String instrument | |
---|---|
Other names | Kamancha, Kamanche, Kemancheh, Kamanjah, Kabak kemane |
Classification | Bowed strings |
Developed | Iran |
Playing range | |
g3-e7 | |
Related instruments | |
Musicians | |
Builders | |
Sound sample | |
Art of crafting and playing with Kamantcheh/Kamancha, a bowed string musical instrument | |
---|---|
Country | Azerbaijan and Iran |
Reference | 01286 |
Inscription history | |
Inscription | 2017 (13th session) |
List | Representative |
The kamancheh (also kamānche or kamāncha) ( Persian: کمانچه, Azerbaijani: kamança, Armenian: քամանչա, Kurdish: کەمانچە ,kemançe) is an Iranian bowed string instrument used in Persian, [1] Azerbaijani, [2] Armenian, [3] Kurdish, [4] Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. [5] [6] The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. [7] The strings are played with a variable-tension bow.
In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. [8]
The word "kamancheh" means "little bow" in Persian (kæman, bow, and -cheh, diminutive). [9] The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Persian kamancheh. There is also an instrument called kabak kemane literally "pumpkin-shaped bow instrument" used in Turkish music which is only slightly different from the Iranian kamancheh. [10]
The kamancheh has a long neck including fingerboard which kamancheh maker shapes it as a truncated inverse cone for easy bow moving in down section, pegbox in both side of which four pegs are placed, and finial [11] Traditionally kamanchehs had three silk strings, but modern instruments have four metal strings. Kamanchehs may have highly ornate inlays and elaborately carved ivory tuning pegs. The body has a long upper neck and a lower bowl-shaped resonating chamber made from a gourd or wood, usually covered with a membrane made from the skin of a lamb, goat or sometimes a fish, on which the bridge is set. From the bottom protrudes a spike to support the kamancheh while it is being played, hence in English, the instrument is sometimes called the spiked fiddle. It is played sitting down held like a cello though it is about the length of a viol. The end-pin can rest on the knee or thigh while the player is seated in a chair. [6]
Kamancheh is usually tuned like an ordinary violin (G, D, A, E).
In the Republic of Azerbaijan it constitutes a major element of classical and folkloric music, and performances occupy a central place in a wide number of social and cultural gatherings.
String instrument | |
---|---|
Other names | Kamancha, Kamanche, Kemancheh, Kamanjah, Kabak kemane |
Classification | Bowed strings |
Developed | Iran |
Playing range | |
g3-e7 | |
Related instruments | |
Musicians | |
Builders | |
Sound sample | |
Art of crafting and playing with Kamantcheh/Kamancha, a bowed string musical instrument | |
---|---|
Country | Azerbaijan and Iran |
Reference | 01286 |
Inscription history | |
Inscription | 2017 (13th session) |
List | Representative |
The kamancheh (also kamānche or kamāncha) ( Persian: کمانچه, Azerbaijani: kamança, Armenian: քամանչա, Kurdish: کەمانچە ,kemançe) is an Iranian bowed string instrument used in Persian, [1] Azerbaijani, [2] Armenian, [3] Kurdish, [4] Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. [5] [6] The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. [7] The strings are played with a variable-tension bow.
In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. [8]
The word "kamancheh" means "little bow" in Persian (kæman, bow, and -cheh, diminutive). [9] The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Persian kamancheh. There is also an instrument called kabak kemane literally "pumpkin-shaped bow instrument" used in Turkish music which is only slightly different from the Iranian kamancheh. [10]
The kamancheh has a long neck including fingerboard which kamancheh maker shapes it as a truncated inverse cone for easy bow moving in down section, pegbox in both side of which four pegs are placed, and finial [11] Traditionally kamanchehs had three silk strings, but modern instruments have four metal strings. Kamanchehs may have highly ornate inlays and elaborately carved ivory tuning pegs. The body has a long upper neck and a lower bowl-shaped resonating chamber made from a gourd or wood, usually covered with a membrane made from the skin of a lamb, goat or sometimes a fish, on which the bridge is set. From the bottom protrudes a spike to support the kamancheh while it is being played, hence in English, the instrument is sometimes called the spiked fiddle. It is played sitting down held like a cello though it is about the length of a viol. The end-pin can rest on the knee or thigh while the player is seated in a chair. [6]
Kamancheh is usually tuned like an ordinary violin (G, D, A, E).
In the Republic of Azerbaijan it constitutes a major element of classical and folkloric music, and performances occupy a central place in a wide number of social and cultural gatherings.