Jazz standards are
musical compositions that are widely known, performed, and recorded by
jazz artists as part of the genre's musical repertoire. This list includes tunes written in the 1940s that are considered standards by at least one major
fake book publication or reference work.
Bebop emerged in the early 1940s, led by
Charlie Parker,
Dizzy Gillespie,
Thelonious Monk, and others. It appealed to a more specialized audience than earlier forms of jazz, with sophisticated
harmonies, fast
tempos, and often
virtuoso musicianship. Bebop musicians often used 1930s standards, especially those from Broadway musicals, as part of their repertoire.[2] Among standards written by bebop musicians are Gillespie's "
Salt Peanuts" (1941) and "
A Night in Tunisia" (1942), Parker's "
Anthropology" (1946), "
Yardbird Suite" (1946) and "
Scrapple from the Apple" (1947), and Monk's "
'Round Midnight" (1944), which is currently the most recorded jazz standard composed by a jazz musician.[3]
1940
"
After Hours"[4] is a song composed by
Avery Parrish with lyrics by Robert Bruce and Buddy Feyne. Parrish's own hit instrumental version, featuring him on piano with the
Erskine Hawkins Orchestra, was recorded on June 10, 1940. Lyrics were added later.
"
All Too Soon"[5] is a jazz ballad composed by
Duke Ellington with lyrics by
Carl Sigman. Tenor saxophonist
Ben Webster's performance on the tune was so highly regarded by audiences that his successors in the band were asked how they dare sit on Webster's seat.[6] Webster later recorded the tune with young
Sarah Vaughan in 1946.[7]
"
Cotton Tail"[8][9] is a swing jazz composition by Duke Ellington, with lyrics later added by
Jon Hendricks. It was based on the
Rhythm changes, a chord progression later used as a basis for many
bebop tunes.[10]Ben Webster was often asked by audiences to play his famous tenor saxophone solo note for note.[10] The name of the tune is sometimes spelled as "Cottontail".
"
How High the Moon"[9][16][17][18] is a song composed by
Morgan Lewis with lyrics by Nancy Hamilton. Among the many takes by
jazz instrumentalists there are two vocal renditions which made their way, the classic Ella Fitzgerald live performance, and Sarah Vaughan's rendition.
"
Aquarela do Brasil" (a.k.a. "Brazil")[26][27] is a song composed by
Ary Barroso with lyrics by S. K. Russell. This is originally a samba from Brazil, which made its way in America and was sung by
Carmen Miranda as well as by
Frank Sinatra in his album Come Fly with Me, with arrangements by Billy May for Capitol Records.
"
Laura"[100][101] is a song composed by
David Raksin for the film of the same title. Lyrics were penned later by
Johnny Mercer and the vocal renditions by Frank Sinatra and by
Johnny Mathis, with arrangement by
Don Costa, became classic along with several jazz instrumental renditions.
Jazz standards are
musical compositions that are widely known, performed, and recorded by
jazz artists as part of the genre's musical repertoire. This list includes tunes written in the 1940s that are considered standards by at least one major
fake book publication or reference work.
Bebop emerged in the early 1940s, led by
Charlie Parker,
Dizzy Gillespie,
Thelonious Monk, and others. It appealed to a more specialized audience than earlier forms of jazz, with sophisticated
harmonies, fast
tempos, and often
virtuoso musicianship. Bebop musicians often used 1930s standards, especially those from Broadway musicals, as part of their repertoire.[2] Among standards written by bebop musicians are Gillespie's "
Salt Peanuts" (1941) and "
A Night in Tunisia" (1942), Parker's "
Anthropology" (1946), "
Yardbird Suite" (1946) and "
Scrapple from the Apple" (1947), and Monk's "
'Round Midnight" (1944), which is currently the most recorded jazz standard composed by a jazz musician.[3]
1940
"
After Hours"[4] is a song composed by
Avery Parrish with lyrics by Robert Bruce and Buddy Feyne. Parrish's own hit instrumental version, featuring him on piano with the
Erskine Hawkins Orchestra, was recorded on June 10, 1940. Lyrics were added later.
"
All Too Soon"[5] is a jazz ballad composed by
Duke Ellington with lyrics by
Carl Sigman. Tenor saxophonist
Ben Webster's performance on the tune was so highly regarded by audiences that his successors in the band were asked how they dare sit on Webster's seat.[6] Webster later recorded the tune with young
Sarah Vaughan in 1946.[7]
"
Cotton Tail"[8][9] is a swing jazz composition by Duke Ellington, with lyrics later added by
Jon Hendricks. It was based on the
Rhythm changes, a chord progression later used as a basis for many
bebop tunes.[10]Ben Webster was often asked by audiences to play his famous tenor saxophone solo note for note.[10] The name of the tune is sometimes spelled as "Cottontail".
"
How High the Moon"[9][16][17][18] is a song composed by
Morgan Lewis with lyrics by Nancy Hamilton. Among the many takes by
jazz instrumentalists there are two vocal renditions which made their way, the classic Ella Fitzgerald live performance, and Sarah Vaughan's rendition.
"
Aquarela do Brasil" (a.k.a. "Brazil")[26][27] is a song composed by
Ary Barroso with lyrics by S. K. Russell. This is originally a samba from Brazil, which made its way in America and was sung by
Carmen Miranda as well as by
Frank Sinatra in his album Come Fly with Me, with arrangements by Billy May for Capitol Records.
"
Laura"[100][101] is a song composed by
David Raksin for the film of the same title. Lyrics were penned later by
Johnny Mercer and the vocal renditions by Frank Sinatra and by
Johnny Mathis, with arrangement by
Don Costa, became classic along with several jazz instrumental renditions.