Harriet Feigenbaum (born 1939) is an American
ecofeminist artist and sculptor. Many of her works are publicly displayed or in collections in New York. Her later work focused on reclamation projects, often of old mining cites, in Pennsylvania.[1][2][3][4]Robert Stackhouse's work has been compared to Feigenbaum's.[5]
Feigenbaum was the subject of
Phyllis Koestenbaum's poem, "Harriet Feigenbaum Is a Sculptor", published in Poetry New York, which was included in the
1993 volume of The Best American Poetry series,[20] and later reprinted in her collection Doris Day and Kitschy Melodies.[21]
Harriet Feigenbaum (born 1939) is an American
ecofeminist artist and sculptor. Many of her works are publicly displayed or in collections in New York. Her later work focused on reclamation projects, often of old mining cites, in Pennsylvania.[1][2][3][4]Robert Stackhouse's work has been compared to Feigenbaum's.[5]
Feigenbaum was the subject of
Phyllis Koestenbaum's poem, "Harriet Feigenbaum Is a Sculptor", published in Poetry New York, which was included in the
1993 volume of The Best American Poetry series,[20] and later reprinted in her collection Doris Day and Kitschy Melodies.[21]