This is a list of some of the standards of
concert band repertoire.
Original works
This is an inclusive list of the accepted standard works written specifically for concert band or wind ensemble.
Cornerstone works
The following works are some of the most universally respected and established cornerstones of the band repertoire. All have "stood the test of time" through decades of regular performance, and many, either through an innovative use of the medium or by the fame of their composer, helped establish the wind band as a legitimate, serious performing ensemble.[citation needed]
These pieces may not necessarily be quite as universally acknowledged as the above list, but occupy an extremely important place in the repertoire nonetheless. Like the previous works, they have proven themselves through many performances, most over a span of decades.[citation needed]
There are thousands of transcriptions of pieces from other media (mostly orchestra) available for the concert band; however, some transcriptions are performed so often that they can be said to have achieved a place of their own in the concert band repertoire.
Fantasia on ″
Greensleeves″ (trans. Douglas Wagner)
Recordings of concert band literature
The Klavier Wind Recording Project was started in 1989 by
Eugene Corporon while he was director of bands at the
University of Cincinnati – College-Conservatory of Music. It has helped provide recordings of many of the most important and more recent pieces in the wind band literature. The recording project continues today, having followed Corporon to the
University of North Texas. The project continues to this day under the label
GIA Publications. Corporon's recordings exist in the form of the Teaching Music Through Performance In Band Series, Windworks Series and Composer's Collections. Still more recordings have been released by The Keystone Winds, conducted by
Jack Stamp. The Keystone Winds consists of faculty, alumni and students from
Indiana University of Pennsylvania.
Two of the most prominent professional bands are the
Dallas Winds, conducted by
Jerry Junkin, and the
Tokyo Kosei Wind Orchestra, conducted by Takeshi Ooi. Both bands were at one point led by
Frederick Fennell who recorded several albums of concert band literature with them.
The
French Republican Guard Band, known as Musique de la Garde républicaine and one of the most oldest wind concert band in the world, has recorded numerous works from the beginning of 1900s.[1]
^Jean-Marc Lanois; Jean-Loup Mayol;
Sylvie Hue (1998). Mayol, Jean-Loup (ed.). 150 ans de musique à la Garde républicaine : mémoires d'un orchestre, discographie (in French). Paris: Nouvelle arche de Noé. p. 274.
ISBN978-2-84368-097-7.
This is a list of some of the standards of
concert band repertoire.
Original works
This is an inclusive list of the accepted standard works written specifically for concert band or wind ensemble.
Cornerstone works
The following works are some of the most universally respected and established cornerstones of the band repertoire. All have "stood the test of time" through decades of regular performance, and many, either through an innovative use of the medium or by the fame of their composer, helped establish the wind band as a legitimate, serious performing ensemble.[citation needed]
These pieces may not necessarily be quite as universally acknowledged as the above list, but occupy an extremely important place in the repertoire nonetheless. Like the previous works, they have proven themselves through many performances, most over a span of decades.[citation needed]
There are thousands of transcriptions of pieces from other media (mostly orchestra) available for the concert band; however, some transcriptions are performed so often that they can be said to have achieved a place of their own in the concert band repertoire.
Fantasia on ″
Greensleeves″ (trans. Douglas Wagner)
Recordings of concert band literature
The Klavier Wind Recording Project was started in 1989 by
Eugene Corporon while he was director of bands at the
University of Cincinnati – College-Conservatory of Music. It has helped provide recordings of many of the most important and more recent pieces in the wind band literature. The recording project continues today, having followed Corporon to the
University of North Texas. The project continues to this day under the label
GIA Publications. Corporon's recordings exist in the form of the Teaching Music Through Performance In Band Series, Windworks Series and Composer's Collections. Still more recordings have been released by The Keystone Winds, conducted by
Jack Stamp. The Keystone Winds consists of faculty, alumni and students from
Indiana University of Pennsylvania.
Two of the most prominent professional bands are the
Dallas Winds, conducted by
Jerry Junkin, and the
Tokyo Kosei Wind Orchestra, conducted by Takeshi Ooi. Both bands were at one point led by
Frederick Fennell who recorded several albums of concert band literature with them.
The
French Republican Guard Band, known as Musique de la Garde républicaine and one of the most oldest wind concert band in the world, has recorded numerous works from the beginning of 1900s.[1]
^Jean-Marc Lanois; Jean-Loup Mayol;
Sylvie Hue (1998). Mayol, Jean-Loup (ed.). 150 ans de musique à la Garde républicaine : mémoires d'un orchestre, discographie (in French). Paris: Nouvelle arche de Noé. p. 274.
ISBN978-2-84368-097-7.