According to The Eight Tones of Kien-chou (建州八音), a
rime dictionary published in 1795, the Jian'ou dialect had 15 initials, 34 rimes and 7 tones in the 18th century, however there are only 6 tones in the modern dialect as the "light level" (陽平) tone has disappeared.
The
entering tones in the Jian'ou dialect do not have any entering tone coda (入聲韻尾) such as /-ʔ/, /-p̚/, /-t̚/ and /-k̚/ which makes it distinct from many other Chinese varieties.
Notes
^Min is believed to have split from Old Chinese, rather than Middle Chinese like other varieties of Chinese.[1][2][3]
References
^Mei, Tsu-lin (1970), "Tones and prosody in Middle Chinese and the origin of the rising tone", Harvard Journal of Asiatic Studies, 30: 86–110,
doi:
10.2307/2718766,
JSTOR2718766
According to The Eight Tones of Kien-chou (建州八音), a
rime dictionary published in 1795, the Jian'ou dialect had 15 initials, 34 rimes and 7 tones in the 18th century, however there are only 6 tones in the modern dialect as the "light level" (陽平) tone has disappeared.
The
entering tones in the Jian'ou dialect do not have any entering tone coda (入聲韻尾) such as /-ʔ/, /-p̚/, /-t̚/ and /-k̚/ which makes it distinct from many other Chinese varieties.
Notes
^Min is believed to have split from Old Chinese, rather than Middle Chinese like other varieties of Chinese.[1][2][3]
References
^Mei, Tsu-lin (1970), "Tones and prosody in Middle Chinese and the origin of the rising tone", Harvard Journal of Asiatic Studies, 30: 86–110,
doi:
10.2307/2718766,
JSTOR2718766