From Wikipedia, the free encyclopedia

Juriaen Ambdis was a 17th-century Dutch ship's gunner and painter. In 1648 he took service as gunner in the army of Safavid King ( Shah) Abbas II ( r.1642-1666). [1] [2] He participated in the successful Siege of Kandahar during the Mughal–Safavid war (1649–53). [2] After the siege, Ambdis and all other Dutchmen were discharged from service. [2] However, unlike his fellow kinsmen, Ambdis decided to stay in Safavid Iran, reportedly eager to work as an artist. [2] His decision was inspired by the extremely high salaries paid by the Safavids to Hendrick Boudewijn van Lockhorst, another Dutch painter. [2] However, unlike Van Lockhorst, Ambdis was unsuccessful in making a name for himself, and almost fell into beggary. [2] On 29 March 1649, an Iranian merchant had spotted Ambdis walking alone behind a caravan in Ottoman-held Iraq, and had given him bread. [2] On 22 May 1650, it was reported that Ambdis had converted to Islam in Baghdad. [2] Ambdis subsequently disappears from historic records; he died sometime after 1650. [3]

References

  1. ^ Floor 1996, pp. 603–613.
  2. ^ a b c d e f g h Schwartz 2014, pp. 33–34.
  3. ^ Schwartz 2014, p. 192.

Sources

  • Floor, Willem (1996). "DUTCH-PERSIAN RELATIONS". Encyclopaedia Iranica, Vol. VII, Fasc. 6. pp. 603–613.
  • Schwartz, Gary (2014). "Terms of Reception: Europeans and Persians in Each Other's Art". In North, Michael; Da Costa Kaufmann, Thomas (eds.). Mediating Netherlandish art and material culture in Asia. Amsterdam University Press. ISBN  978-9089645692.
From Wikipedia, the free encyclopedia

Juriaen Ambdis was a 17th-century Dutch ship's gunner and painter. In 1648 he took service as gunner in the army of Safavid King ( Shah) Abbas II ( r.1642-1666). [1] [2] He participated in the successful Siege of Kandahar during the Mughal–Safavid war (1649–53). [2] After the siege, Ambdis and all other Dutchmen were discharged from service. [2] However, unlike his fellow kinsmen, Ambdis decided to stay in Safavid Iran, reportedly eager to work as an artist. [2] His decision was inspired by the extremely high salaries paid by the Safavids to Hendrick Boudewijn van Lockhorst, another Dutch painter. [2] However, unlike Van Lockhorst, Ambdis was unsuccessful in making a name for himself, and almost fell into beggary. [2] On 29 March 1649, an Iranian merchant had spotted Ambdis walking alone behind a caravan in Ottoman-held Iraq, and had given him bread. [2] On 22 May 1650, it was reported that Ambdis had converted to Islam in Baghdad. [2] Ambdis subsequently disappears from historic records; he died sometime after 1650. [3]

References

  1. ^ Floor 1996, pp. 603–613.
  2. ^ a b c d e f g h Schwartz 2014, pp. 33–34.
  3. ^ Schwartz 2014, p. 192.

Sources

  • Floor, Willem (1996). "DUTCH-PERSIAN RELATIONS". Encyclopaedia Iranica, Vol. VII, Fasc. 6. pp. 603–613.
  • Schwartz, Gary (2014). "Terms of Reception: Europeans and Persians in Each Other's Art". In North, Michael; Da Costa Kaufmann, Thomas (eds.). Mediating Netherlandish art and material culture in Asia. Amsterdam University Press. ISBN  978-9089645692.

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