Kathrin Sonntag (born 1981) is a visual artist who works in photography, sculpture, film, and installations. Her work has been exhibited in museums including the Kunstverein in
Hamburg,
Germany and the
Solomon R. Guggenheim Museum in
New York City.[1]
Sonntag's work experiments with perception and new ways of seeing.[2] She often juxtaposes everyday objects with pieces of art and the tools of artists in works that take the form of photography, film, installations, and sculpture.[3][4] In "Everything and All of That," Sonntag and other artists blurred the boundary between artist studios and galleries.[5]Frankfurter Allgemeine Zeitung described Sonntag's use of illusion as "subtle," and Berliner Zeitung wrote that her exhibit "Double Take" at the Galerie Kamm had visitors "trip over doublings," led visitors into illusions and traps in a manner that is "charming" and shows "a sense of humor."[6][7]
Exhibitions
Solo exhibitions
Heute bleibe ich daheim... (2003, Galerie sphn, Berlin)[8]
Kathrin Sonntag (born 1981) is a visual artist who works in photography, sculpture, film, and installations. Her work has been exhibited in museums including the Kunstverein in
Hamburg,
Germany and the
Solomon R. Guggenheim Museum in
New York City.[1]
Sonntag's work experiments with perception and new ways of seeing.[2] She often juxtaposes everyday objects with pieces of art and the tools of artists in works that take the form of photography, film, installations, and sculpture.[3][4] In "Everything and All of That," Sonntag and other artists blurred the boundary between artist studios and galleries.[5]Frankfurter Allgemeine Zeitung described Sonntag's use of illusion as "subtle," and Berliner Zeitung wrote that her exhibit "Double Take" at the Galerie Kamm had visitors "trip over doublings," led visitors into illusions and traps in a manner that is "charming" and shows "a sense of humor."[6][7]
Exhibitions
Solo exhibitions
Heute bleibe ich daheim... (2003, Galerie sphn, Berlin)[8]