Kabu | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1991 | |||
Genre | Ethiopian music | |||
Label | Columbia | |||
Producer | Iain Scott, Bunt Stafford Clark | |||
Aster Aweke chronology | ||||
|
Kabu is the second album by the Ethiopian singer Aster Aweke. [1] [2] It was released in 1991 via Columbia Records. [3]
The album peaked at No. 4 on Billboard's World Music chart. [4] Aweke supported the album with several North American concert dates. [5]
The Washington D.C.-based Aweke sang the song lyrics in her native Amharic language. [6] The album was produced by Iain Scott and Bunt Stafford Clark. [7] Aweke mixed soul music sounds and raï with Ethiopian instruments, including the krar. [8] [9]
Review scores | |
---|---|
Source | Rating |
AllMusic | [10] |
Calgary Herald | B+ [11] |
Robert Christgau | [12] |
The Encyclopedia of Popular Music | [13] |
Entertainment Weekly | B+ [14] |
The Philadelphia Inquirer | [8] |
Trouser Press deemed the album "heavy on midtempo grooves and ballads," writing that "the synthesizer on 'Kabu (Sacred Rock)' mimics a bass kalimba while Aweke’s vocals swoop and soar like a hummingbird." [15] Spin called it "mildly disappointing," but praised Aweke's voice for cutting through the "snooty" production. [16] Entertainment Weekly thought that "Kabu broadens the U.S.-based singer’s range with tight waves of fusion-based rock over which she can madly surf." [14] Robert Christgau praised "Yedi Gosh (My Guy)". [12]
The New York Times wrote that Aweke's "voice, thin, but sure and pliable, weaves in and around, stenciling delicate melodies against the band." [6] The Calgary Herald determined that "the horn charts are brash and brassy while the marimbas, shakers and bass convey a sense of the primal." [11] Stereo Review concluded that "Aweke unleashes her inner self, uttering oddly twisted wails and singing intricately elaborated melodic lines that can be as lovely as a piece of lace or as tough as a spider's web." [17] The Province opined that "Aweke sounds more sure of her direction and more at home in music that also is a happier blend of her roots and North American pop and jazz." [18]
AllMusic wrote that "Aweke's voice sounds even earthier and more passionate than on her debut album." [10]
No. | Title | Length |
---|---|---|
1. | "Yedi Gosh (My Guy)" | |
2. | "Yas-Oh (Grab It, Get It On)" | |
3. | "Kabu (Sacred Rock)" | |
4. | "Kezira" | |
5. | "Bati" | |
6. | "Tchewata (Romance)" | |
7. | "Eyoha" | |
8. | "Bitchengna (Loneliness)" |
Kabu | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1991 | |||
Genre | Ethiopian music | |||
Label | Columbia | |||
Producer | Iain Scott, Bunt Stafford Clark | |||
Aster Aweke chronology | ||||
|
Kabu is the second album by the Ethiopian singer Aster Aweke. [1] [2] It was released in 1991 via Columbia Records. [3]
The album peaked at No. 4 on Billboard's World Music chart. [4] Aweke supported the album with several North American concert dates. [5]
The Washington D.C.-based Aweke sang the song lyrics in her native Amharic language. [6] The album was produced by Iain Scott and Bunt Stafford Clark. [7] Aweke mixed soul music sounds and raï with Ethiopian instruments, including the krar. [8] [9]
Review scores | |
---|---|
Source | Rating |
AllMusic | [10] |
Calgary Herald | B+ [11] |
Robert Christgau | [12] |
The Encyclopedia of Popular Music | [13] |
Entertainment Weekly | B+ [14] |
The Philadelphia Inquirer | [8] |
Trouser Press deemed the album "heavy on midtempo grooves and ballads," writing that "the synthesizer on 'Kabu (Sacred Rock)' mimics a bass kalimba while Aweke’s vocals swoop and soar like a hummingbird." [15] Spin called it "mildly disappointing," but praised Aweke's voice for cutting through the "snooty" production. [16] Entertainment Weekly thought that "Kabu broadens the U.S.-based singer’s range with tight waves of fusion-based rock over which she can madly surf." [14] Robert Christgau praised "Yedi Gosh (My Guy)". [12]
The New York Times wrote that Aweke's "voice, thin, but sure and pliable, weaves in and around, stenciling delicate melodies against the band." [6] The Calgary Herald determined that "the horn charts are brash and brassy while the marimbas, shakers and bass convey a sense of the primal." [11] Stereo Review concluded that "Aweke unleashes her inner self, uttering oddly twisted wails and singing intricately elaborated melodic lines that can be as lovely as a piece of lace or as tough as a spider's web." [17] The Province opined that "Aweke sounds more sure of her direction and more at home in music that also is a happier blend of her roots and North American pop and jazz." [18]
AllMusic wrote that "Aweke's voice sounds even earthier and more passionate than on her debut album." [10]
No. | Title | Length |
---|---|---|
1. | "Yedi Gosh (My Guy)" | |
2. | "Yas-Oh (Grab It, Get It On)" | |
3. | "Kabu (Sacred Rock)" | |
4. | "Kezira" | |
5. | "Bati" | |
6. | "Tchewata (Romance)" | |
7. | "Eyoha" | |
8. | "Bitchengna (Loneliness)" |