Jim McNeely at Maybeck | |
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Live album by | |
Recorded | January 1992 |
Venue | Maybeck Recital Hall, Berkeley, California |
Genre | Jazz |
Label | Concord |
Jim McNeely at Maybeck: Maybeck Recital Hall Series Volume Twenty is an album of solo performances by jazz pianist Jim McNeely.
The album was recorded at the Maybeck Recital Hall in Berkeley, California [1] in January 1992. [2] McNeely plays " There Will Never Be Another You" in all twelve keys. [2]
Review scores | |
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Source | Rating |
AllMusic | [3] |
The Penguin Guide to Jazz | [2] |
The AllMusic review concluded: "Sometimes the inspiration level is uneven, but the payoff is high when all cylinders are pumping." [3] The Penguin Guide to Jazz wrote of McNeely that "for all the clarity of his touch, he takes in more of the keyboard in each improvisation than many do over a whole recital". [2] Pianist Liam Noble described the performance of " 'Round Midnight" as "updating the chord sequence to a kind of post- Bill Evans modality that only unsettle at the very edges of the image". [4]
Jim McNeely at Maybeck | |
---|---|
Live album by | |
Recorded | January 1992 |
Venue | Maybeck Recital Hall, Berkeley, California |
Genre | Jazz |
Label | Concord |
Jim McNeely at Maybeck: Maybeck Recital Hall Series Volume Twenty is an album of solo performances by jazz pianist Jim McNeely.
The album was recorded at the Maybeck Recital Hall in Berkeley, California [1] in January 1992. [2] McNeely plays " There Will Never Be Another You" in all twelve keys. [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
The Penguin Guide to Jazz | [2] |
The AllMusic review concluded: "Sometimes the inspiration level is uneven, but the payoff is high when all cylinders are pumping." [3] The Penguin Guide to Jazz wrote of McNeely that "for all the clarity of his touch, he takes in more of the keyboard in each improvisation than many do over a whole recital". [2] Pianist Liam Noble described the performance of " 'Round Midnight" as "updating the chord sequence to a kind of post- Bill Evans modality that only unsettle at the very edges of the image". [4]