Thaat: Kirwani cannot be fit into one of
Bhatkhande's
thaats;. Bhatkhande himself did not list it as such.[1]
Time Of Singing
Samay (Time)
Madhyaratri (midnight)
Historical Information
It is "recently" taken from the musical scale
Keeravani of South Indian classical music (
Carnatic music). It is similar to an ancient version of
Pilu[2]
Bor, Joep (c. 1997),
The Raga Guide, Charlottesville, Virginia: Nimbus Records, archived from
the original on 2009-07-15
Jairazbhoy, N.A. (1995), The Rags of North Indian Music: Their Structure & Evolution, Bombay: Popular Prakashan.
Patwardham, Narayan Rao (1972), Tarala Prabandhavali, Rajasthan: Vanasthali Vidyapith.
Rao, B.Subba (1964–66), Raganidhi, Madras: Music Academy.
Ratanjankar, S.N., Abhinava Gita Manjari, Bombay: Popular Prakashan.
Thaat: Kirwani cannot be fit into one of
Bhatkhande's
thaats;. Bhatkhande himself did not list it as such.[1]
Time Of Singing
Samay (Time)
Madhyaratri (midnight)
Historical Information
It is "recently" taken from the musical scale
Keeravani of South Indian classical music (
Carnatic music). It is similar to an ancient version of
Pilu[2]
Bor, Joep (c. 1997),
The Raga Guide, Charlottesville, Virginia: Nimbus Records, archived from
the original on 2009-07-15
Jairazbhoy, N.A. (1995), The Rags of North Indian Music: Their Structure & Evolution, Bombay: Popular Prakashan.
Patwardham, Narayan Rao (1972), Tarala Prabandhavali, Rajasthan: Vanasthali Vidyapith.
Rao, B.Subba (1964–66), Raganidhi, Madras: Music Academy.
Ratanjankar, S.N., Abhinava Gita Manjari, Bombay: Popular Prakashan.