Harras | ||||
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Live album by | ||||
Released | January 30, 1996 | |||
Recorded | 1993 | |||
Venue | Knitting Factory, New York City | |||
Genre | Avant-garde jazz | |||
Length | 57:34 | |||
Label | Avant | |||
Producer | Derek Bailey & John Zorn | |||
John Zorn chronology | ||||
|
Harras is an album of improvised music by Derek Bailey, John Zorn & William Parker. The album was released by the Japanese Avant label in 1996. Towards the end of the track "Evening Harras" there is 10 minutes of silence followed by a Bailey solo. "According to Derek Bailey, the abrupt cutoff was planned. Derek wanted to end it "on a high". The Bailey solo material appended after the silence was apparently Zorn's idea." [1]
The Allmusic review by Dean McFarlane awarded the album 3 stars stating "Evidently the candid session that took place on a night in New York resulted in a chaotic collision of ideas. With the performers being such strong voices individually, the abundant ideas fly in and out of the picture with no apparent regard to form; the session evolves from tepid beginnings into a no-holds-barred, rapid-fire assault on the senses. Fans of ultra-high-energy free improvisation will find it a delight to hear these three masters sparring on this one-off collaboration, making Harras a vital historical document which requires the gumption of a hardened avant-garde music fan to take the whole recording in one listen". [2]
Review scores | |
---|---|
Source | Rating |
Allmusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
Harras | ||||
---|---|---|---|---|
Live album by | ||||
Released | January 30, 1996 | |||
Recorded | 1993 | |||
Venue | Knitting Factory, New York City | |||
Genre | Avant-garde jazz | |||
Length | 57:34 | |||
Label | Avant | |||
Producer | Derek Bailey & John Zorn | |||
John Zorn chronology | ||||
|
Harras is an album of improvised music by Derek Bailey, John Zorn & William Parker. The album was released by the Japanese Avant label in 1996. Towards the end of the track "Evening Harras" there is 10 minutes of silence followed by a Bailey solo. "According to Derek Bailey, the abrupt cutoff was planned. Derek wanted to end it "on a high". The Bailey solo material appended after the silence was apparently Zorn's idea." [1]
The Allmusic review by Dean McFarlane awarded the album 3 stars stating "Evidently the candid session that took place on a night in New York resulted in a chaotic collision of ideas. With the performers being such strong voices individually, the abundant ideas fly in and out of the picture with no apparent regard to form; the session evolves from tepid beginnings into a no-holds-barred, rapid-fire assault on the senses. Fans of ultra-high-energy free improvisation will find it a delight to hear these three masters sparring on this one-off collaboration, making Harras a vital historical document which requires the gumption of a hardened avant-garde music fan to take the whole recording in one listen". [2]
Review scores | |
---|---|
Source | Rating |
Allmusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |