Ladies, Women and Girls | ||||
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![]() | ||||
Studio album by | ||||
Released | October 24, 2000 | |||
Genre | Indie, punk rock, riot grrrl | |||
Label | Lookout! | |||
Bratmobile chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Kerrang! | ![]() ![]() ![]() ![]() ![]() |
Pitchfork | 6.8/10 [3] |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Spin | 7/10 [5] |
Ladies, Women and Girls is a studio album released by Bratmobile in 2000, after a six-year hiatus. [1]
After their years-long separation, Bratmobile returned to the punk rock scene with a new album that was welcomed in Rolling Stone for showing that "the Brat spirit was fully intact". [4] Other writers noted the positive influence of the band's maturation: rock journalist Maria Raha wrote that the album represents "evidence of the band's evolution from both a musical and an ideological standpoint". [6] In Trouser Press, Ira Robbins praised the new material for proving "Bratmobile's ability to transcend amateurishness without abandoning the unfettered emotional freedom that came with it." [7]
Ladies, Women and Girls | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | October 24, 2000 | |||
Genre | Indie, punk rock, riot grrrl | |||
Label | Lookout! | |||
Bratmobile chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Kerrang! | ![]() ![]() ![]() ![]() ![]() |
Pitchfork | 6.8/10 [3] |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Spin | 7/10 [5] |
Ladies, Women and Girls is a studio album released by Bratmobile in 2000, after a six-year hiatus. [1]
After their years-long separation, Bratmobile returned to the punk rock scene with a new album that was welcomed in Rolling Stone for showing that "the Brat spirit was fully intact". [4] Other writers noted the positive influence of the band's maturation: rock journalist Maria Raha wrote that the album represents "evidence of the band's evolution from both a musical and an ideological standpoint". [6] In Trouser Press, Ira Robbins praised the new material for proving "Bratmobile's ability to transcend amateurishness without abandoning the unfettered emotional freedom that came with it." [7]