Jerome Thoms | |
---|---|
Born | |
Died | November 1, 1977 | (aged 70)
Occupation | Film editor |
Jerome Thoms (October 7, 1907 – November 1, 1977) was an American film editor. [1] [2]
He edited Blondie's Big Moment (1947), [3] Blondie's Holiday (1947), [4] The Chance of a Lifetime (1943), [5] A Close Call for Boston Blackie (1946), [6] The Devil's Mask (1946), [7] The Crimson Kimono (1959), [8] Underworld USA (1960), [9] Shock Corridor (1963), The Naked Kiss (1964), [10] West of Sonora (1948), [11] and So Dark the Night (1946). [12] He also edited What Makes Lizzy Dizzy? (1942) and Tireman, Spare my Tires (1942). [13] In Screaming Mimi (1958) he worked with Gene Havlick. [14]
Jerome Thoms' editing in The Crimson Kimono adds a percussive force to many of the action scenes. [15]
He worked as art director in Escape in the Fog (1945). [16]
Jerome Thoms | |
---|---|
Born | |
Died | November 1, 1977 | (aged 70)
Occupation | Film editor |
Jerome Thoms (October 7, 1907 – November 1, 1977) was an American film editor. [1] [2]
He edited Blondie's Big Moment (1947), [3] Blondie's Holiday (1947), [4] The Chance of a Lifetime (1943), [5] A Close Call for Boston Blackie (1946), [6] The Devil's Mask (1946), [7] The Crimson Kimono (1959), [8] Underworld USA (1960), [9] Shock Corridor (1963), The Naked Kiss (1964), [10] West of Sonora (1948), [11] and So Dark the Night (1946). [12] He also edited What Makes Lizzy Dizzy? (1942) and Tireman, Spare my Tires (1942). [13] In Screaming Mimi (1958) he worked with Gene Havlick. [14]
Jerome Thoms' editing in The Crimson Kimono adds a percussive force to many of the action scenes. [15]
He worked as art director in Escape in the Fog (1945). [16]