Ken Garnhum is a Canadian playwright, performance artist and theatrical designer. [1] He is most noted for his performance piece Beuys, Buoys, Boys, which was a shortlisted finalist for the Dora Mavor Moore Award for Outstanding New Play in 1989, [2] and his play Pants on Fire, which won the Floyd S. Chalmers Canadian Play Award in 1995.
Originally from Charlottetown, Prince Edward Island, [3] Garnhum worked in art and theatre in Charlottetown before moving to Toronto in 1981. [1] His other plays and performance pieces have included Building a Post-Mortem Birdhouse, [4] How Many Saints Can Sit Around? (1987), [5] Twenty Minute History of Art (1987), [6] Surrounded by Water (1991), [1] The Incredible Red Vase (1991), [7] one word (1997) [4] and The Hermits (1998). [8]
In 1992, Beuys, Buoys, Boys was included in Making Out, the first anthology of Canadian plays by gay writers, alongside works by David Demchuk, Sky Gilbert, Daniel MacIvor, Harry Rintoul and Colin Thomas. [9] Pants on Fire, one of the early AIDS-themed plays in Canadian literature, was the first play Garnhum wrote after himself being diagnosed HIV-positive in 1993. [10]
He has also regularly worked as a set and costume designer, both on his own shows and for other playwrights; [4] he garnered Dora Award nominations for set design in 1994 for a production of The House of Martin Guerre, [11] and for both costume and set design in 1996 for Gloria Montero's Frida K. [12]
- ^ a b c "Surrounded by Water: Will Garnhum walk on water this time?". Toronto Star, January 4, 1991.
- ^ "And the Dora nominees are...". The Globe and Mail, May 13, 1989.
- ^ "Writer feels strong pull of P.E.I. home: Ken Garnhum uses past family generations as the starting point for many of his works". The Guardian, March 15, 1999.
- ^ a b c "Garnhum returns with his challenges for the ear and eye: Writer, performer, designer mixes literary allusion, inventive sets". Toronto Star, February 6, 1997.
- ^ "One-man show a search for grace through art". The Globe and Mail, January 30, 1987.
- ^ "New slant on art history". Toronto Star, April 20, 1987.
- ^ "Tarragon opens doors". The Globe and Mail, April 13, 1991.
- ^ "A plague of success". Toronto Star, December 3, 1998.
- ^ "Book symbolizes gays' advances". The Globe and Mail, June 4, 1992.
- ^ "The art of the positive". The Globe and Mail, August 1, 2000.
- ^ "Miss Saigon leads in race for Doras". The Globe and Mail, May 18, 1994.
- ^ "Harbourfront Centre tops Dora list: Captures 23 nominations, Canadian Stage is second with 17". The Globe and Mail, May 17, 1996.
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- 20th-century Canadian dramatists and playwrights
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Ken Garnhum is a Canadian playwright, performance artist and theatrical designer. [1] He is most noted for his performance piece Beuys, Buoys, Boys, which was a shortlisted finalist for the Dora Mavor Moore Award for Outstanding New Play in 1989, [2] and his play Pants on Fire, which won the Floyd S. Chalmers Canadian Play Award in 1995.
Originally from Charlottetown, Prince Edward Island, [3] Garnhum worked in art and theatre in Charlottetown before moving to Toronto in 1981. [1] His other plays and performance pieces have included Building a Post-Mortem Birdhouse, [4] How Many Saints Can Sit Around? (1987), [5] Twenty Minute History of Art (1987), [6] Surrounded by Water (1991), [1] The Incredible Red Vase (1991), [7] one word (1997) [4] and The Hermits (1998). [8]
In 1992, Beuys, Buoys, Boys was included in Making Out, the first anthology of Canadian plays by gay writers, alongside works by David Demchuk, Sky Gilbert, Daniel MacIvor, Harry Rintoul and Colin Thomas. [9] Pants on Fire, one of the early AIDS-themed plays in Canadian literature, was the first play Garnhum wrote after himself being diagnosed HIV-positive in 1993. [10]
He has also regularly worked as a set and costume designer, both on his own shows and for other playwrights; [4] he garnered Dora Award nominations for set design in 1994 for a production of The House of Martin Guerre, [11] and for both costume and set design in 1996 for Gloria Montero's Frida K. [12]
- ^ a b c "Surrounded by Water: Will Garnhum walk on water this time?". Toronto Star, January 4, 1991.
- ^ "And the Dora nominees are...". The Globe and Mail, May 13, 1989.
- ^ "Writer feels strong pull of P.E.I. home: Ken Garnhum uses past family generations as the starting point for many of his works". The Guardian, March 15, 1999.
- ^ a b c "Garnhum returns with his challenges for the ear and eye: Writer, performer, designer mixes literary allusion, inventive sets". Toronto Star, February 6, 1997.
- ^ "One-man show a search for grace through art". The Globe and Mail, January 30, 1987.
- ^ "New slant on art history". Toronto Star, April 20, 1987.
- ^ "Tarragon opens doors". The Globe and Mail, April 13, 1991.
- ^ "A plague of success". Toronto Star, December 3, 1998.
- ^ "Book symbolizes gays' advances". The Globe and Mail, June 4, 1992.
- ^ "The art of the positive". The Globe and Mail, August 1, 2000.
- ^ "Miss Saigon leads in race for Doras". The Globe and Mail, May 18, 1994.
- ^ "Harbourfront Centre tops Dora list: Captures 23 nominations, Canadian Stage is second with 17". The Globe and Mail, May 17, 1996.
|
| This article about a Canadian playwright is a stub. You can help Wikipedia by expanding it. |
- 20th-century Canadian dramatists and playwrights
- 21st-century Canadian dramatists and playwrights
- 20th-century Canadian male actors
- 21st-century Canadian male actors
- Canadian male dramatists and playwrights
- Canadian male stage actors
- Canadian costume designers
- Canadian set decorators
- Canadian performance artists
- Canadian gay artists
- Canadian gay writers
- Canadian gay actors
- Male actors from Prince Edward Island
- Writers from Charlottetown
- Artists from Prince Edward Island
- People with HIV/AIDS
- Living people
- Canadian LGBT dramatists and playwrights
- 20th-century Canadian male writers
- 21st-century Canadian male writers
- Canadian theatre designers
- Gay dramatists and playwrights
- 21st-century Canadian LGBT people
- 20th-century Canadian LGBT people
- Canadian dramatist and playwright stubs