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A fictional universe [1] is the internally consistent fictional setting used in a narrative work or work of art, most commonly associated with works of fantasy and science fiction. Fictional universes appear in novels, comics, films, television shows, video games, art, and other creative works. [2] [3]
In science fiction a fictional world may be a remote alien planet or galaxy with little apparent relationship to the real world (as in Star Wars); in fantasy it may be a greatly fictionalized or invented version of Earth's distant past or future (as in The Lord of the Rings). [2]
A famous example of a detailed fictional universe is Arda (more popularly known as Middle-earth), of J. R. R. Tolkien's books The Lord of the Rings, The Hobbit, and The Silmarillion. He created first its languages and then the world itself, which he states was "primarily linguistic in inspiration and was begun in order to provide the necessary 'history' for the Elvish tongues." [4]
A modern example of a fictional universe is that of the Avatar film series, as James Cameron invented an entire ecosystem, with a team of scientists to test whether it was viable. Additionally, he commissioned a linguistics expert to invent the Na'vi language. [5] [6]
Virtually every successful fictional TV series or comic book develops its own "universe" to keep track of the various episodes or issues. Writers for that series must follow its story bible. [7]
In a 1970 article in CAPA-alpha, comics historian Don Markstein provided a definition of fictional universe meant to clarify the concept of fictional continuities. According to the criteria he imagined: [8]
Fictional universes are sometimes shared by multiple prose authors, with each author's works in that universe being granted approximately equal canonical status. For example, Larry Niven's fictional universe Known Space has an approximately 135-year period in which Niven allows other authors to write stories about the Man-Kzin Wars. Other fictional universes, like the Ring of Fire series, actively court canonical stimulus from fans, but gate and control the changes through a formalized process and the final say of the editor and universe creator. [9]
The print published and e-published Grantville Gazettes all contain a post book afterword detailing where and how to submit a manuscript to the fictional canon oversight process for the 1632 series.
This article has multiple issues. Please help
improve it or discuss these issues on the
talk page. (
Learn how and when to remove these template messages)
|
A fictional universe [1] is the internally consistent fictional setting used in a narrative work or work of art, most commonly associated with works of fantasy and science fiction. Fictional universes appear in novels, comics, films, television shows, video games, art, and other creative works. [2] [3]
In science fiction a fictional world may be a remote alien planet or galaxy with little apparent relationship to the real world (as in Star Wars); in fantasy it may be a greatly fictionalized or invented version of Earth's distant past or future (as in The Lord of the Rings). [2]
A famous example of a detailed fictional universe is Arda (more popularly known as Middle-earth), of J. R. R. Tolkien's books The Lord of the Rings, The Hobbit, and The Silmarillion. He created first its languages and then the world itself, which he states was "primarily linguistic in inspiration and was begun in order to provide the necessary 'history' for the Elvish tongues." [4]
A modern example of a fictional universe is that of the Avatar film series, as James Cameron invented an entire ecosystem, with a team of scientists to test whether it was viable. Additionally, he commissioned a linguistics expert to invent the Na'vi language. [5] [6]
Virtually every successful fictional TV series or comic book develops its own "universe" to keep track of the various episodes or issues. Writers for that series must follow its story bible. [7]
In a 1970 article in CAPA-alpha, comics historian Don Markstein provided a definition of fictional universe meant to clarify the concept of fictional continuities. According to the criteria he imagined: [8]
Fictional universes are sometimes shared by multiple prose authors, with each author's works in that universe being granted approximately equal canonical status. For example, Larry Niven's fictional universe Known Space has an approximately 135-year period in which Niven allows other authors to write stories about the Man-Kzin Wars. Other fictional universes, like the Ring of Fire series, actively court canonical stimulus from fans, but gate and control the changes through a formalized process and the final say of the editor and universe creator. [9]
The print published and e-published Grantville Gazettes all contain a post book afterword detailing where and how to submit a manuscript to the fictional canon oversight process for the 1632 series.