Edwin (Sep 27, 1938). "Second Costarring of Davis, Flynn Planned: 'Iron Mask' Story Begun Truex Set for 'Ambush' Helen Parrish Signed Joseph Calleia Tests". Los Angeles Times. p. 15.
^Mr. Goldwyn Battles Acute Filipino Crisis: 'The Real Glory' Brings Consternation To All Concerned
By Frederick C. Othman. United Press Hollywood Correspondent. The Washington Post (9 May 1939: 20.
^Reimer, Robert C.; Reimer, Carol J. (2010). The A to Z of German Cinema. Lanham: Scarecrow Press. p. 189.
ISBN978-0-8108-7611-8.
^Bell, Nelson B (30 March 1939). "Film Biography Is Acclaimed At Premiere: 'Alexander Graham Bell' Moves Notable Audience To Enthusiastic Applause". The Washington Post. p. 9.
ProQuest151192670.
^Green, Stanley (1999) Hollywood Musicals Year by Year (2nd ed.), pub. Hal Leonard Corporation
ISBN0-634-00765-3 page 86
This is a list of films and miniseries that are based on actual events. All films on this list are from
American production unless indicated otherwise.
Not all films have remained true to the genuine history of the event or the characters they are portraying, often adding action and drama to increase the substance and popularity of the film. This list should only include films supported by a Wikipedia article.
Capital Execution (Danish: Henrettelsen) (1903) –
Danishsilent film telling the true story of a French woman who is condemned to death for killing her two children[6]
Betsy Ross (1917) –
silenthistorical film depicting the story of Revolutionary War heroine
Betsy Ross who finds herself in competition with her sister for the affections of a British soldier[88]
The Black Stork (1917) –
drama film depicting a fictionalized account of his eugenic infanticide of the child John Bollinger[89]
Comradeship (German: Kameradschaft) (1931) –
French-
Germandrama film concerning a mine disaster where German
miners rescue French miners from an underground fire and explosion. The story takes place in the Lorraine–Saar regions, along the border between France and Germany[279]
Road to Life (Russian: Putyovka v zhizn) (1931) –
Sovietdrama film in which hundreds of orphans are sent to a labor commune[286]
M (German: M) (1931) – M is a 1931 German mystery suspense thriller film directed by Fritz Lang, a film in which the German Police are unable to capture a notorious child murderer.
Hans Westmar (German: Hans Westmar. Einer von vielen. Ein deutsches Schicksal aus dem Jahre 1929) (1933) –
Nazi Germanpropaganda film depicting a partially fictionalized biography of the Nazi martyr
Horst Wessel[302]
The Prisoner of Shark Island (1936) –
drama film loosely based on the life of Maryland physician
Samuel Mudd, who treated the injured presidential assassin
John Wilkes Booth and later spent time in prison after his controversial conviction for being one of Booth's accomplices[374]
Sutter's Gold (1936) –
Western film depicting a fictionalized version of the aftermath of the discovery of gold on Sutter's property, spurring the California
Gold Rush of 1849[381]
Suez (1938) – romantic
drama film based on events surrounding the construction, between 1859 and 1869, of the
Suez Canal, planned and supervised by French diplomat
Ferdinand de Lesseps[435]
Pukar (Urdu: پُکار) (1939) –
IndianUrdu-languagehistorical film about Mughal emperor
Jehangir's legendary justice and his inner conflict when his wife kills an innocent citizen by mistake[464]
^Wemaere, Séverine; Duval, Gilles (2011),
La couleur retrouvée du Voyage dans la Lune(PDF), Groupama Gan Foundation for Cinema and Technicolor Foundation for Cinema Heritage, p. 165, archived from
the original(PDF) on 11 November 2011, retrieved 19 December 2014
^Jackson, Sally; Shirley, Graham (2006).
"The Story of the Kelly Gang". National Film and Sound Archive, Australia. Archived from
the original on 5 February 2013. Retrieved 2013-01-09.
^Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998, 7
^Grieveson, Lee (24 May 2004). Policing cinema: movies and censorship in early-twentieth-century America. Berkeley: University of California Press. p. 39.
ISBN978-0-520-93742-0.
OCLC56713994.
^Robertson, Patrick (2007). Film Facts. Wigston: Quantum Books. pp. 45–46.
ISBN978-1-84573-235-6.
^Langman, Larry; Borg, Ed (1989).
"American Revolution". Encyclopedia of American War Films. Garland Reference Library of the Humanities. Garland Publishing. p. 22.
ISBN978-0-8240-7540-8.
^Moliterno, Gino (2009). The A to Z of Italian Cinema. Lanham: Scarecrow Press. p. 6.
ISBN978-0-8108-6896-0.
^Dewey, Donald (2016). Buccaneer: James Stuart Blackton and the Birth of American Movies. Lanham: Rowman & Littlefield. pp. 134–137.
ISBN978-1-4422-4258-6.
^Klossner, Michael. The Europe of 1500-1815 on Film and Television: A Worldwide Filmography of Over 2550 Works, 1895 Through 2000. McFarland & Company, 2002. Page 289
^"De Voortrekkers 1916", Africa in Motion Film Festival, screenings at Filmhouse, Edinburgh, Scotland, 4 November 2017; London Castle Cinema, London, England, 9 December 2017. Film distribution by MNet South Africa, Randburg, South Africa. Retrieved 12 August 2021.
^Low, Rachael (September 13, 2013). History of the British Film, 1914–1918. History of British Film. Vol. 3 (1st ed.). Routledge.
ISBN978-0-415-67988-6.
^Babington, Bruce; Barr, Charles (2018). The Call of the Heart: John M. Stahl and Hollywood Melodrama. Bloomington: John Libbey Publishing.
ISBN978-0-86196-736-0.
^"Reviews: Du Barry". Exhibitors Herald. 6 (6). New York City: Exhibitors Herald Company: 25. February 2, 1918.
^Soister, John T. (2002). Conrad Veidt on Screen: A Comprehensive Illustrated Filmography. Jefferson, North Carolina and London:
McFarland & Company. p. 62.
ISBN978-0-7864-4511-0.
^Review, synopsis and link to watch the film:
"A cinema history". Retrieved 15 July 2014.
^Kreimeier, Klaus (1999). The Ufa Story: A History of Germany's Greatest Film Company, 1918–1945. Berkeley: University of California Press. p. 93.
ISBN978-0-520-22069-0.
^Waltraud Maierhofer & Gertrud M. Roesch. Women Against Napoleon: Historical and Fictional Responses to His Rise and Legacy. Campus Verlag, 2007. Page 284.
^Hake, Sabine. Passions and Deceptions: The Early Films of Ernst Lubitsch. Princeton University Press, 1992. Page 47
^von Dassanowsky, Robert (2005). Austrian Cinema: A History. Jefferson: McFarland. p. 36.
ISBN978-0-7864-2078-0.
^Workman, Christopher; Howarth, Troy (2016). Tome of Terror: Horror Films of the Silent Era. Baltimore: Midnight Marquee Press. p. 252.
ISBN978-1-936168-68-2.
^Macnab, Geoffrey (2000). Searching for Stars: Stardom and Screen Acting in British Cinema. Cassell.
^Bock, Hans-Michael; Bergfelder, Tim (2008). The Concise Cinegraph: Encyclopedia of German. Oxford: Berghahn Books.
ISBN978-1-57181-655-9.
^White Munden, Kenneth (1997). The American Film Institute Catalog of Motion Pictures Produced in the United States: Feature Films, 1921–1930. University of California Press. p. 149.
ISBN0-520-20969-9.
^Fawkes, Richard (2000). Opera on Film. London: Duckworth. p. 29.
ISBN978-0-7156-2943-7.
^Klossner, Michael (2014). The Europe of 1500–1815 on Film and Television: A Worldwide Filmography of Over 2550 Works, 1895 Through 2000. Jefferson: McFarland & Co. p. 151.
ISBN978-0-7864-7751-7.
^Gustafsson, Tommy (2014). Masculinity in the Golden Age of Swedish Cinema: A Cultural Analysis of 1920s Films. Jefferson: McFarland. p. 126.
ISBN978-0-7864-9478-1.
^Moliterno, Gino (2008). Historical Dictionary of Italian Cinema. Lanham: Scarecrow Press. p. 158.
ISBN978-0-8108-6254-8.
^Rollberg, Peter (2016). Historical Dictionary of Russian and Soviet Cinema. US: Rowman & Littlefield. pp. 93–94.
ISBN978-1-4422-6842-5.
^Sundholm, John; Thorsen, Isak; Andersson, Lars Gustaf (2012). Historical Dictionary of Scandinavian Cinema. Lanham: Scarecrow Press. pp. 228–229.
ISBN978-0-8108-5524-3.
^Kapczynski, Jennifer M.; Richardson, Michael D., eds. (2014) [2012]. A New History of German Cinema. New York: Boydell & Brewer.
ISBN978-1-58046-854-1.
^Mustafa, Sam A. (2008). The Long Ride of Major Von Schill: A Journey Through German History and Memory. Lanham: Rowman & Littlefield. p. 217.
ISBN978-0-7425-5743-7.
^Reynaud, Daniel (2007). Celluloid Anzacs: The Great War Through Australian Cinema. Melbourne: Australian Scholarly Publishing. p. 110.
ISBN978-1-74097-128-7.
^Munden, Kenneth White, ed. (1997). The American Film Institute Catalog of Motion Pictures Produced in the United States, Part 1. University of California Press. p. 174.
^Klossner, Michael (2002). The Europe of 1500–1815 on Film and Television: A Worldwide Filmography of Over 2550 Works, 1895 Through 2000. Jefferson: McFarland & Co. p. 203.
ISBN978-0-7864-1223-5.
^Klossner, Michael. The Europe of 1500–1815 on Film and Television: A Worldwide Filmography of Over 2550 Works, 1895 through 2000. McFarland, 2002. Page 234.
^Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 328.
ISBN978-1936168-68-2.
^Klossner, Michael. The Europe of 1500–1815 on Film and Television: A Worldwide Filmography of Over 2550 Works, 1895 Through 2000.
McFarland & Company, 2002. p. 15.
^Prawer, Siegbert Salomon (2005). Between Two Worlds: The Jewish Presence in German and Austrian Film, 1910–1933. New York: Berghahn Books. p. 97.
ISBN978-1-84545-074-8.
^Klossner, Michael (2002). The Europe of 1500–1815 on Film and Television: A Worldwide Filmography of Over 2550 Works, 1895 Through 2000. McFarland. p. 77.
^Schaudig, Michael (1996). Positionen deutscher Filmgeschichte. Diskurs-Film-Verlag. p. 122.
^Prawer, Siegbert Salomon (2007). Between Two Worlds: Jewish Presences in German and Austrian Film, 1910–1933. New York City: Berghahn Books. p. 97.
ISBN978-1-84545-303-9.
^"Svatý Václav (1929)". Czech and Slovak Film Database (in Czech). Retrieved 23 February 2018.
^Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress. The American Film Institute. c. 1978. p. 3.
^Butler, Craig
"Review" on
Allmovie.com. Quote: "Pabst brings a sense of realism to the proceedings, aided enormously by Robert Baberske and Fritz Arno Wagner's cinematography, which manages to be both starkly naturalistic and emotionally subjective at the same time."
^Hake, Sabine (2002). German National Cinema. New York: Routledge. p. 247.
ISBN978-0-415-08901-2.
^Vieira, Mark A. (1999). Sin in Soft Focus: Pre-Code Hollywood. New York: Harry N. Abrams, Inc. p. 52.
ISBN0-8109-4475-8.
^Rollberg, Peter (2009). Historical Dictionary of Russian and Soviet Cinema. US: Rowman & Littlefield. pp. 665–666.
ISBN978-0-8108-6072-8.
^Hull, David Stewart (1969). Film in the Third Reich: A Study of the German Cinema, 1933–1945. Berkeley: University of California Press. p. 251.
ISBN978-0-520-01489-3.
^Noack, Frank (2016). Veit Harlan: The Life and Work of a Nazi Filmmaker. Lexington: University Press of Kentucky. p. 59.
ISBN978-0-8131-6700-8.
^Gevinson, Alan (1997). Within Our Gates: Ethnicity in American Feature Films, 1911–1960. Oakland: University of California Press. p. 1372.
ISBN978-0-520-20964-0.
^Bondanella, Peter (2009). A History of Italian Cinema. London: Continuum. p. 37.
ISBN978-1-4411-6069-0.
^Mitchell, Charles P. (2004). The Great Composers Portrayed on Film, 1913 through 2002. McFarland.
^The American Film Institute Catalog Features Films: 1931–40 published by The American Film Institute, c. 1993
^Kester, Bernadette (2002). Film Front Weimar: Representations of the First World War in German films of the Weimar Period (1919–1933). Amsterdam: Amsterdam University Press. pp. 112–113.
ISBN978-90-5356-597-1.
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^D. Welch, Propaganda and the German Cinema, pp. 61–71.
^Kobal, John (1979). "Garbo". The Movie. Orbis Publishing. p. 29.
^Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress, (<-book title) p.203 c.1978 by The American Film Institute
^Bergfelder, Tim; Bock, Hans-Michael (2009). The Concise Cinegraph: Encyclopedia of German. New York: Berghahn Books. p. 538.
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^'The Brownings' Correspondence', ed. P. Kelley, et al., Wedgestone Press, vol. 10, pg. 17
^Klossner, Michael (2002). The Europe of 1500–1815 on Film and Television: A Worldwide Filmography of Over 2550 Works, 1895 Through 2000. Jefferson: McFarland & Company. p. 77.
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^Hinton, David B. (2000). The films of Leni Riefenstahl. Lanham: Rowman & Littlefield. p. 18.
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^Waltzes from Vienna: A Musical Romance in Three Acts. London: Josef Weinberger Ltd. 1966.
^"William The Taciturn"L. Abelous, translated by J.P. Lacroix, Nelson & Phillips of New York, 1872. Library of Congress
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^Tamuli, Babul (2002)
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^William A. Wellman by Frank T. Thompson, The Scarecrow Press, Inc., 1983.
^Dugan, Eleanor Knowles (2011). The Films of Jeanette MacDonald and Nelson Eddy. San Francisco: Grand Cyrus Press. pp. 128, 145.
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^p.36 Thompson, Frank Alamo Movies 1991 Woodware Productions
^McIlroy, Brian (1986). Sweden (v. 2) (World Cinema). Trowbridge: Flicks Books. p. 176.
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^Rollberg, Peter (2016). Historical Dictionary of Russian and Soviet Cinema (Historical Dictionaries of Literature and the Arts) (2nd ed.). Washington, DC: Rowman & Littlefield Publishers. p. 499.
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^Landy, Marcia (1998). The Folklore of Consensus: Theatricality in the Italian Cinema, 1930–1943. Albany: SUNY Press. pp. 141–142.
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^Moliterno, Gino (2020). Historical Dictionary of Italian Cinema (2nd ed.). Washington, DC: Rowman & Littlefield Publishers. pp. 57–58.
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^Kennedy-Karpat, Colleen (2013). Rogues, Romance, and Exoticism in French Cinema of the 1930s. Vancouver: Fairleigh Dickinson University Press. p. 204.
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^Sira, Halle (1891). Gjest Baardsen: en Forbryders Livsroman: Fortælling fra Aarhundredets Begyndelse: Efter Forhørsakter, Optegnelser og Meddelelser, 1.-2. Del. Kristiania: Folkeskriftselskabet.
^"The Mad Empress". AFI Catalog of Feature Films. AFI. Retrieved September 9, 2015.
^Schallert, Edwin (Sep 27, 1938). "Second Costarring of Davis, Flynn Planned: 'Iron Mask' Story Begun Truex Set for 'Ambush' Helen Parrish Signed Joseph Calleia Tests". Los Angeles Times. p. 15.
^Mr. Goldwyn Battles Acute Filipino Crisis: 'The Real Glory' Brings Consternation To All Concerned
By Frederick C. Othman. United Press Hollywood Correspondent. The Washington Post (9 May 1939: 20.
^Reimer, Robert C.; Reimer, Carol J. (2010). The A to Z of German Cinema. Lanham: Scarecrow Press. p. 189.
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^Bell, Nelson B (30 March 1939). "Film Biography Is Acclaimed At Premiere: 'Alexander Graham Bell' Moves Notable Audience To Enthusiastic Applause". The Washington Post. p. 9.
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^Green, Stanley (1999) Hollywood Musicals Year by Year (2nd ed.), pub. Hal Leonard Corporation
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