Op. 14, La caravane, song to words by Gautier (1887, also orch.)
Op. 15, Chant nuptial, song for four female voices, to words by Leconte de Lisle (1887-8)
Op. 16, Three Motets
No. 1 Lauda Sion for voice, organ, and harp (1888)
No. 2 Benedictus for two sopranos and harp (1890)
No. 3 Pater noster for voice and organ (1891)
Op. 17, Chansons de Miarka, to words by
Jean Richepin (1888)
Les morts
La pluie
Op. 18, La tempête, incidental music for
Shakespeare's The Tempest (tr. M. Bouchor), for solo voices and small orchestra (1888); five pieces (Chant d'Ariel, Air de danse, Duo de Junon et Cérès, Danse rustique, Chanson d'Ariel) were later arranged for solo voices, flute, violin, viola, cello, harp, and celesta (pub. 1905)
Op. 14, La caravane, song to words by Gautier (1887, also orch.)
Op. 15, Chant nuptial, song for four female voices, to words by Leconte de Lisle (1887-8)
Op. 16, Three Motets
No. 1 Lauda Sion for voice, organ, and harp (1888)
No. 2 Benedictus for two sopranos and harp (1890)
No. 3 Pater noster for voice and organ (1891)
Op. 17, Chansons de Miarka, to words by
Jean Richepin (1888)
Les morts
La pluie
Op. 18, La tempête, incidental music for
Shakespeare's The Tempest (tr. M. Bouchor), for solo voices and small orchestra (1888); five pieces (Chant d'Ariel, Air de danse, Duo de Junon et Cérès, Danse rustique, Chanson d'Ariel) were later arranged for solo voices, flute, violin, viola, cello, harp, and celesta (pub. 1905)