Les Tuche 2 | |
---|---|
Directed by | Olivier Baroux |
Screenplay by |
|
Produced by | Richard Grandpierre [1] |
Starring |
Jean-Paul Rouve Isabelle Nanty |
Cinematography | Christian Abomnes |
Edited by | Richard Marizy |
Production companies |
|
Distributed by | Pathé |
Release dates |
|
Running time | 94 minutes |
Country | France |
Language | French |
Budget | $15.2 million [2] |
Box office | $35.2 million [3] |
Les Tuche 2 - Le rêve américain is a 2016 French comedy film directed by Olivier Baroux. It is the sequel to Les Tuche. It earned over US$32.5 million and was the highest-grossing domestic film in France in 2016, with 4,619,884 tickets sold. [4] [5]
Les Tuche 2 was distributed by Pathé in France. [6]
The Hollywood Reporter gave the film a negative review, finding the films comedy as "puerile and naive whenever it’s not straightforwardly moronic", noting a list of American clichés and that "like in local box-office monsters Intouchables and Serial (Bad) Weddings, what passes for crude humor in France can be perceived as racially insensitive in the U.S. and elsewhere". [1] The review commented on the writing as "staggeringly lazy and unfocused". [1]
Les Tuche 2 | |
---|---|
Directed by | Olivier Baroux |
Screenplay by |
|
Produced by | Richard Grandpierre [1] |
Starring |
Jean-Paul Rouve Isabelle Nanty |
Cinematography | Christian Abomnes |
Edited by | Richard Marizy |
Production companies |
|
Distributed by | Pathé |
Release dates |
|
Running time | 94 minutes |
Country | France |
Language | French |
Budget | $15.2 million [2] |
Box office | $35.2 million [3] |
Les Tuche 2 - Le rêve américain is a 2016 French comedy film directed by Olivier Baroux. It is the sequel to Les Tuche. It earned over US$32.5 million and was the highest-grossing domestic film in France in 2016, with 4,619,884 tickets sold. [4] [5]
Les Tuche 2 was distributed by Pathé in France. [6]
The Hollywood Reporter gave the film a negative review, finding the films comedy as "puerile and naive whenever it’s not straightforwardly moronic", noting a list of American clichés and that "like in local box-office monsters Intouchables and Serial (Bad) Weddings, what passes for crude humor in France can be perceived as racially insensitive in the U.S. and elsewhere". [1] The review commented on the writing as "staggeringly lazy and unfocused". [1]