Jovan Isailović Sr. [1] (1756–1825) was a Serbian icon and mural painter who lived and worked in the late eighteenth century and early nineteenth century. In 1772 he started painting an iconostasis in the Church of St. George in Sombor with fellow painters Teodor Kračun and Lazar Serdanović. [2] The iconostasis in the Serbian Orthodox Monastery of Saint George, better known as Sveti Đurađ monastery in Romanian Banat, is also linked to Jovan Isailović Senior, dating from 1803 to 1804, and presenting a strong Byzantine influence. [3] Isailović Senior also worked with his colleague painter Janko Halkozović. [4] Many of the iconostasis and icons attributed to him were pillaged during World War II. [5]
See also
References
- ^ Pavle Ivić (1995). The history of Serbian culture. Porthill Publishers. ISBN 9781870732314.
- ^ Vittore Branca (1983). Il barocco in Italia e nei paesi slavi del sud. Atti del Convegno di studi (Venezia, 17-20 novembre 1980). L.S. Olschki. ISBN 978-88-222-3177-2.
- ^ Petrovici, Iasmina. "STYLISTIC SYNCRETISM IN RELIGIOUS ART AND CULTURAL DIVERSITY IN THE REGION OF ROMANIAN BANAT" (PDF). Retrieved July 22, 2019.
- ^ Antun Lang; Ivan Kupinski (1970). Slavonija 70 [i.e. sedanideset]. Ekonomski institut.
- ^ Dinko Davidov; Radomir Stanić; Miroslav Timotijević (1992). War Damage Sustained by Orthodox Churches in Serbian Areas of Croatia in 1991. Ministry of Information of the Republic of Serbia.
 | This article about a Serbian painter is a stub. You can help Wikipedia by expanding it. |
Jovan Isailović Sr. [1] (1756–1825) was a Serbian icon and mural painter who lived and worked in the late eighteenth century and early nineteenth century. In 1772 he started painting an iconostasis in the Church of St. George in Sombor with fellow painters Teodor Kračun and Lazar Serdanović. [2] The iconostasis in the Serbian Orthodox Monastery of Saint George, better known as Sveti Đurađ monastery in Romanian Banat, is also linked to Jovan Isailović Senior, dating from 1803 to 1804, and presenting a strong Byzantine influence. [3] Isailović Senior also worked with his colleague painter Janko Halkozović. [4] Many of the iconostasis and icons attributed to him were pillaged during World War II. [5]
See also
References
- ^ Pavle Ivić (1995). The history of Serbian culture. Porthill Publishers. ISBN 9781870732314.
- ^ Vittore Branca (1983). Il barocco in Italia e nei paesi slavi del sud. Atti del Convegno di studi (Venezia, 17-20 novembre 1980). L.S. Olschki. ISBN 978-88-222-3177-2.
- ^ Petrovici, Iasmina. "STYLISTIC SYNCRETISM IN RELIGIOUS ART AND CULTURAL DIVERSITY IN THE REGION OF ROMANIAN BANAT" (PDF). Retrieved July 22, 2019.
- ^ Antun Lang; Ivan Kupinski (1970). Slavonija 70 [i.e. sedanideset]. Ekonomski institut.
- ^ Dinko Davidov; Radomir Stanić; Miroslav Timotijević (1992). War Damage Sustained by Orthodox Churches in Serbian Areas of Croatia in 1991. Ministry of Information of the Republic of Serbia.
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