This article needs additional citations for
verification. (May 2021) |
Hofner Blue Notes | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 28 July 2003 | |||
Genre | Blues | |||
Length | 50:29 | |||
Label | Jazzee Blue | |||
Producer | Kiadan Quinn | |||
Chris Rea chronology | ||||
|
Hofner Blue Notes is the nineteenth studio album by British singer-songwriter Chris Rea, released in 2003 by his own record label, Jazzee Blue. [1] The album was part of series of largely instrumental blues and jazz albums released by his label Jazzee Blue and mostly fronted by his band members, [2] of which this album was preceded by Rea's eighteenth studio and instrumental album Blue Street (Five Guitars) in 2003. [3]
The album was part of Hofner Blue Notes, a project about Höfner guitar because Rea's first electric guitar was a 1961 Höfner V3 bought from a second-hand shop while he was working in his father's ice cream factory in early 1970s, and continued with The Return of the Fabulous Hofner Bluenotes in 2008. [4]
This article needs additional citations for
verification. (May 2021) |
Hofner Blue Notes | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 28 July 2003 | |||
Genre | Blues | |||
Length | 50:29 | |||
Label | Jazzee Blue | |||
Producer | Kiadan Quinn | |||
Chris Rea chronology | ||||
|
Hofner Blue Notes is the nineteenth studio album by British singer-songwriter Chris Rea, released in 2003 by his own record label, Jazzee Blue. [1] The album was part of series of largely instrumental blues and jazz albums released by his label Jazzee Blue and mostly fronted by his band members, [2] of which this album was preceded by Rea's eighteenth studio and instrumental album Blue Street (Five Guitars) in 2003. [3]
The album was part of Hofner Blue Notes, a project about Höfner guitar because Rea's first electric guitar was a 1961 Höfner V3 bought from a second-hand shop while he was working in his father's ice cream factory in early 1970s, and continued with The Return of the Fabulous Hofner Bluenotes in 2008. [4]