The International Society for Contemporary Music (ISCM) is a music organization that promotes
contemporary classical music.
The organization was established in
Salzburg in 1922 as Internationale Gesellschaft für Neue Musik (IGNM) following the
Internationale Kammermusikaufführungen Salzburg, a festival of modern chamber music held as part of the Salzburg Festival.[1]
It was founded by the Austrian (later British) composer
Egon Wellesz and the Cambridge academic
Edward J Dent, who first met when Wellesz visited England in 1906.[2][3]
In 1936 the rival Permanent Council for the International Co-operation of Composers, set up under
Richard Strauss, was accused of furthering
Nazi Party cultural ambitions in opposition to the non-political ISCM.[4] British composer
Herbert Bedford, acting as co-Secretary, defended its neutrality.[5]
Aside from hiatuses in 1940 and 1943-5 due to
World War II and in 2020–21 due to the global
COVID-19 pandemic, the ISCM's core activity has been an annual festival of contemporary classical music held every year at a different location, the first of which took place in 1923 in Salzburg, which has come to be known as the
ISCM World Music Days (sometimes World New Music Days, abbreviated either WMD or WNMD depending on which name is used). There have been a total of 92 of these thus far, the most recent of which took place in
Tallinn,
Estonia in May 2019. The 2021 WMD in Shanghai and Nanning has been postponed until March 2022[6] and the 2022 WNMD is scheduled to take place in
New Zealand in August 2022.[7]
Each year, during the World Music Days. ISCM members also convene in a General Assembly. Membership in the ISCM is organized through national sections that promote contemporary music in each country. These sections are usually organizations independent from the ISCM that send delegates to the ISCM General Assembly. Each member of the national section is also a member of ISCM and may send in 6 works that are evaluated for performance at the World Music Days. National organizations that promote contemporary music, but have not been designated as the nation section of ISCM, are sometimes given an associate membership status. This status also applies to the members of these organizations. Some individual music professionals receive the "honorary membership" status. The ISCM is governed by an Executive Committee consisting of seven people; two (Secretary General and Treasurer) are appointed positions and the remaining five (President, Vice President, and three regular members) are chosen from and by the delegates in an election during the General Assembly.[8]
Since 1991, the ISCM has also published an annual World New Music Magazine, a print publication that is distributed to its members for further dissemination. A total of 28 issues have been produced. Recent magazine issues are available as digitally downloadable PDFs from the ISCM's website.[9] ISCM is a member of the
International Music Council. The current members of the Executive Committee of the ISCM (as of the September 2021 General Assembly which took place over
Zoom) are: Glenda Keam (New Zealand), President;[10]Frank J. Oteri (USA), Vice President; Oľga Smetanova (Slovakia), Secretary General; David Pay (Canada), Treasurer; George Kentros (Sweden), Tomoko Fukui (Japan), and
Irina Hasnaș (Romania).[11]
1985, Netherlands, Karlheinz Stockhausen, Klavierstück XII
1986, Budapest, Luigi Nono, A Carlo Scarpa architetto ai suoi infiniti possibili
1986, Budapest,
Samuel Beckett, Acte sans paroles (I. Thirst, II. Mr. A and Mr. B)
1986, Budapest, György Ligeti, Aventures
1987, Köln/Bonn/Frankfurt am Main,
Giacinto Scelsi, Ein Blitzstrahl… und der Himmel öffnete sich (Kölner Rundfunkchor, Kölner Rundfunk-Sinfonieorchester,
Hans Zender)
1987, Köln/Bonn/Frankfurt am Main, Giacinto Scelsi, Hurqualia – Ein anderes Königreich (Kölner Rundfunk-Sinfonieorchester, Hans Zender)
1987, Köln/Bonn/Frankfurt am Main, Giacinto Scelsi, Hymnos (Kölner Rundfunk-Sinfonieorchester, Hans Zender)
1987, Köln/Bonn/Frankfurt am Main,
Carola Bauckholt, Die faule Vernunft
1987, Köln/Bonn/Frankfurt am Main, Hans Zender, Hölderlin lesen
1987, Köln/Bonn/Frankfurt am Main, Luigi Nono, Fragmente – Stille an Diotima
1987, Köln/Bonn/Frankfurt am Main, The Lost Chord’' (
Phil Minton,
Christian Marclay, Günter Christmann, Torsten Müller)
1987, Köln/Bonn/Frankfurt am Main, Klaus Huber, Erinnere dich an G... (Ensemble InterContemporain,
Arturo Tamayo)
1987, Köln/Bonn/Frankfurt am Main,
Pascal Dusapin, Niobé ou le rocher de Sipyle (Ensemble InterContemporain,
Arturo Tamayo)
1987, Köln/Bonn/Frankfurt am Main,
Michael Gielen, Ein Tag tritt hervor
1987, Köln/Bonn/Frankfurt am Main, Mauricio Kagel, Ein Brief
1987, Köln/Bonn/Frankfurt am Main,
Wolfgang Rihm, Chiffre VII
1987, Köln/Bonn/Frankfurt am Main,
Heiner Goebbels, Thränen des Vaterlandes
1987, Köln/Bonn/Frankfurt am Main, Karlheinz Stockhausen, Xi, Drachenkampf und Argument, Vision und Donnerstags-Abschied (Michaels Abschied), (Karlheinz Stockhausen,
Kathinka Pasveer,
Markus Stockhausen, Nicholas Isherwood,
Mike Svoboda, Andreas Boettger, Julian Pike, Michael Obst, Michèle Noiret, Jean Christian Jalon)
2006, Stuttgart,
Julio Estrada, Murmullos del páramo (
Neue Vocalsolisten Stuttgart, Mike Svoboda, Ko Ishikawa, Stefano Scodanibbio, Llorenç Barber, Magnus Andersson)
^"Previous festivals". ISCM – International Society for Contemporary Music. Retrieved 22 December 2021.
^"Honorary members". ISCM – International Society for Contemporary Music. Retrieved 22 December 2021.
^Haefeli, Anton (1982). Die Internationale Gesellschaft für Neue Musik (IGNM) : ihre Geschichte von 1922 bis zur Gegenwart (in German). Zürich: Atlantis Musikbuch-Verlag. pp. 610–614.
ISBN978-3-7611-0596-2.
OCLC10940867.
^
abHaefeli, Anton (1982). Die Internationale Gesellschaft für Neue Musik (IGNM) : ihre Geschichte von 1922 bis zur Gegenwart (in German). Zürich: Atlantis Musikbuch-Verlag. pp. 479–546, 547–609.
ISBN978-3-7611-0596-2.
OCLC10940867.
The International Society for Contemporary Music (ISCM) is a music organization that promotes
contemporary classical music.
The organization was established in
Salzburg in 1922 as Internationale Gesellschaft für Neue Musik (IGNM) following the
Internationale Kammermusikaufführungen Salzburg, a festival of modern chamber music held as part of the Salzburg Festival.[1]
It was founded by the Austrian (later British) composer
Egon Wellesz and the Cambridge academic
Edward J Dent, who first met when Wellesz visited England in 1906.[2][3]
In 1936 the rival Permanent Council for the International Co-operation of Composers, set up under
Richard Strauss, was accused of furthering
Nazi Party cultural ambitions in opposition to the non-political ISCM.[4] British composer
Herbert Bedford, acting as co-Secretary, defended its neutrality.[5]
Aside from hiatuses in 1940 and 1943-5 due to
World War II and in 2020–21 due to the global
COVID-19 pandemic, the ISCM's core activity has been an annual festival of contemporary classical music held every year at a different location, the first of which took place in 1923 in Salzburg, which has come to be known as the
ISCM World Music Days (sometimes World New Music Days, abbreviated either WMD or WNMD depending on which name is used). There have been a total of 92 of these thus far, the most recent of which took place in
Tallinn,
Estonia in May 2019. The 2021 WMD in Shanghai and Nanning has been postponed until March 2022[6] and the 2022 WNMD is scheduled to take place in
New Zealand in August 2022.[7]
Each year, during the World Music Days. ISCM members also convene in a General Assembly. Membership in the ISCM is organized through national sections that promote contemporary music in each country. These sections are usually organizations independent from the ISCM that send delegates to the ISCM General Assembly. Each member of the national section is also a member of ISCM and may send in 6 works that are evaluated for performance at the World Music Days. National organizations that promote contemporary music, but have not been designated as the nation section of ISCM, are sometimes given an associate membership status. This status also applies to the members of these organizations. Some individual music professionals receive the "honorary membership" status. The ISCM is governed by an Executive Committee consisting of seven people; two (Secretary General and Treasurer) are appointed positions and the remaining five (President, Vice President, and three regular members) are chosen from and by the delegates in an election during the General Assembly.[8]
Since 1991, the ISCM has also published an annual World New Music Magazine, a print publication that is distributed to its members for further dissemination. A total of 28 issues have been produced. Recent magazine issues are available as digitally downloadable PDFs from the ISCM's website.[9] ISCM is a member of the
International Music Council. The current members of the Executive Committee of the ISCM (as of the September 2021 General Assembly which took place over
Zoom) are: Glenda Keam (New Zealand), President;[10]Frank J. Oteri (USA), Vice President; Oľga Smetanova (Slovakia), Secretary General; David Pay (Canada), Treasurer; George Kentros (Sweden), Tomoko Fukui (Japan), and
Irina Hasnaș (Romania).[11]
1985, Netherlands, Karlheinz Stockhausen, Klavierstück XII
1986, Budapest, Luigi Nono, A Carlo Scarpa architetto ai suoi infiniti possibili
1986, Budapest,
Samuel Beckett, Acte sans paroles (I. Thirst, II. Mr. A and Mr. B)
1986, Budapest, György Ligeti, Aventures
1987, Köln/Bonn/Frankfurt am Main,
Giacinto Scelsi, Ein Blitzstrahl… und der Himmel öffnete sich (Kölner Rundfunkchor, Kölner Rundfunk-Sinfonieorchester,
Hans Zender)
1987, Köln/Bonn/Frankfurt am Main, Giacinto Scelsi, Hurqualia – Ein anderes Königreich (Kölner Rundfunk-Sinfonieorchester, Hans Zender)
1987, Köln/Bonn/Frankfurt am Main, Giacinto Scelsi, Hymnos (Kölner Rundfunk-Sinfonieorchester, Hans Zender)
1987, Köln/Bonn/Frankfurt am Main,
Carola Bauckholt, Die faule Vernunft
1987, Köln/Bonn/Frankfurt am Main, Hans Zender, Hölderlin lesen
1987, Köln/Bonn/Frankfurt am Main, Luigi Nono, Fragmente – Stille an Diotima
1987, Köln/Bonn/Frankfurt am Main, The Lost Chord’' (
Phil Minton,
Christian Marclay, Günter Christmann, Torsten Müller)
1987, Köln/Bonn/Frankfurt am Main, Klaus Huber, Erinnere dich an G... (Ensemble InterContemporain,
Arturo Tamayo)
1987, Köln/Bonn/Frankfurt am Main,
Pascal Dusapin, Niobé ou le rocher de Sipyle (Ensemble InterContemporain,
Arturo Tamayo)
1987, Köln/Bonn/Frankfurt am Main,
Michael Gielen, Ein Tag tritt hervor
1987, Köln/Bonn/Frankfurt am Main, Mauricio Kagel, Ein Brief
1987, Köln/Bonn/Frankfurt am Main,
Wolfgang Rihm, Chiffre VII
1987, Köln/Bonn/Frankfurt am Main,
Heiner Goebbels, Thränen des Vaterlandes
1987, Köln/Bonn/Frankfurt am Main, Karlheinz Stockhausen, Xi, Drachenkampf und Argument, Vision und Donnerstags-Abschied (Michaels Abschied), (Karlheinz Stockhausen,
Kathinka Pasveer,
Markus Stockhausen, Nicholas Isherwood,
Mike Svoboda, Andreas Boettger, Julian Pike, Michael Obst, Michèle Noiret, Jean Christian Jalon)
2006, Stuttgart,
Julio Estrada, Murmullos del páramo (
Neue Vocalsolisten Stuttgart, Mike Svoboda, Ko Ishikawa, Stefano Scodanibbio, Llorenç Barber, Magnus Andersson)
^"Previous festivals". ISCM – International Society for Contemporary Music. Retrieved 22 December 2021.
^"Honorary members". ISCM – International Society for Contemporary Music. Retrieved 22 December 2021.
^Haefeli, Anton (1982). Die Internationale Gesellschaft für Neue Musik (IGNM) : ihre Geschichte von 1922 bis zur Gegenwart (in German). Zürich: Atlantis Musikbuch-Verlag. pp. 610–614.
ISBN978-3-7611-0596-2.
OCLC10940867.
^
abHaefeli, Anton (1982). Die Internationale Gesellschaft für Neue Musik (IGNM) : ihre Geschichte von 1922 bis zur Gegenwart (in German). Zürich: Atlantis Musikbuch-Verlag. pp. 479–546, 547–609.
ISBN978-3-7611-0596-2.
OCLC10940867.