Liverpool is a city and port in
Merseyside, England, which contains many
listed buildings. A listed building is a structure designated by
English Heritage of being of architectural and/or of historical importance and, as such, is included in the
National Heritage List for England. There are three grades of listing, according to the degree of importance of the structure. Grade I includes those buildings that are of "exceptional interest, sometimes considered to be internationally important"; the buildings in Grade II* are "particularly important buildings of more than special interest"; and those in Grade II are "nationally important and of special interest". Very few buildings are included in Grade I — only 2.5% of the total. Grade II* buildings represent 5.5% of the total, while the great majority, 92%, are included in Grade II.[1]
Liverpool contains more than 1,550 listed buildings, of which 28 are in Grade I, 109 in Grade II*, and the rest in Grade II.[a] This list contains the Grade II listed buildings in the
L1 postal district of Liverpool. This area of the city formed part of the commercial hub of the city during the 19th and early 20th centuries. From that time, and continuing into the present, it also contains the major shopping district of the city. During the late 18th century, residential streets were developed in the area, the most important of these being
Rodney Street, Duke Street, Seel Street and
Bold Street. Some of the buildings in these streets continue to be used for domestic use, others have been adapted for different purposes, including retail and professional.[2][3]
Grade II listed buildings from other areas in the city can be found through the box on the right, along with the lists of the Grade I and Grade II* buildings in the city.
Originally a warehouse, the building is in brick with a
slate roof. It has a rectangular plan, with six storeys and a basement. It has been converted into flats.[4][5]
This was originally a
bridewell and police station. It is built in brick with stone dressings and has a
slate roof. The building is in two storeys, has three
bays, and is in
Italianate style. It is asymmetrical and has two towers of different heights. It has since been used as a restaurant. The boundary walls are included in the listing.[4][6]
A warehouse with five storeys and a cellar. It is in brick, with a
plastered ground floor, and a
slate roof. The building is in three
bays, has windows with segmental arches and, in the top floor, oval windows. It has a wooden
catshead.[7][8]
A linear range of 2 warehouses with working access to the street frontage. Built in dark brown brick with stone dressings, coped gable and Welsh slate roof coverings. No 28 has 4 storeys and 5 bays and No 30 has 6 storeys and 3 bays.[9]
Originating as a rice mill, with warehouses added and later combined into a single building. It is constructed in brick with some
sandstone dressings, and has roofs of
slate, tiles and corrugated sheeting and a frame of timber and
cast iron. The whole building has a square plan, and is mainly in seven storeys.[10][11]
Originally a house with an attached warehouse, built in
ashlarsandstone and brick, with a
slate roof. It was built for Samuel and James Holme, contractors, its design being attributed to Arthur Hill Holme. It is in
Greek Revival style, and has a
pediment with
acanthus scrolls. The building was converted for residential use in 2003.[12][13]
A brick house with stone dressings. It has three storeys, an attic and a basement, and is in two
bays. All the windows have wedge
lintels; most are
sashes and one is a
casement window.[14]
A row of 4 shops, formerly one of a pair of crosswings of a residential building known as 'Warmsley's Yard' and built by John Warmsley(c.1765-1812), architect and builder. They are brick coated with painted stucco with ashlar sandstone dressings, brick ridge stacks and have a hipped roof of Welsh slate.
Three shops in
stuccoed brick with
sandstone dressings and a
hippedslate roof. They were originally part of Walmsley's Yard. The building has an L-shaped plan in three storeys, with five
bays facing Berry Street, and three bays facing Seel Street.[15][16]
Former pub built of red brick with stucco finish with slate roof. Previous
Banksy mural of cat on exterior wall removed and building converted to café.
A house in brick with stone dressings and a
slate roof. It has two storeys and a basement, and is in two
bays. The windows are
sashes with have wedge
lintels.[19]
Two houses in brick with stone dressings and a
slate roof. They are in three storeys and a basement, and have two
bays to each house. The windows are
sashes with have wedge
lintels. The entrances have flat
architraves and
cornices.[20]
A row of ten houses in brick with stone dressings. They are in three storeys with a basement, and there are two
bays to each house. The windows are a mix of
sashes and
casements. The doorways have
Tuscanpilasters.[21]
Originally a private house, later converted into a shop. It is in brick, the upper two floors being
stuccoed. It has four storeys, and is in two
bays.[22]
The building was extended later. It is an iron-framed shop, with plate glass windows rising through two floors, between which are slim iron struts. No. 12 has three storeys, and Nos. 14 and 16 have four. No. 12 has a plain
parapet at the top, and Nos. 14 and 16 have a
cornice.[23][24]
This was originally a branch of the Liverpool Union Bank, built in 1885, and is now three shops. It was designed by
George Enoch Grayson and is constructed in stone with four storeys, and has five
bays.[25][26]
Built as a music hall designed by Arthur Hill Holme, it has later been used as a shop. It is in two storeys with an attic, and has three
bays facing Bold Street, and six bays on Concert Street. It is in brick and stone, now painted, and is in
Italianate style. At the top of the building is a richly carved
frieze.[27][28]
A shop in
Arts and Crafts style. It is constructed in stone, with three storeys. The first floor has continuous glazing with iron
mullions and
transoms, breaking forward into three shallow
oriels. In the top floor is a seven-light window.[27][29]
These shops are
stuccoed, in three storeys, and five
bays. They are in
Greek Revival style. In the ground floor are three shop fronts with
Doric columns, panelled
pilasters, a pulvinated
frieze, and a modillioned
cornice. The central bay of the second floor contains an
Ionicportico.[30][31]
This is a shop in three storeys and three
bays with a modern shop front in the ground floor. The two storeys above are in a mixture of Greek and Egyptian styles. The middle storey contains
Corinthianpilasters, a
frieze, and a
cornice, behind which runs unbroken glazing. The top storey comprises an open
loggia, also with columns, and at the top of the building is an
entablature.[32][33]
A warehouse and office designed by
William Culshaw, it is in brown brick with dressings in red brick and red
sandstone and the roof is
slated with
copedgables. There are four storeys, the front facing the street has three
bays, and there are nine bays on the sides. The central bay of the front is recessed and arched, and contains loading doors on each floor, and at the top is a jogger lift. In the right bay is a doorway with a sandstone surround and a triple
keystone. The windows have segmental heads, and some are blind, and above the ground floor is a painted signage band.[34]
A
stuccoed shop building with four storeys and in three
bays. In the ground floor are 20th-century shop fronts. On the first and second floors are
pilasters behind giant columns. The windows in the first floor are round-headed windows, the second floor has three windows in
mouldedarchitraves, and in the top floor are three three-light windows.[35]
An early purpose-built department store in stone with a
slate roof. It has four storeys and an attic, and is in 13
bays. At each corner on the front is a square tower. The front is elaborately decorated, including the statue of a figure representing Commerce.[36][37]
A brick house with stone dressings and a
slate roof. It has three storeys and is in three
bays. The windows are
sashes under flat brick arches. One window is blind. The entrance is round-headed.[38]
Originally built as the combined house and business premises for the merchant Thomas Parr. In 1815 the building was adapted to form the Royal Institution. It is in brick with stone dressings. The main block is in three storeys with five
bays. This is connected on each side by a single storey wall to a pavilion in two storeys with three bays. At the front is a projecting
Doric porch.[39][40]
Shops in three storeys and five
bays, with
rusticatedquoins at the corners and flanking the central bay, which is recessed. On the ground floor are shop windows and a round-headed entrance. In the first floor is a
Venetian window. The other windows are
sashes.[41]
This was built as a chapel for the
Welsh Calvinists, designed by W. H. Picton, and has later been used as a courthouse. It is built in stone with red
granite shafts, and is in
Romanesque style with round-headed windows. The building is in five storeys and five
bays. It has a
gable containing a five-light window with a roundel above, a
Lombard frieze and a
poppyheadfinial.[42][43]
An office building in brick with stone dressings. It has six storeys, and eight
bays. The ground floor contains shops, and the windows are rectangular in
mouldedarchitraves. There is a
cornice over the first floor windows, and those in the second floor have
pediments.[44]
An office block in
Gothic style designed by Richard Owens. It is built in stone with red
granite window shafts, and has a
slate roof. The building has three storeys, an attic and a basement, and is in six
bays. It has a
Mansard roof with
dormers.[42][45]
A brick warehouse with a
slate roof in four storeys. The front has a pair of loading bays under round-headed arches in each storey, with a window between them. All the windows and doors have
cast iron shutters, and the windows are barred. Inside are spiral staircases, and cast iron columns supporting the timber floors.[4][46]
A terrace of five houses in brick with stone dressings and a
slate roof. They are in three storeys, each house having three
bays, other than No 25, which has two bays. The windows in Nos. 17 and 19 are
casements, the others are
sashes. The entrances are round-headed with
Tuscan doorcases.[47][48]
Two brick houses with stone dressings and a
slate roof. They are in two storeys, each house having two
bays; No 50 also has a
gable. The windows are
sashes with wedge
lintels. The entrance to No. 48 is round-headed with a
Doric doorcase and an open
pediment.[47][49]
The public house is constructed in brick with stone dressings and a
slate roof. It is in three storeys, with five
bays on Duke Street and six on Suffolk Street.[50]
Originally a house, later a shop and office, in
rendered brick, with a tiled roof. Its main front is in three storeys and three
bays, with a 19th-century single-storey shop extension. On the ground floor are four arched openings, with three windows to each floor above.[47][51]
Built as a house, later used as an office, this is in brick with stone dressings and has a
slate roof. It has three storeys and a basement, and is in three
bays. The windows are
sashes with wedge
lintels. The central entrance is round-headed with a
Doric doorcase with an open
pediment.[47][52]
Built as the Union News Room, designed by
John Foster, senior. From 1852 it became Liverpool's first public library, then it was converted into offices in 1862. It is constructed in
ashlar stone, and has two storeys. There are five
bays on the Duke Street face, and three bays facing Slater Street. On the Slater Street side is a
Venetian window with
Ionic columns.[47][53]
A house in brick with
stucco and a
slate roof. It has three storeys and a basement, and is in five
bays. The windows are
sashes with brick heads. The central entrance is round-headed with
Ionic columns, a
frieze and a
cornice.[47][54]
A house in brick with stone dressings and a
slate roof. It is in three storeys with a basement, and has three
bays. The windows are
sashes with wedge
lintels. The entrances are round-headed with
Doric doorcases. It was the birthplace of the poet
Felicia Hemans.[47][55]
A terrace of three houses in brick with stone dressings and a
slate roof. They are in three storeys, each house having three
bays. The windows are
sashes with wedge
lintels. The entrances are round-headed with
Doric doorcases.[47][56]
A terrace of seven houses, including a shop and offices, in painted brick with stone dressings and a
slate roof. They are in three storeys with a basement. The windows are
sashes with wedge
lintels.[47][57]
A narrow warehouse in brick with a
slate roof, five
bays deep. Its
gabled front is three storeys high with an attic. The front contains pairs of loading doors and a pulley hoist system. Inside is a spiral staircase. The beams are supported by
cast iron columns.[4][58]
A terrace of small
back-to-back houses in three storeys with cellars. The front and back are identical, with four steps leading up to the doorways. They are in brick with one window in each storey, and are the only remaining back-to-back houses in Liverpool.[47][59]
Former warehouse built in red brick, laid to Flemish bond, with a shallow-pitch roof with concrete tile covering. The street frontage has 5 storeys above a basement, with double loading doorways. The gable apex has a projecting hoist beam in a gabled canopy.
This was built as the North and South Wales Bank. It is constructed in stone in
Gothic Revival style, and has a
slate roof. It is in three storeys with a basement and attic, and has a front of four
bays under a pointed
gable. The windows have pointed arches, and some are
mullioned and
transomed. Decoration on the front includes a
frieze, and
tympana containing the shields of England, Wales, Liverpool, and Ireland, and a central shield with the initials NSWB.[62]
A terrace of four houses in brick with stone dressings and a
slate roof. They are in three storeys with a basement, each house having three
bays. The central six bays protrude forward and are surmounted by a
pediment. The windows have flat brick arches; those of No. 21 are
casements, and the others are
sashes. All the entrances are round-headed. No. 21 has a first floor iron balcony.[10][63]
A terrace of houses in brick with stone dressings and a
slate roof, since renumbered as 48A - 48D Nelson Street. They are in three storeys with a basement, each house having three
bays. The windows are
sashes with flat brick arches. The entrances are round-headed with
Doric doorcases with
fluted columns.[10][64]
Originally a
Congregational church, it is constructed in stone, and was designed by Joseph Franklin. At the northeast is a semicircular
portico with
flutedCorinthianmonolith columns. Above this is a tower surmounted by a shallow dome, with a band of small
wheel windows. Along the sides of the church are two tiers of windows between which are Corinthian
pilasters. The church was converted into an arts centre (the Black-E) in the 1970s.[65][66]
A curved office block and warehouse in brick and
terracotta designed by
Edmund Kirby. It has four storeys and is in twelve
bays. In the ground floor are large round-arched windows, and above are three- and four-light windows. Between the windows the
piers rise to form chimneys, between which is a
balustrade. There is a balcony around the first floor.[68][69]
Originally built as the Crane Building, it was a shop selling musical instruments, with a theatre above. It was designed by
Walter Aubrey Thomas, and is in stone and brick. It has five storeys and an attic, and is in six
bays. It is richly decorated externally and internally, the auditorium being in
Neoclassical style.[70][71]
Originally partly an institute for the Mersey Mission to Seamen and partly a temperance public house, designed by
G. E. Grayson, later an office building. It is constructed in brick and
terracotta with a tiled roof. It has three storeys and an attic, and is in six
bays.[68][73]
A brick house with stone dressings and a
slate roof. It is in three storeys, and has three
bays on both fronts. All the windows are
sashes. On the Hardman Street face is an elaborate round-headed entrance with columns and a
keystone. On the Rodney Street face is a plain round-headed entrance and a
cantedbay window.[74]
This was built as the School for the Blind, designed by Arthur Hill Holme. It is faced with
Bath stone, is in two storeys, and has 15
bays. The central five bays project forward and have a
pediment. Behind the front the building is more utilitarian. It has a central
rotunda from which four wings radiate. The building later became a resource centre.[75][76]
Former warehouse built of dark brown brick with red and blue brick detailing and stone dressings, with a Welsh slate and corrugated roof. 4 storeys and basement with 3 street frontages. Now converted to apartments.[77]
Three brick houses with stone dressings and
slate roofs. They are in three storeys and have a basement. Each house is in three
bays. The windows are
sashes with wedge
lintels, other than those in No. 2, which are
casements. Nos. 4 and 6 have
Doric doorcases with columns.[78][79]
Two brick houses with stone dressings and
slate roofs. They are in three storeys and have a
stuccoed basement. Each house is in two
bays. The windows are
sashes with wedge
lintels. In No. 5 is a
cantedbow window. The round-headed entrances have doorcases with panelled
pilasters.[78][80]
A terrace of eight brick houses with stone dressings and
slate roofs. They are in three storeys and a basement, with each house having two
bays. The windows are
sashes with wedge
lintels. The round-headed entrances have
Ionic doorcases.[78][81]
A terrace of five brick houses with stone dressings and
slate roofs. They are in three storeys and a basement, with each house having two
bays. The windows are
sashes with wedge
lintels, other than those of No. 9, which are
casements. The round-headed entrances have
Ionic doorcases, other than that of No. 9. At the top of the terrace is a
frieze and a
cornice.[78][82]
A brick house with stone dressings and
slate roofs. It is in two storeys and a basement, and has two
bays. The windows are
sashes with wedge
lintels.[78][83]
Two houses in brick with stone dressings and
slate roofs on a stone
plinth. Each house has three storeys and a basement, and both houses are in two
bays. The windows are
sashes with wedge
lintels. No. 17 has a
Doric doorcase with
fluted columns. The columns are missing from the doorcase of No. 19.[84][85]
A house in brick with stone dressings and a
slate roof. It has three storeys and a basement, and is in two
bays. All the windows have wedge
lintels. The entrance is round-headed and has a doorcase with missing columns.[84][86]
A house in brick with stone dressings and a
slate roof. It has three storeys and a basement, and is in four
bays. All the windows have wedge
lintels; those in the first floor are
sashes and the others are
casements. The entrance is round-headed with a
Doric doorcase over which is an open
pediment.[84][88]
A terrace of four houses in brick with stone dressings and
slate roofs. Each house is in three storeys with a basement. No 29A has two
bays facing Hope Street and three facing Arrad Street; the others have three bays facing Hope Street. All the windows have wedge
lintels, and most are
sashes; No. 29A has a
casement window. All the houses have central round-headed entrances with
Doric doorcases.[84][89]
A brick house with stone dressings and
slate roofs. It has two storeys with a basement, and is in six
bays. The windows are
sashes with wedge
lintels, other than one
casement. The entrance in an arched recess is flat-headed.[84][90]
A brick house with stone dressings and
slate roofs. It has two storeys and is in five
bays. The windows are
sashes with wedge
lintels. Around the entrance are 3⁄4 columns, a
frieze, a
cornice, and a semicircular
fanlight.[84][91]
A terrace of three houses in brick with stone dressings and
slate roofs. Each house has three storeys with a stone basement, and is in three
bays. The windows are
sashes with wedge
lintels. The round-headed entrances have
Doric doorcases with
stuccoarchivolts. Two of the houses have first-floor balconies.[84][92]
A terrace of three houses in brick with stone dressings and
slate roofs. Each house has three storeys with a stone basement, and is in three
bays. The windows are
sashes with wedge
lintels. The round-headed entrances have
Doric doorcases with
stuccoarchivolts.[84][93]
A terrace of three houses in brick with stone dressings and
slate roofs. Each house has three storeys with a stone basement, and is in two
bays. The windows are
sashes with wedge
lintels. Nos, 41 and 43 have round-headed entrances with
Doric doorcases and
stuccoarchivolts. No. 45 has an
architrave with
fluting.[84][94]
A former hospital in red brick with stone dressings and a
slate roof. It is in
Queen Anne style, and was designed by F. and G. Holme and paid for by
Henry Tate. It is in three storeys, with a basement, lower basement and an attic, and forms three sides of a courtyard.[84][95]
A symmetrical brick house with a
slate roof. It has three storeys with a
stuccoed basement, and is in three
bays. The windows are
sashes with stuccoed wedge
lintels. Eight steps lead up to its round-headed entrance.[84][96]
A house in brick with stone dressings and a
slate roof. It has three storeys and a basement. Four
bays face Hope Street, with three bays facing Canning Street. All the windows have wedge
lintels; those facing Hope Street are
sashes and those facing Canning Street are
casements. No 49A has
Ionic columns and an
entablature.[97]
A terrace of four houses in brick with stone dressings and a
slate roof. They have three storeys and a basement, and each house is in two
bays. The windows are
sashes with wedge
lintels, other than No 59, which has
casements. The entrances are round-headed with
Doric doorcases.[84][98]
A house in brick with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The windows are
sashes with wedge
lintels. The central entrance is round-headed with a
Doric doorcase flanked by
fluted columns.[84][99]
A house in brick with stone dressings and a
slate roof. It has two storeys and a basement, and is in three
bays. The windows are
sashes with wedge
lintels. The central entrance is round-headed with a
Doric doorcase.[84][100]
Two
stuccoed houses with a
slate roof. They have three storeys and a basement, and each house is in three
bays. The windows are
sashes. The windows and the entrances have
architraves. In the first floor is an
entablature with
paterae, and at the top of the house is a
frieze, and a
cornice.[84][101]
A house in brick with stone dressings and a
slate roof. It has two storeys and a basement, and is in three
bays. Two of the bays are bowed. The windows are
sashes with wedge
lintels. The entrance has a flat
architrave with a
cornice.[84][102]
Two houses in brick with stone dressings and a
slate roof. They have three storeys and a basement, and each house is in three
bays. The windows are
sashes with wedge
lintels. Both houses have round-headed entrances, the windows above them with an
architrave, a
frieze, and a
cornice.[84][103]
A house in brick with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The windows are
sashes with wedge
lintels. The central entrance is round-headed with a
Doric doorcase flanked by
fluted columns.[84][104]
Three
stuccoed houses with a
slate roof in two storeys. They have eight
bays, the two bays at each end projecting forward with a
pedimented attic. The windows are
sashes, those in the projecting bays having
architraves, and a round-headed window above them in the attic. The entrances also have architraves.[84][105]
Initially an observation tower, it was converted into a radio broadcasting studio in 1999. It is built in concrete, and consists of a tapering circular tower 138 metres (453 ft) high. It stands on a concrete podium, and near the top is a
crow's nest-like lantern projection. This is glazed and wrapped around it is a lettered band. On its flat top is telecommunications equipment.[106][107]
The main entrance is in a wing added in 1910. The building is in
Neoclassical style, with a
Mansard roof. It has two storeys, with 12
bays along Mount Street and 13 along Hope Street. At the centre of the Hope Street front is a
rusticated porch with
flutedDoric attached columns. This is flanked by two two-storey
bay windows.[108][109]
A terrace of three houses in brick with stone dressings and a
slate roof. They have three storeys and a basement, and each house is in two
bays. All the windows but one are
sashes with wedge
lintels. The entrances are round-headed.[110]
A public house in
Art Nouveau style, built in brick and
stucco, with
marble facing to the ground floor. It is in three storeys with attics, and has 2x3
bays. The middle and top floor have
bay windows, and in the attic are
lunettes. On the Skelhorne Street side is an inscribed panel. The interior is elaborately decorated.[111][112]
Originally the Forum Cinema, it was designed by William R. Glen. It is faced in
Portland stone and carries little external decoration. The interior contains a gallery and a square
proscenium arch, and is more elaborately decorated.[111][113]
The station was extended to the south in 1877–79. The older part has a curved glass roof carried on double iron columns in
Doric style. The later part is on square
piers. Facing Lime Street is a stone screen with
Tuscanpilasters between round-arched openings. On the Skelhorne Street face are Tuscan columns supporting a
cornice.[111][114]
A steel-framed theatre in brick with a
Portland stone front in
Neoclassical style. Above the entrance is a steel
canopy, and over this is a balcony with
Ionic columns and windows behind. At the top is a
dentilledcornice. The interior has elaborately decorated plasterwork.[117][118][119]
This is a brick house with stone dressings and a
hippedslate roof. It has three storeys and is in three
bays, and has a
cornice at the top. The windows are
sashes, above which are wedge
lintels.[120]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, is in four
bays. The windows are
sashes with wedge
lintels. The round-headed entrance has an
architrave and a
keystone, and the doorcase has panelled
pilasters and a
frieze. Above the door is a blocked
fanlight with a 20th-century
relief of musical instruments.[121]
A brick house with stone dressings and a
slate roof, in three storeys and with three
bays. At the top is a
cornice, and a shop front has been inserted in the ground floor. The windows are
sashes, above which are wedge
lintels. The middle window in the first floor is blind.[122]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, is in three
bays, and has a
cornice at the top. The windows are
sashes with wedge
lintels. The central entrance has a round head and a
frieze.[123]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, is in two
bays, and has a
cornice at the top. The doorcase is flanked by
flutedpilasters. To its left is a
cantedbay window, above which are two blind windows. The other windows are
sashes.[124][125]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The windows have wedge
lintels; those in the first floor are
sashes and those elsewhere are
casements. The central entrance has flat
pilasters, a panelled
frieze and a
cornice.[126]
A terrace of brick houses with stone dressings and
slate roofs. They have three storeys and a basement. Each house has one
bay. The windows are
sashes with wedge
lintels. The entrances are round-arched.[124][127]
A terrace of four brick houses with stone dressings and
slate roofs. They have three storeys and a basement. Each pair of houses is in three one
bays. All the windows have wedge
lintels; they are a mix of
sashes and
casements. The entrances are paired and have elliptical arches, semicircular
fanlights and
Tuscan doorcases.[128]
A brick house with stone dressings and a
hippedslate roof. It has three storeys and a basement, and is in four
bays. The windows are
sashes with wedge
lintels. The round-headed entrance has a flat
architrave.[129]
Originally the Mechanics' Institution, then the Liverpool Institution, and in the 1990s as the
Liverpool Institute for Performing Arts when the building was expanded. The original part was designed by Arthur Wall Holme in
Greek Revival style. It is a stone building in two storeys with a front of nine
bays. The three central bays protrude forward to form a
tetrastyleportico.[124][130]
Two houses in brick with stone dressings and a
slate roof. They have three storeys and a basement, and each house is in two
bays. The windows are
sashes, above which are wedge
lintels. The entrances are round-headed, and each has a
Doric doorcase with
fluted columns.[10][131]
Two houses in brick with stone dressings and a
slate roof. They have three storeys and a basement, and each house is in two
bays. The windows are
sashes, above which are wedge
lintels. Shop windows have been inserted into the ground floor. No. 16 has a
Doric doorcase with
fluted columns.[10][132]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The entrance is round-headed, and has a
Doric doorcase with
fluted columns. One window is blind, the others are
sashes with wedge
lintels.[10][133]
This originated as a mission building, later converted into a house. It is in brick with stone dressings and a
slate roof. It has three storeys and a basement, and is in five
bays. The windows are
sashes, above which are wedge
lintels. The entrance is round-headed, and has a
Doric doorcase with
fluted columns. On the first floor is a bowed balcony.[10][134]
Three houses in brick with stone dressings and a
slate roof. They have three storeys and a basement, and each house is in two
bays. The windows are
sashes, above which are wedge
lintels. No 26 has a
canted shop window. All the entrances are round-headed, those of Nos 22 and 24 have
Doric doorcases with
fluted columns.[10][135]
A brick house with stone dressings and a
slate roof. It has three storeys, with a
cornice at the top. The windows have wedge
lintels; those on the ground floor are
casements, and the others are
sashes. The entrance has a panelled doorcase.[10][136]
A school and attached house, in brick with stone dressings and a
slate roof. The whole building is in two storeys with a basement, the school has seven
bays, and the house has two. The central three bays of the school project forward under a
pediment. The windows are
sashes.[139]
An office, originally the Gordon Smith Institute for Seamen, in red brick with a tiled roof. It has three storeys with an attic, and is in late Flemish Gothic style. Nine
bays face Paradise Street, four bays form a curved façade to Hanover Street, with a curved bay to Price Street. Features include an octagonal tower, shaped
gables with
flutedpinnacles, and
canted wooden
oriel windows.[140]
The gates were made in Liverpool by Henry Pooley and Son to the designs of John Cunningham and installed at the Liverpool Sailors Home by 1852. Removed after the blitz of May 1941 and restored 8 August 2011 near the site of the Sailors' Home[141]
A warehouse for Thomas Parr, built behind his house, in brick with stone dressings with a
slate roof. It has five storeys and a basement. On the street front are seven
bays, with three bays on the sides. There are
pediments on three sides. In the 1990s it was converted into student accommodation.[142][143]
A house in brick with stone dressings and
slate roofs. It has three storeys, and is in three
bays, with another bay facing Mount Street. The windows all have wedge
lintels. The windows in the first floor are
sashes; the rest are
casements.[144]
This is a house and a shop in brick with stone dressings and
slate roofs. They have three storeys, and are in three
bays. The windows are
sashes under wedge
lintels.[145]
Designed by Frank Atkinson for the
Midland Railway to replace an earlier hotel. It is constructed in
Portland stone on a steel frame. The entrance front has seven storeys, and is in eleven
bays. The windows in the first floor are round-headed; the others are rectangular. In the centre of the fourth and fifth floors are
Ionic columns in front of three recessed bays. Inside are a series of public rooms in differing style of decoration.[146][147][148]
A tall narrow stone shop with five storeys, one
bay wide. The ground floor contains a shop window. In the first floor is a
Diocletian window with carving in the
spandrels. The middle floor has a
cantedoriel window, and above are three-light windows. The
gable is flanked by truncated
pinnacles.[149][150]
A
stuccoed shop in
Italianate style. It has four storeys. There are three
bays on Ranelagh Street, five on Cases Street, and a broader curved bay on the corner between them. On the ground floor are shop windows, with
sashes above.[149][151]
A
stuccoed public house with a
slate roof. It is in four storeys, with one
bay in Ranelagh Street, three curved bays on the corner, and two bays in Cases Street. The front of the building dates from about 1900, and is in
Art Nouveau style. Its features include
graniteIonicpilasters,
bow windows, and decoration in copper and
wrought iron. The interior contains panelling, engraved mirrors, columns, and rich plasterwork.[149][152]
A
stuccoed public house with a
slate roof. It has three storeys and an attic, and is in five bays. The central bay projects forward; it has a truncated pyramidal roof surmounted by a
belvedere. The windows have
architraves and
keystones. Above the attic windows are
pediments. The interior contains panelling, engraved mirrors, columns, and rich plasterwork.[149][153]
A large department store, the third construction, rebuilt after severe damage in the Blitz of 1941. Closed in 2010 and since converted into separate units.[154]
A range of shops with a
stuccoed exterior. They are in three storeys with attics, and stretch for ten
bays, curving around a corner. The ground floor contains shop fronts, with
sash windows above.[155]
Designed by Bradshaw and Gass, this was built for the Liverpool Wesleyan Mission as a centre for religious and social meetings for
Methodists. It is constructed in red brick and yellow
terracotta, and has a
slate roof. It incorporates
Byzantine,
Gothic,
Jacobean, and
Art Nouveau features. Over the main hall is a
coffered saucer dome, at the entrance is a domed tower, and there are more domes elsewhere, some of them pointed.[156][157]
A terrace of three houses, constructed in brick with stone dressings. They have three storeys with attics, and each house is in three
bays. Each house has a round-headed doorway with a doorcase surrounded by
flutedDoric columns and an
entablature, with a semicircular
fanlight above. The houses have first-floor balconies and
sash windows.[158][159]
A brick house with stone dressings and a
slate roof. It has three storeys and a stone basement, and is in three
bays with a single-storey wing on each side. The windows are
sashes. The entrance has a semicircular head,
flutedIonic columns, and semicircular
fanlight.[158][160]
A brick house with stone dressings and a
slate roof. It has three storeys and a stone basement, and is in four
bays. The windows are
sashes with wedge
lintels. The entrance has a round head with a
Doric doorcase. A modern
dormer has been inserted in the roof.[158][161]
Two houses in brick with stone dressings and a
slate roof. They have two storeys and a basement, and each house is in three
bays. The windows are
sashes with wedge
lintels. The round-headed entrances are placed together and have
Doric doorcases.[158][162]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, with three
bays on Rodney Street and six on Maryland Street. The
sash windows have wedge
lintels, and the round-headed doorways are flanked by
fluted columns. Some windows are blind.[158][163]
Two houses in brick with stone dressings and
slate roofs. They have three storeys with a basement, and each house is in three
bays. The windows are
sashes under wedge
lintels. The entrances are round-headed with
Doric doorcases.[158][165]
A terrace of houses in brick with stone dressings and a
slate roof. They have three storeys and a basement, and each house is in three
bays. All the windows have wedge
lintels and most are
sashes. No. 14 has a round-headed entrance with a
Doric doorcase, surrounded by attached columns and an
entablature. No. 16 has a modern shop front and
casement windows in the second floor. The entrance to No. 18 has a
pedimented Doric doorcase.[158][166]
Houses and shops in brick with stone dressings and a
slate roof. They have three storeys and a basement, and are in three
bays. Most of the windows are
sashes. Nos. 20 and 22 have a shop window, and an entrance with an
Ionic doorcase. No 24 also has a shop window; its doorcase is in
Doric style, and the window above this is a
casement.[158][167]
The two houses are in brick with stone dressings and
slate roofs. They have three storeys with a basement, and each house is in three
bays. The windows all have wedge
lintels. In the first floor of No. 26 are a blind window and two
casements; the other windows are
sashes. The entrances are round-headed with
Doric doorcases, and there are balconies on the first floor.[158][168]
A brick house with stone dressings and a
slate roof. It has three storeys and a stone basement, and is in five
bays. The windows are
sashes under wedge
lintels. The central round-headed entrance has a
Doric porch, over which is a balcony.[158][169]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in five
bays. The windows are
sashes under wedge
lintels. The central round-headed entrance has a
Doric porch, over which is a balcony.[158][170]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The windows are
sashes with wedge
lintels. One window is blind. The entrance has a flat
architrave and a
cornice.[158][171]
A brick house with stone dressings and a
slate roof. It has three storeys and a stone basement, and is in five
bays. The windows are
sashes under flat brick arches. The central entrance has a
Doric doorcase, in front of which is a later
Ionic porch with an open
pediment.[158][172]
A brick house with stone dressings and a
slate roof. It has three storeys, and is in four
bays. The windows are
sashes under flat brick arches. The entrance has a panelled
architrave. Above it is a window, with an architrave, and also a
frieze and a
consoledcornice.[158][174]
A brick house with stone dressings and a
slate roof. The side facing Leece Street is
stuccoed, with
pilasters and blind windows. It has three storeys and a basement, and is in five
bays. The windows are
sashes with brick flat arches. The round-headed entrance has a
Doric doorcase.[158][175]
Thought to be the oldest building to be completed in the street, this is a brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in five
bays. At its top is a
pediment containing a roundel. The central entrance has a
Doric doorcase, its
entablature containing a
frieze with
swags. The window above this has an
architrave with a frieze and a
cornice, and over this is a blind window.[158][176]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The windows are all
sashes with wedge
lintels. The round-headed entrance has an
Ionic doorcase.[158][177]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in four
bays. The windows are all
sashes with wedge
lintels. The entrance has a projecting
Ionic porch and a glazed doorcase.[158][178]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in five
bays. The windows are
sashes under wedge
lintels. The round-headed entrance has a
Doric porch.[158][179]
Two houses in brick with stone dressings and
slate roofs. They have three storeys and a basement, and each house is in three
bays. The windows are
sashes with wedge
lintels. On the first floor are balconies.[158][180]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in four
bays. The windows are
sashes under wedge
lintels. The round-headed entrance has a
Doric doorcase.[158][181]
A brick house with stone dressings and a
slate roof. It has three storeys and a stone basement. The windows are a mix of
sashes and
casements under brick flat arches. The round-headed entrance has a
Doric doorcase with
flutedpilasters.[158][182]
Three houses in brick with stone dressings and
slate roofs. They have three storeys and a basement, and each house is in three
bays. The windows are
sashes with wedge
lintels. The round-headed entrances have
Ionic doorcases.[158][183]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The windows are
sashes under wedge
lintels. The round-headed doorway has a
Doric doorcase with
fluted columns. On the first floor are balconies.[158][184]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in four
bays. The windows are
sashes under wedge
lintels. The round-headed entrance has a
Ionic doorcase.[158][185]
A pair of houses in brick with stone dressings and a
slate roof. They have three storeys and a basement, and each house has three
bays. The windows have wedge
lintels and all of them are
sashes. Both houses have
Doric doorcases, and No. 47 has
rusticatedquoins.[158][186]
A brick house with stone dressings and a
slate roof. It has three storeys with a basement and an attic, and is in four
bays. The attic and a
portico were added later in the 19th century. The windows are
sashes with wedge
lintels. On the first floor is a balcony. The round-headed entrance has a
Doric doorcase, and a Doric portico with an open segmental
pediment. The attic has a
Mansard roof and pedimented
dormers.[158][187]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The windows are
sashes under wedge
lintels. The round-headed doorway has a
Doric doorcase with
fluted columns. On the first floor are balconies, and the
gable on the side has a
pediment.[158][188]
A terrace of three houses in brick with stone dressings and
slate roofs. They have three storeys and a basement, and each house is in three
bays. The windows are
sashes with wedge
lintels. Nos. 50 and 52 have round-headed entrances flanked by columns with foliated
capitals. The head of No. 54 is straight with a wedge lintel. There are bowed balconies on each first floor.[158][189]
A terrace of 13 brick houses with stone dressings and slate roofs. They have three storeys with a basement and an attic, and have three
bays, except no 63, which has 5 bays under a pediment. All the windows have wedge lintels and are sashed, except for those to nos. 61, 63, 67 and 71 which have glazing bars. No 75 has four blind windows. The doorways are paired except for the ends and centre, and are round-headed with attached Doric columns and entablatures, except those to nos 51, 65, and 63 which have pediments and nos 55-59 which have straight heads. Nos. 51–57, 61–63 and 69 have iron balconies to first floor.[190]
Two houses in brick with stone dressings and
slate roofs. Each has three storeys and a basement, and both houses are in two
bays. The windows have wedge
lintels. Most of them are
sashes with
casements on the second floor of No. 56. The round-headed entrances have
Tuscan doorcases. On the first floor of No. 56 is a balcony.[158][191]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in two
bays. The windows are
sashes under wedge
lintels. The entrance is round-headed, and has a panelled doorcase.[158][192]
A terrace of five brick houses with stone dressings and a
slate roof. Each house is in two
bays. All the windows are
sashes under wedge
lintels. Each house has a doorcase with attached columns and foliated
capitals, and first floor balconies.[158][193]
A brick house with stone dressings and a
slate roof, in three storeys and a basement. On the Rodney Street face are two
bays, with six bays facing Knight Street. On the corner are
quoins. All the windows are
sashes under wedge
lintels. There are also blind windows.[158][194]
Two houses in brick with stone dressings and
slate roofs. They are in three storeys and a basement, each house being in two
bays. The windows are
sashes under wedge
lintels. The entrances are round-headed with
Doric doorcases.[158][195]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in five
bays. The windows are
sashes under wedge
lintels. The central entrance is round-headed, and has a doorcase with flat
pilasters.[158][196]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The windows are
sashes under wedge
lintels. The entrance is round-headed, and is flanked by columns with
flutedcapitals. At one time it was the home of
Lytton Strachey.[158][197]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The windows are
sashes under wedge
lintels. The entrance is round-headed, and has an
Ionic doorcase.[158][198]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in four
bays. The windows are
sashes with wedge
lintels. The entrance is round-headed and has a
Doric doorcase, with
fluted columns.[158][199]
Two houses in brick with stone dressings and
slate roofs. They are in three storeys and a basement. No. 84 has three
bays, and No. 86 has five. The windows are
sashes under wedge
lintels. Both houses have an entrance with
Doric doorcases flanked by
fluted columns. The left side of No. 86 is in three bays and has a
pedimentedgable.[158][200]
A
K6 type telephone kiosk, designed by
Giles Gilbert Scott. It has a square plan, is in
cast iron and has a domed top. The top panels contain unperforated crowns.[201]
There are 14 lamp posts in
cast iron that have retained their original lanterns and cylindrical chimneys. They are placed outside
St Andrew's Church, and in front of houses numbered 5, 13, 33A, 45, 51A, 55, 2, 14, 38, 54, 68, 78 and 88.[202]
A monument to
William Mackenzie, railway contractor. It consists of a
granite pyramid. It has a blind entrance containing a granite plaque, surrounded by upright supporting a
lintel.[158][203][204]
The gate
piers and the front wall to the
Church of St. Andrew are in stone. There are four gate piers at the entrance and two on the corners, all with panelled sides and
pedimented caps.[205]
Designed by J.B. Hutchins in a modernist style, it is built of brick with dressings of Aberdeen granite to a rectangular plan on corner site. The long side is on Roe Street with a segmentally-curved north-western corner.
A terrace of four houses in brick with stone dressings and a
slate roof. They have three storeys with basements. No. 47 has three
bays, and the others have two. The round-headed doorways are paired, and the
sash windows have wedge
lintels.[207]
A terrace of three houses in brick with stone dressings and a
slate roof. They have three storeys, and each house is in two
bays. All the windows are
sashes with wedge
lintels. The entrances are paired with
pediments.[208]
Former watchmaker's works built in brick with cement rendering and dressings and a Welsh slate roof. There are 3 storeys with cellars with 3 bays to Slater Street and 2 bays to Seel Street on right return.
A brick house with stone dressings and a
slate roof. It has three storeys and is in three
bays. All the windows have wedge
lintels. Those in the second floor are
casements; the others are
sashes. The doorcase has
pilasters, a panelled
tympanum, and a
cornice.[209]
Town house c. 1800, converted into a public house later in the 19th century. It is a
stuccoed building in three storeys and four
bays. The windows have decorated
architraves, including
pediments, and
friezes carved with laurels.[210]
A warehouse, possibly originally a school, in brick with stone dressings and a
slate roof. It has two storeys and a basement, and is in five
bays. At the top is a
pediment containing a plaque. The windows are
casements.[211]
Three houses in brick with stone dressings and a
slate roof. No 79 has four
bays, and the other have three. No 79 is
stuccoed, has
casement windows in the ground floor, and a
Doric doorcase. All the other windows are
sashes with wedge
lintels. The doorcase of No 81/83 is in
Composite style.[212]
A terrace of six houses, with three storeys, each house having two
bays. They are constructed in brick with stone dressings and
slate roofs. Some of the windows are original
sashes; others are later inserted
casements. The interiors have been altered, but some earlier features have survived.[142][213]
An office building designed by Charles E. Deacon in
French Renaissance style. It is built in stone on a
granite base, and has three storeys, a basement and an attic. The windows in the ground floor are arched and surrounded by
pilasters and a
pediment. Above are two two-storey
oriel windows; the other windows are
mullioned and
transomed. On the front are two
friezes, and at the top of the building is a
cornice, and three ornamented
dormers, two of them with round pediments, balconies and lions' heads.[216][217]
Stuccoed shops in three storeys with a
slate roof. Along Sir Thomas Street are six
bays, with two bays on Whitechapel, and a
canted bay on the corner between them. All the windows are
sashes, some of which are round-headed. On Sir Thomas Street are two balconies with
pediments above.[218]
Office building in stone with slate roof having four storeys plus basement and attic. There are seven bays of varying widths; the basement, first and second floor bays are separated by attached shafts with foliated capitals supporting a cornice.
This consists of a simple block with a bronze
relief on each side, one side depicting mourners, with marching soldiers on the other side. It was designed by
L. B.Budden and executed by
H. Tyson Smith.[219][223]
The 41 lamp standards are in
cast iron and each contains a depiction of three dolphins twined around the base. They were designed by
Sir Charles Cockerell, and are placed between the west side of St George's Hall and Lime Street.[219][226]
A monument to Canon T. Major Lester, a founder of children's charities, designed by
George Frampton. It consists of a bronze figure, standing and holding a child, on a stone
pedestal.[235][238]
The monument to
W. E. Gladstone was designed by
Sir Thomas Brock. It consists of the bronze figure of Gladstone, standing and holding rolls of parchment and books, on a stone
plinth with female figures depicting virtues.[235][239]
Built for Pearl Life Assurance, this office building was designed by
Alfred Waterhouse. It is in stone with a
granite ground floor and a
slate roof. The building has three storeys and attics. Five
bays face St John's Lane, and three face Tryon Street. On the corner between them is an octagonal tower and spire. In the ground floor are round-headed arches containing shop fronts, the first and second floors have paired
sash windows, and in the attic are three-light sash windows under
gables containing
tracery.[244][245]
A
K6 type telephone kiosk, designed by
Giles Gilbert Scott. It has a square plan, is in
cast iron and has a domed top. The top panels contain unperforated crowns.[246]
A shop built in brick, partly
stuccoed, with stone dressings and a
slate roof. It is in three storeys and has a symmetrical front of five
bays, plus an additional bay to the left. In the ground floor are six round-arched openings, each of which is surrounded by elaborate decoration. A
cornice decorated with a
Greek key design runs above the ground floor. In the upper two storeys most of the windows are
sashes, with one
casement window.[247]
The building houses offices and was designed by
G. E. Grayson and constructed in
granite. There were originally three
gables, but the middle one is missing. The building is in four storeys with a basement, and stretches for nine
bays. Along the ground floor are five entrances. Most of the windows have three lights, other than those next to the entrances, which are paired, and those in the third floor, which have four lights. Between the windows are cylindrical columns.[216][248]
A terrace of five houses in three storeys and a basement. Each house has three
bays, the middle house projecting forward with a
pediment. The terrace is constructed in brick with stone dressings, including the base, a
string course, a
cornice, and a
parapet. The roof is
slated, and the windows are
sashes.[229][249]
The bank is built in brick with stone dressings, and is in four storeys. There are five
bays on Victoria Street and eleven bays on Stanley Street.[251]
This was built as a warehouse for the
Midland Railway, and designed by
Henry Sumners. It is constructed in brick with stone dressings, and has a
slate roof. Externally it is expressed in three and four storeys. In 2005–06 it was converted into the National Conservation Centre for
National Museums Liverpool.[252][253][254]
A bank designed by
G. E. Grayson. It is in stone on a
granite base, and has three storeys with a basement and attic. There are seven
bays on Victoria Street, and five bays on Sir Thomas Street. The ground floor contains
casement windows, with
sashes above.[255][256]
An office, built in brick with stone dressings, with a
slate roof. It is in four storeys, with four
bays on Victoria Street, and seven bays on Preston Street. At the corner is an octagonal
turret with a short spire and an iron
finial.[257][258]
These are office buildings built by
John Cragg, using ironwork from his foundry, for H. Rankin. They form one building, are built in brick with
sandstone dressings, and have a tiled roof. The building is in three storeys with an attic and basement, and has six
bays.[257][259]
An office building and warehouse, constructed in brick with stone dressings, with a
slate roof. It is in four storeys with an attic, and has five
bays. It is in
Tudor Revival, and has three
gables, and an
oriel window.[257][260]
^These figures are taken from a search in the National Heritage List for England in May 2013, and are subject to variation as further buildings are listed, grades are revised, or buildings are delisted.
Liverpool is a city and port in
Merseyside, England, which contains many
listed buildings. A listed building is a structure designated by
English Heritage of being of architectural and/or of historical importance and, as such, is included in the
National Heritage List for England. There are three grades of listing, according to the degree of importance of the structure. Grade I includes those buildings that are of "exceptional interest, sometimes considered to be internationally important"; the buildings in Grade II* are "particularly important buildings of more than special interest"; and those in Grade II are "nationally important and of special interest". Very few buildings are included in Grade I — only 2.5% of the total. Grade II* buildings represent 5.5% of the total, while the great majority, 92%, are included in Grade II.[1]
Liverpool contains more than 1,550 listed buildings, of which 28 are in Grade I, 109 in Grade II*, and the rest in Grade II.[a] This list contains the Grade II listed buildings in the
L1 postal district of Liverpool. This area of the city formed part of the commercial hub of the city during the 19th and early 20th centuries. From that time, and continuing into the present, it also contains the major shopping district of the city. During the late 18th century, residential streets were developed in the area, the most important of these being
Rodney Street, Duke Street, Seel Street and
Bold Street. Some of the buildings in these streets continue to be used for domestic use, others have been adapted for different purposes, including retail and professional.[2][3]
Grade II listed buildings from other areas in the city can be found through the box on the right, along with the lists of the Grade I and Grade II* buildings in the city.
Originally a warehouse, the building is in brick with a
slate roof. It has a rectangular plan, with six storeys and a basement. It has been converted into flats.[4][5]
This was originally a
bridewell and police station. It is built in brick with stone dressings and has a
slate roof. The building is in two storeys, has three
bays, and is in
Italianate style. It is asymmetrical and has two towers of different heights. It has since been used as a restaurant. The boundary walls are included in the listing.[4][6]
A warehouse with five storeys and a cellar. It is in brick, with a
plastered ground floor, and a
slate roof. The building is in three
bays, has windows with segmental arches and, in the top floor, oval windows. It has a wooden
catshead.[7][8]
A linear range of 2 warehouses with working access to the street frontage. Built in dark brown brick with stone dressings, coped gable and Welsh slate roof coverings. No 28 has 4 storeys and 5 bays and No 30 has 6 storeys and 3 bays.[9]
Originating as a rice mill, with warehouses added and later combined into a single building. It is constructed in brick with some
sandstone dressings, and has roofs of
slate, tiles and corrugated sheeting and a frame of timber and
cast iron. The whole building has a square plan, and is mainly in seven storeys.[10][11]
Originally a house with an attached warehouse, built in
ashlarsandstone and brick, with a
slate roof. It was built for Samuel and James Holme, contractors, its design being attributed to Arthur Hill Holme. It is in
Greek Revival style, and has a
pediment with
acanthus scrolls. The building was converted for residential use in 2003.[12][13]
A brick house with stone dressings. It has three storeys, an attic and a basement, and is in two
bays. All the windows have wedge
lintels; most are
sashes and one is a
casement window.[14]
A row of 4 shops, formerly one of a pair of crosswings of a residential building known as 'Warmsley's Yard' and built by John Warmsley(c.1765-1812), architect and builder. They are brick coated with painted stucco with ashlar sandstone dressings, brick ridge stacks and have a hipped roof of Welsh slate.
Three shops in
stuccoed brick with
sandstone dressings and a
hippedslate roof. They were originally part of Walmsley's Yard. The building has an L-shaped plan in three storeys, with five
bays facing Berry Street, and three bays facing Seel Street.[15][16]
Former pub built of red brick with stucco finish with slate roof. Previous
Banksy mural of cat on exterior wall removed and building converted to café.
A house in brick with stone dressings and a
slate roof. It has two storeys and a basement, and is in two
bays. The windows are
sashes with have wedge
lintels.[19]
Two houses in brick with stone dressings and a
slate roof. They are in three storeys and a basement, and have two
bays to each house. The windows are
sashes with have wedge
lintels. The entrances have flat
architraves and
cornices.[20]
A row of ten houses in brick with stone dressings. They are in three storeys with a basement, and there are two
bays to each house. The windows are a mix of
sashes and
casements. The doorways have
Tuscanpilasters.[21]
Originally a private house, later converted into a shop. It is in brick, the upper two floors being
stuccoed. It has four storeys, and is in two
bays.[22]
The building was extended later. It is an iron-framed shop, with plate glass windows rising through two floors, between which are slim iron struts. No. 12 has three storeys, and Nos. 14 and 16 have four. No. 12 has a plain
parapet at the top, and Nos. 14 and 16 have a
cornice.[23][24]
This was originally a branch of the Liverpool Union Bank, built in 1885, and is now three shops. It was designed by
George Enoch Grayson and is constructed in stone with four storeys, and has five
bays.[25][26]
Built as a music hall designed by Arthur Hill Holme, it has later been used as a shop. It is in two storeys with an attic, and has three
bays facing Bold Street, and six bays on Concert Street. It is in brick and stone, now painted, and is in
Italianate style. At the top of the building is a richly carved
frieze.[27][28]
A shop in
Arts and Crafts style. It is constructed in stone, with three storeys. The first floor has continuous glazing with iron
mullions and
transoms, breaking forward into three shallow
oriels. In the top floor is a seven-light window.[27][29]
These shops are
stuccoed, in three storeys, and five
bays. They are in
Greek Revival style. In the ground floor are three shop fronts with
Doric columns, panelled
pilasters, a pulvinated
frieze, and a modillioned
cornice. The central bay of the second floor contains an
Ionicportico.[30][31]
This is a shop in three storeys and three
bays with a modern shop front in the ground floor. The two storeys above are in a mixture of Greek and Egyptian styles. The middle storey contains
Corinthianpilasters, a
frieze, and a
cornice, behind which runs unbroken glazing. The top storey comprises an open
loggia, also with columns, and at the top of the building is an
entablature.[32][33]
A warehouse and office designed by
William Culshaw, it is in brown brick with dressings in red brick and red
sandstone and the roof is
slated with
copedgables. There are four storeys, the front facing the street has three
bays, and there are nine bays on the sides. The central bay of the front is recessed and arched, and contains loading doors on each floor, and at the top is a jogger lift. In the right bay is a doorway with a sandstone surround and a triple
keystone. The windows have segmental heads, and some are blind, and above the ground floor is a painted signage band.[34]
A
stuccoed shop building with four storeys and in three
bays. In the ground floor are 20th-century shop fronts. On the first and second floors are
pilasters behind giant columns. The windows in the first floor are round-headed windows, the second floor has three windows in
mouldedarchitraves, and in the top floor are three three-light windows.[35]
An early purpose-built department store in stone with a
slate roof. It has four storeys and an attic, and is in 13
bays. At each corner on the front is a square tower. The front is elaborately decorated, including the statue of a figure representing Commerce.[36][37]
A brick house with stone dressings and a
slate roof. It has three storeys and is in three
bays. The windows are
sashes under flat brick arches. One window is blind. The entrance is round-headed.[38]
Originally built as the combined house and business premises for the merchant Thomas Parr. In 1815 the building was adapted to form the Royal Institution. It is in brick with stone dressings. The main block is in three storeys with five
bays. This is connected on each side by a single storey wall to a pavilion in two storeys with three bays. At the front is a projecting
Doric porch.[39][40]
Shops in three storeys and five
bays, with
rusticatedquoins at the corners and flanking the central bay, which is recessed. On the ground floor are shop windows and a round-headed entrance. In the first floor is a
Venetian window. The other windows are
sashes.[41]
This was built as a chapel for the
Welsh Calvinists, designed by W. H. Picton, and has later been used as a courthouse. It is built in stone with red
granite shafts, and is in
Romanesque style with round-headed windows. The building is in five storeys and five
bays. It has a
gable containing a five-light window with a roundel above, a
Lombard frieze and a
poppyheadfinial.[42][43]
An office building in brick with stone dressings. It has six storeys, and eight
bays. The ground floor contains shops, and the windows are rectangular in
mouldedarchitraves. There is a
cornice over the first floor windows, and those in the second floor have
pediments.[44]
An office block in
Gothic style designed by Richard Owens. It is built in stone with red
granite window shafts, and has a
slate roof. The building has three storeys, an attic and a basement, and is in six
bays. It has a
Mansard roof with
dormers.[42][45]
A brick warehouse with a
slate roof in four storeys. The front has a pair of loading bays under round-headed arches in each storey, with a window between them. All the windows and doors have
cast iron shutters, and the windows are barred. Inside are spiral staircases, and cast iron columns supporting the timber floors.[4][46]
A terrace of five houses in brick with stone dressings and a
slate roof. They are in three storeys, each house having three
bays, other than No 25, which has two bays. The windows in Nos. 17 and 19 are
casements, the others are
sashes. The entrances are round-headed with
Tuscan doorcases.[47][48]
Two brick houses with stone dressings and a
slate roof. They are in two storeys, each house having two
bays; No 50 also has a
gable. The windows are
sashes with wedge
lintels. The entrance to No. 48 is round-headed with a
Doric doorcase and an open
pediment.[47][49]
The public house is constructed in brick with stone dressings and a
slate roof. It is in three storeys, with five
bays on Duke Street and six on Suffolk Street.[50]
Originally a house, later a shop and office, in
rendered brick, with a tiled roof. Its main front is in three storeys and three
bays, with a 19th-century single-storey shop extension. On the ground floor are four arched openings, with three windows to each floor above.[47][51]
Built as a house, later used as an office, this is in brick with stone dressings and has a
slate roof. It has three storeys and a basement, and is in three
bays. The windows are
sashes with wedge
lintels. The central entrance is round-headed with a
Doric doorcase with an open
pediment.[47][52]
Built as the Union News Room, designed by
John Foster, senior. From 1852 it became Liverpool's first public library, then it was converted into offices in 1862. It is constructed in
ashlar stone, and has two storeys. There are five
bays on the Duke Street face, and three bays facing Slater Street. On the Slater Street side is a
Venetian window with
Ionic columns.[47][53]
A house in brick with
stucco and a
slate roof. It has three storeys and a basement, and is in five
bays. The windows are
sashes with brick heads. The central entrance is round-headed with
Ionic columns, a
frieze and a
cornice.[47][54]
A house in brick with stone dressings and a
slate roof. It is in three storeys with a basement, and has three
bays. The windows are
sashes with wedge
lintels. The entrances are round-headed with
Doric doorcases. It was the birthplace of the poet
Felicia Hemans.[47][55]
A terrace of three houses in brick with stone dressings and a
slate roof. They are in three storeys, each house having three
bays. The windows are
sashes with wedge
lintels. The entrances are round-headed with
Doric doorcases.[47][56]
A terrace of seven houses, including a shop and offices, in painted brick with stone dressings and a
slate roof. They are in three storeys with a basement. The windows are
sashes with wedge
lintels.[47][57]
A narrow warehouse in brick with a
slate roof, five
bays deep. Its
gabled front is three storeys high with an attic. The front contains pairs of loading doors and a pulley hoist system. Inside is a spiral staircase. The beams are supported by
cast iron columns.[4][58]
A terrace of small
back-to-back houses in three storeys with cellars. The front and back are identical, with four steps leading up to the doorways. They are in brick with one window in each storey, and are the only remaining back-to-back houses in Liverpool.[47][59]
Former warehouse built in red brick, laid to Flemish bond, with a shallow-pitch roof with concrete tile covering. The street frontage has 5 storeys above a basement, with double loading doorways. The gable apex has a projecting hoist beam in a gabled canopy.
This was built as the North and South Wales Bank. It is constructed in stone in
Gothic Revival style, and has a
slate roof. It is in three storeys with a basement and attic, and has a front of four
bays under a pointed
gable. The windows have pointed arches, and some are
mullioned and
transomed. Decoration on the front includes a
frieze, and
tympana containing the shields of England, Wales, Liverpool, and Ireland, and a central shield with the initials NSWB.[62]
A terrace of four houses in brick with stone dressings and a
slate roof. They are in three storeys with a basement, each house having three
bays. The central six bays protrude forward and are surmounted by a
pediment. The windows have flat brick arches; those of No. 21 are
casements, and the others are
sashes. All the entrances are round-headed. No. 21 has a first floor iron balcony.[10][63]
A terrace of houses in brick with stone dressings and a
slate roof, since renumbered as 48A - 48D Nelson Street. They are in three storeys with a basement, each house having three
bays. The windows are
sashes with flat brick arches. The entrances are round-headed with
Doric doorcases with
fluted columns.[10][64]
Originally a
Congregational church, it is constructed in stone, and was designed by Joseph Franklin. At the northeast is a semicircular
portico with
flutedCorinthianmonolith columns. Above this is a tower surmounted by a shallow dome, with a band of small
wheel windows. Along the sides of the church are two tiers of windows between which are Corinthian
pilasters. The church was converted into an arts centre (the Black-E) in the 1970s.[65][66]
A curved office block and warehouse in brick and
terracotta designed by
Edmund Kirby. It has four storeys and is in twelve
bays. In the ground floor are large round-arched windows, and above are three- and four-light windows. Between the windows the
piers rise to form chimneys, between which is a
balustrade. There is a balcony around the first floor.[68][69]
Originally built as the Crane Building, it was a shop selling musical instruments, with a theatre above. It was designed by
Walter Aubrey Thomas, and is in stone and brick. It has five storeys and an attic, and is in six
bays. It is richly decorated externally and internally, the auditorium being in
Neoclassical style.[70][71]
Originally partly an institute for the Mersey Mission to Seamen and partly a temperance public house, designed by
G. E. Grayson, later an office building. It is constructed in brick and
terracotta with a tiled roof. It has three storeys and an attic, and is in six
bays.[68][73]
A brick house with stone dressings and a
slate roof. It is in three storeys, and has three
bays on both fronts. All the windows are
sashes. On the Hardman Street face is an elaborate round-headed entrance with columns and a
keystone. On the Rodney Street face is a plain round-headed entrance and a
cantedbay window.[74]
This was built as the School for the Blind, designed by Arthur Hill Holme. It is faced with
Bath stone, is in two storeys, and has 15
bays. The central five bays project forward and have a
pediment. Behind the front the building is more utilitarian. It has a central
rotunda from which four wings radiate. The building later became a resource centre.[75][76]
Former warehouse built of dark brown brick with red and blue brick detailing and stone dressings, with a Welsh slate and corrugated roof. 4 storeys and basement with 3 street frontages. Now converted to apartments.[77]
Three brick houses with stone dressings and
slate roofs. They are in three storeys and have a basement. Each house is in three
bays. The windows are
sashes with wedge
lintels, other than those in No. 2, which are
casements. Nos. 4 and 6 have
Doric doorcases with columns.[78][79]
Two brick houses with stone dressings and
slate roofs. They are in three storeys and have a
stuccoed basement. Each house is in two
bays. The windows are
sashes with wedge
lintels. In No. 5 is a
cantedbow window. The round-headed entrances have doorcases with panelled
pilasters.[78][80]
A terrace of eight brick houses with stone dressings and
slate roofs. They are in three storeys and a basement, with each house having two
bays. The windows are
sashes with wedge
lintels. The round-headed entrances have
Ionic doorcases.[78][81]
A terrace of five brick houses with stone dressings and
slate roofs. They are in three storeys and a basement, with each house having two
bays. The windows are
sashes with wedge
lintels, other than those of No. 9, which are
casements. The round-headed entrances have
Ionic doorcases, other than that of No. 9. At the top of the terrace is a
frieze and a
cornice.[78][82]
A brick house with stone dressings and
slate roofs. It is in two storeys and a basement, and has two
bays. The windows are
sashes with wedge
lintels.[78][83]
Two houses in brick with stone dressings and
slate roofs on a stone
plinth. Each house has three storeys and a basement, and both houses are in two
bays. The windows are
sashes with wedge
lintels. No. 17 has a
Doric doorcase with
fluted columns. The columns are missing from the doorcase of No. 19.[84][85]
A house in brick with stone dressings and a
slate roof. It has three storeys and a basement, and is in two
bays. All the windows have wedge
lintels. The entrance is round-headed and has a doorcase with missing columns.[84][86]
A house in brick with stone dressings and a
slate roof. It has three storeys and a basement, and is in four
bays. All the windows have wedge
lintels; those in the first floor are
sashes and the others are
casements. The entrance is round-headed with a
Doric doorcase over which is an open
pediment.[84][88]
A terrace of four houses in brick with stone dressings and
slate roofs. Each house is in three storeys with a basement. No 29A has two
bays facing Hope Street and three facing Arrad Street; the others have three bays facing Hope Street. All the windows have wedge
lintels, and most are
sashes; No. 29A has a
casement window. All the houses have central round-headed entrances with
Doric doorcases.[84][89]
A brick house with stone dressings and
slate roofs. It has two storeys with a basement, and is in six
bays. The windows are
sashes with wedge
lintels, other than one
casement. The entrance in an arched recess is flat-headed.[84][90]
A brick house with stone dressings and
slate roofs. It has two storeys and is in five
bays. The windows are
sashes with wedge
lintels. Around the entrance are 3⁄4 columns, a
frieze, a
cornice, and a semicircular
fanlight.[84][91]
A terrace of three houses in brick with stone dressings and
slate roofs. Each house has three storeys with a stone basement, and is in three
bays. The windows are
sashes with wedge
lintels. The round-headed entrances have
Doric doorcases with
stuccoarchivolts. Two of the houses have first-floor balconies.[84][92]
A terrace of three houses in brick with stone dressings and
slate roofs. Each house has three storeys with a stone basement, and is in three
bays. The windows are
sashes with wedge
lintels. The round-headed entrances have
Doric doorcases with
stuccoarchivolts.[84][93]
A terrace of three houses in brick with stone dressings and
slate roofs. Each house has three storeys with a stone basement, and is in two
bays. The windows are
sashes with wedge
lintels. Nos, 41 and 43 have round-headed entrances with
Doric doorcases and
stuccoarchivolts. No. 45 has an
architrave with
fluting.[84][94]
A former hospital in red brick with stone dressings and a
slate roof. It is in
Queen Anne style, and was designed by F. and G. Holme and paid for by
Henry Tate. It is in three storeys, with a basement, lower basement and an attic, and forms three sides of a courtyard.[84][95]
A symmetrical brick house with a
slate roof. It has three storeys with a
stuccoed basement, and is in three
bays. The windows are
sashes with stuccoed wedge
lintels. Eight steps lead up to its round-headed entrance.[84][96]
A house in brick with stone dressings and a
slate roof. It has three storeys and a basement. Four
bays face Hope Street, with three bays facing Canning Street. All the windows have wedge
lintels; those facing Hope Street are
sashes and those facing Canning Street are
casements. No 49A has
Ionic columns and an
entablature.[97]
A terrace of four houses in brick with stone dressings and a
slate roof. They have three storeys and a basement, and each house is in two
bays. The windows are
sashes with wedge
lintels, other than No 59, which has
casements. The entrances are round-headed with
Doric doorcases.[84][98]
A house in brick with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The windows are
sashes with wedge
lintels. The central entrance is round-headed with a
Doric doorcase flanked by
fluted columns.[84][99]
A house in brick with stone dressings and a
slate roof. It has two storeys and a basement, and is in three
bays. The windows are
sashes with wedge
lintels. The central entrance is round-headed with a
Doric doorcase.[84][100]
Two
stuccoed houses with a
slate roof. They have three storeys and a basement, and each house is in three
bays. The windows are
sashes. The windows and the entrances have
architraves. In the first floor is an
entablature with
paterae, and at the top of the house is a
frieze, and a
cornice.[84][101]
A house in brick with stone dressings and a
slate roof. It has two storeys and a basement, and is in three
bays. Two of the bays are bowed. The windows are
sashes with wedge
lintels. The entrance has a flat
architrave with a
cornice.[84][102]
Two houses in brick with stone dressings and a
slate roof. They have three storeys and a basement, and each house is in three
bays. The windows are
sashes with wedge
lintels. Both houses have round-headed entrances, the windows above them with an
architrave, a
frieze, and a
cornice.[84][103]
A house in brick with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The windows are
sashes with wedge
lintels. The central entrance is round-headed with a
Doric doorcase flanked by
fluted columns.[84][104]
Three
stuccoed houses with a
slate roof in two storeys. They have eight
bays, the two bays at each end projecting forward with a
pedimented attic. The windows are
sashes, those in the projecting bays having
architraves, and a round-headed window above them in the attic. The entrances also have architraves.[84][105]
Initially an observation tower, it was converted into a radio broadcasting studio in 1999. It is built in concrete, and consists of a tapering circular tower 138 metres (453 ft) high. It stands on a concrete podium, and near the top is a
crow's nest-like lantern projection. This is glazed and wrapped around it is a lettered band. On its flat top is telecommunications equipment.[106][107]
The main entrance is in a wing added in 1910. The building is in
Neoclassical style, with a
Mansard roof. It has two storeys, with 12
bays along Mount Street and 13 along Hope Street. At the centre of the Hope Street front is a
rusticated porch with
flutedDoric attached columns. This is flanked by two two-storey
bay windows.[108][109]
A terrace of three houses in brick with stone dressings and a
slate roof. They have three storeys and a basement, and each house is in two
bays. All the windows but one are
sashes with wedge
lintels. The entrances are round-headed.[110]
A public house in
Art Nouveau style, built in brick and
stucco, with
marble facing to the ground floor. It is in three storeys with attics, and has 2x3
bays. The middle and top floor have
bay windows, and in the attic are
lunettes. On the Skelhorne Street side is an inscribed panel. The interior is elaborately decorated.[111][112]
Originally the Forum Cinema, it was designed by William R. Glen. It is faced in
Portland stone and carries little external decoration. The interior contains a gallery and a square
proscenium arch, and is more elaborately decorated.[111][113]
The station was extended to the south in 1877–79. The older part has a curved glass roof carried on double iron columns in
Doric style. The later part is on square
piers. Facing Lime Street is a stone screen with
Tuscanpilasters between round-arched openings. On the Skelhorne Street face are Tuscan columns supporting a
cornice.[111][114]
A steel-framed theatre in brick with a
Portland stone front in
Neoclassical style. Above the entrance is a steel
canopy, and over this is a balcony with
Ionic columns and windows behind. At the top is a
dentilledcornice. The interior has elaborately decorated plasterwork.[117][118][119]
This is a brick house with stone dressings and a
hippedslate roof. It has three storeys and is in three
bays, and has a
cornice at the top. The windows are
sashes, above which are wedge
lintels.[120]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, is in four
bays. The windows are
sashes with wedge
lintels. The round-headed entrance has an
architrave and a
keystone, and the doorcase has panelled
pilasters and a
frieze. Above the door is a blocked
fanlight with a 20th-century
relief of musical instruments.[121]
A brick house with stone dressings and a
slate roof, in three storeys and with three
bays. At the top is a
cornice, and a shop front has been inserted in the ground floor. The windows are
sashes, above which are wedge
lintels. The middle window in the first floor is blind.[122]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, is in three
bays, and has a
cornice at the top. The windows are
sashes with wedge
lintels. The central entrance has a round head and a
frieze.[123]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, is in two
bays, and has a
cornice at the top. The doorcase is flanked by
flutedpilasters. To its left is a
cantedbay window, above which are two blind windows. The other windows are
sashes.[124][125]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The windows have wedge
lintels; those in the first floor are
sashes and those elsewhere are
casements. The central entrance has flat
pilasters, a panelled
frieze and a
cornice.[126]
A terrace of brick houses with stone dressings and
slate roofs. They have three storeys and a basement. Each house has one
bay. The windows are
sashes with wedge
lintels. The entrances are round-arched.[124][127]
A terrace of four brick houses with stone dressings and
slate roofs. They have three storeys and a basement. Each pair of houses is in three one
bays. All the windows have wedge
lintels; they are a mix of
sashes and
casements. The entrances are paired and have elliptical arches, semicircular
fanlights and
Tuscan doorcases.[128]
A brick house with stone dressings and a
hippedslate roof. It has three storeys and a basement, and is in four
bays. The windows are
sashes with wedge
lintels. The round-headed entrance has a flat
architrave.[129]
Originally the Mechanics' Institution, then the Liverpool Institution, and in the 1990s as the
Liverpool Institute for Performing Arts when the building was expanded. The original part was designed by Arthur Wall Holme in
Greek Revival style. It is a stone building in two storeys with a front of nine
bays. The three central bays protrude forward to form a
tetrastyleportico.[124][130]
Two houses in brick with stone dressings and a
slate roof. They have three storeys and a basement, and each house is in two
bays. The windows are
sashes, above which are wedge
lintels. The entrances are round-headed, and each has a
Doric doorcase with
fluted columns.[10][131]
Two houses in brick with stone dressings and a
slate roof. They have three storeys and a basement, and each house is in two
bays. The windows are
sashes, above which are wedge
lintels. Shop windows have been inserted into the ground floor. No. 16 has a
Doric doorcase with
fluted columns.[10][132]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The entrance is round-headed, and has a
Doric doorcase with
fluted columns. One window is blind, the others are
sashes with wedge
lintels.[10][133]
This originated as a mission building, later converted into a house. It is in brick with stone dressings and a
slate roof. It has three storeys and a basement, and is in five
bays. The windows are
sashes, above which are wedge
lintels. The entrance is round-headed, and has a
Doric doorcase with
fluted columns. On the first floor is a bowed balcony.[10][134]
Three houses in brick with stone dressings and a
slate roof. They have three storeys and a basement, and each house is in two
bays. The windows are
sashes, above which are wedge
lintels. No 26 has a
canted shop window. All the entrances are round-headed, those of Nos 22 and 24 have
Doric doorcases with
fluted columns.[10][135]
A brick house with stone dressings and a
slate roof. It has three storeys, with a
cornice at the top. The windows have wedge
lintels; those on the ground floor are
casements, and the others are
sashes. The entrance has a panelled doorcase.[10][136]
A school and attached house, in brick with stone dressings and a
slate roof. The whole building is in two storeys with a basement, the school has seven
bays, and the house has two. The central three bays of the school project forward under a
pediment. The windows are
sashes.[139]
An office, originally the Gordon Smith Institute for Seamen, in red brick with a tiled roof. It has three storeys with an attic, and is in late Flemish Gothic style. Nine
bays face Paradise Street, four bays form a curved façade to Hanover Street, with a curved bay to Price Street. Features include an octagonal tower, shaped
gables with
flutedpinnacles, and
canted wooden
oriel windows.[140]
The gates were made in Liverpool by Henry Pooley and Son to the designs of John Cunningham and installed at the Liverpool Sailors Home by 1852. Removed after the blitz of May 1941 and restored 8 August 2011 near the site of the Sailors' Home[141]
A warehouse for Thomas Parr, built behind his house, in brick with stone dressings with a
slate roof. It has five storeys and a basement. On the street front are seven
bays, with three bays on the sides. There are
pediments on three sides. In the 1990s it was converted into student accommodation.[142][143]
A house in brick with stone dressings and
slate roofs. It has three storeys, and is in three
bays, with another bay facing Mount Street. The windows all have wedge
lintels. The windows in the first floor are
sashes; the rest are
casements.[144]
This is a house and a shop in brick with stone dressings and
slate roofs. They have three storeys, and are in three
bays. The windows are
sashes under wedge
lintels.[145]
Designed by Frank Atkinson for the
Midland Railway to replace an earlier hotel. It is constructed in
Portland stone on a steel frame. The entrance front has seven storeys, and is in eleven
bays. The windows in the first floor are round-headed; the others are rectangular. In the centre of the fourth and fifth floors are
Ionic columns in front of three recessed bays. Inside are a series of public rooms in differing style of decoration.[146][147][148]
A tall narrow stone shop with five storeys, one
bay wide. The ground floor contains a shop window. In the first floor is a
Diocletian window with carving in the
spandrels. The middle floor has a
cantedoriel window, and above are three-light windows. The
gable is flanked by truncated
pinnacles.[149][150]
A
stuccoed shop in
Italianate style. It has four storeys. There are three
bays on Ranelagh Street, five on Cases Street, and a broader curved bay on the corner between them. On the ground floor are shop windows, with
sashes above.[149][151]
A
stuccoed public house with a
slate roof. It is in four storeys, with one
bay in Ranelagh Street, three curved bays on the corner, and two bays in Cases Street. The front of the building dates from about 1900, and is in
Art Nouveau style. Its features include
graniteIonicpilasters,
bow windows, and decoration in copper and
wrought iron. The interior contains panelling, engraved mirrors, columns, and rich plasterwork.[149][152]
A
stuccoed public house with a
slate roof. It has three storeys and an attic, and is in five bays. The central bay projects forward; it has a truncated pyramidal roof surmounted by a
belvedere. The windows have
architraves and
keystones. Above the attic windows are
pediments. The interior contains panelling, engraved mirrors, columns, and rich plasterwork.[149][153]
A large department store, the third construction, rebuilt after severe damage in the Blitz of 1941. Closed in 2010 and since converted into separate units.[154]
A range of shops with a
stuccoed exterior. They are in three storeys with attics, and stretch for ten
bays, curving around a corner. The ground floor contains shop fronts, with
sash windows above.[155]
Designed by Bradshaw and Gass, this was built for the Liverpool Wesleyan Mission as a centre for religious and social meetings for
Methodists. It is constructed in red brick and yellow
terracotta, and has a
slate roof. It incorporates
Byzantine,
Gothic,
Jacobean, and
Art Nouveau features. Over the main hall is a
coffered saucer dome, at the entrance is a domed tower, and there are more domes elsewhere, some of them pointed.[156][157]
A terrace of three houses, constructed in brick with stone dressings. They have three storeys with attics, and each house is in three
bays. Each house has a round-headed doorway with a doorcase surrounded by
flutedDoric columns and an
entablature, with a semicircular
fanlight above. The houses have first-floor balconies and
sash windows.[158][159]
A brick house with stone dressings and a
slate roof. It has three storeys and a stone basement, and is in three
bays with a single-storey wing on each side. The windows are
sashes. The entrance has a semicircular head,
flutedIonic columns, and semicircular
fanlight.[158][160]
A brick house with stone dressings and a
slate roof. It has three storeys and a stone basement, and is in four
bays. The windows are
sashes with wedge
lintels. The entrance has a round head with a
Doric doorcase. A modern
dormer has been inserted in the roof.[158][161]
Two houses in brick with stone dressings and a
slate roof. They have two storeys and a basement, and each house is in three
bays. The windows are
sashes with wedge
lintels. The round-headed entrances are placed together and have
Doric doorcases.[158][162]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, with three
bays on Rodney Street and six on Maryland Street. The
sash windows have wedge
lintels, and the round-headed doorways are flanked by
fluted columns. Some windows are blind.[158][163]
Two houses in brick with stone dressings and
slate roofs. They have three storeys with a basement, and each house is in three
bays. The windows are
sashes under wedge
lintels. The entrances are round-headed with
Doric doorcases.[158][165]
A terrace of houses in brick with stone dressings and a
slate roof. They have three storeys and a basement, and each house is in three
bays. All the windows have wedge
lintels and most are
sashes. No. 14 has a round-headed entrance with a
Doric doorcase, surrounded by attached columns and an
entablature. No. 16 has a modern shop front and
casement windows in the second floor. The entrance to No. 18 has a
pedimented Doric doorcase.[158][166]
Houses and shops in brick with stone dressings and a
slate roof. They have three storeys and a basement, and are in three
bays. Most of the windows are
sashes. Nos. 20 and 22 have a shop window, and an entrance with an
Ionic doorcase. No 24 also has a shop window; its doorcase is in
Doric style, and the window above this is a
casement.[158][167]
The two houses are in brick with stone dressings and
slate roofs. They have three storeys with a basement, and each house is in three
bays. The windows all have wedge
lintels. In the first floor of No. 26 are a blind window and two
casements; the other windows are
sashes. The entrances are round-headed with
Doric doorcases, and there are balconies on the first floor.[158][168]
A brick house with stone dressings and a
slate roof. It has three storeys and a stone basement, and is in five
bays. The windows are
sashes under wedge
lintels. The central round-headed entrance has a
Doric porch, over which is a balcony.[158][169]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in five
bays. The windows are
sashes under wedge
lintels. The central round-headed entrance has a
Doric porch, over which is a balcony.[158][170]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The windows are
sashes with wedge
lintels. One window is blind. The entrance has a flat
architrave and a
cornice.[158][171]
A brick house with stone dressings and a
slate roof. It has three storeys and a stone basement, and is in five
bays. The windows are
sashes under flat brick arches. The central entrance has a
Doric doorcase, in front of which is a later
Ionic porch with an open
pediment.[158][172]
A brick house with stone dressings and a
slate roof. It has three storeys, and is in four
bays. The windows are
sashes under flat brick arches. The entrance has a panelled
architrave. Above it is a window, with an architrave, and also a
frieze and a
consoledcornice.[158][174]
A brick house with stone dressings and a
slate roof. The side facing Leece Street is
stuccoed, with
pilasters and blind windows. It has three storeys and a basement, and is in five
bays. The windows are
sashes with brick flat arches. The round-headed entrance has a
Doric doorcase.[158][175]
Thought to be the oldest building to be completed in the street, this is a brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in five
bays. At its top is a
pediment containing a roundel. The central entrance has a
Doric doorcase, its
entablature containing a
frieze with
swags. The window above this has an
architrave with a frieze and a
cornice, and over this is a blind window.[158][176]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The windows are all
sashes with wedge
lintels. The round-headed entrance has an
Ionic doorcase.[158][177]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in four
bays. The windows are all
sashes with wedge
lintels. The entrance has a projecting
Ionic porch and a glazed doorcase.[158][178]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in five
bays. The windows are
sashes under wedge
lintels. The round-headed entrance has a
Doric porch.[158][179]
Two houses in brick with stone dressings and
slate roofs. They have three storeys and a basement, and each house is in three
bays. The windows are
sashes with wedge
lintels. On the first floor are balconies.[158][180]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in four
bays. The windows are
sashes under wedge
lintels. The round-headed entrance has a
Doric doorcase.[158][181]
A brick house with stone dressings and a
slate roof. It has three storeys and a stone basement. The windows are a mix of
sashes and
casements under brick flat arches. The round-headed entrance has a
Doric doorcase with
flutedpilasters.[158][182]
Three houses in brick with stone dressings and
slate roofs. They have three storeys and a basement, and each house is in three
bays. The windows are
sashes with wedge
lintels. The round-headed entrances have
Ionic doorcases.[158][183]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The windows are
sashes under wedge
lintels. The round-headed doorway has a
Doric doorcase with
fluted columns. On the first floor are balconies.[158][184]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in four
bays. The windows are
sashes under wedge
lintels. The round-headed entrance has a
Ionic doorcase.[158][185]
A pair of houses in brick with stone dressings and a
slate roof. They have three storeys and a basement, and each house has three
bays. The windows have wedge
lintels and all of them are
sashes. Both houses have
Doric doorcases, and No. 47 has
rusticatedquoins.[158][186]
A brick house with stone dressings and a
slate roof. It has three storeys with a basement and an attic, and is in four
bays. The attic and a
portico were added later in the 19th century. The windows are
sashes with wedge
lintels. On the first floor is a balcony. The round-headed entrance has a
Doric doorcase, and a Doric portico with an open segmental
pediment. The attic has a
Mansard roof and pedimented
dormers.[158][187]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The windows are
sashes under wedge
lintels. The round-headed doorway has a
Doric doorcase with
fluted columns. On the first floor are balconies, and the
gable on the side has a
pediment.[158][188]
A terrace of three houses in brick with stone dressings and
slate roofs. They have three storeys and a basement, and each house is in three
bays. The windows are
sashes with wedge
lintels. Nos. 50 and 52 have round-headed entrances flanked by columns with foliated
capitals. The head of No. 54 is straight with a wedge lintel. There are bowed balconies on each first floor.[158][189]
A terrace of 13 brick houses with stone dressings and slate roofs. They have three storeys with a basement and an attic, and have three
bays, except no 63, which has 5 bays under a pediment. All the windows have wedge lintels and are sashed, except for those to nos. 61, 63, 67 and 71 which have glazing bars. No 75 has four blind windows. The doorways are paired except for the ends and centre, and are round-headed with attached Doric columns and entablatures, except those to nos 51, 65, and 63 which have pediments and nos 55-59 which have straight heads. Nos. 51–57, 61–63 and 69 have iron balconies to first floor.[190]
Two houses in brick with stone dressings and
slate roofs. Each has three storeys and a basement, and both houses are in two
bays. The windows have wedge
lintels. Most of them are
sashes with
casements on the second floor of No. 56. The round-headed entrances have
Tuscan doorcases. On the first floor of No. 56 is a balcony.[158][191]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in two
bays. The windows are
sashes under wedge
lintels. The entrance is round-headed, and has a panelled doorcase.[158][192]
A terrace of five brick houses with stone dressings and a
slate roof. Each house is in two
bays. All the windows are
sashes under wedge
lintels. Each house has a doorcase with attached columns and foliated
capitals, and first floor balconies.[158][193]
A brick house with stone dressings and a
slate roof, in three storeys and a basement. On the Rodney Street face are two
bays, with six bays facing Knight Street. On the corner are
quoins. All the windows are
sashes under wedge
lintels. There are also blind windows.[158][194]
Two houses in brick with stone dressings and
slate roofs. They are in three storeys and a basement, each house being in two
bays. The windows are
sashes under wedge
lintels. The entrances are round-headed with
Doric doorcases.[158][195]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in five
bays. The windows are
sashes under wedge
lintels. The central entrance is round-headed, and has a doorcase with flat
pilasters.[158][196]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The windows are
sashes under wedge
lintels. The entrance is round-headed, and is flanked by columns with
flutedcapitals. At one time it was the home of
Lytton Strachey.[158][197]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in three
bays. The windows are
sashes under wedge
lintels. The entrance is round-headed, and has an
Ionic doorcase.[158][198]
A brick house with stone dressings and a
slate roof. It has three storeys and a basement, and is in four
bays. The windows are
sashes with wedge
lintels. The entrance is round-headed and has a
Doric doorcase, with
fluted columns.[158][199]
Two houses in brick with stone dressings and
slate roofs. They are in three storeys and a basement. No. 84 has three
bays, and No. 86 has five. The windows are
sashes under wedge
lintels. Both houses have an entrance with
Doric doorcases flanked by
fluted columns. The left side of No. 86 is in three bays and has a
pedimentedgable.[158][200]
A
K6 type telephone kiosk, designed by
Giles Gilbert Scott. It has a square plan, is in
cast iron and has a domed top. The top panels contain unperforated crowns.[201]
There are 14 lamp posts in
cast iron that have retained their original lanterns and cylindrical chimneys. They are placed outside
St Andrew's Church, and in front of houses numbered 5, 13, 33A, 45, 51A, 55, 2, 14, 38, 54, 68, 78 and 88.[202]
A monument to
William Mackenzie, railway contractor. It consists of a
granite pyramid. It has a blind entrance containing a granite plaque, surrounded by upright supporting a
lintel.[158][203][204]
The gate
piers and the front wall to the
Church of St. Andrew are in stone. There are four gate piers at the entrance and two on the corners, all with panelled sides and
pedimented caps.[205]
Designed by J.B. Hutchins in a modernist style, it is built of brick with dressings of Aberdeen granite to a rectangular plan on corner site. The long side is on Roe Street with a segmentally-curved north-western corner.
A terrace of four houses in brick with stone dressings and a
slate roof. They have three storeys with basements. No. 47 has three
bays, and the others have two. The round-headed doorways are paired, and the
sash windows have wedge
lintels.[207]
A terrace of three houses in brick with stone dressings and a
slate roof. They have three storeys, and each house is in two
bays. All the windows are
sashes with wedge
lintels. The entrances are paired with
pediments.[208]
Former watchmaker's works built in brick with cement rendering and dressings and a Welsh slate roof. There are 3 storeys with cellars with 3 bays to Slater Street and 2 bays to Seel Street on right return.
A brick house with stone dressings and a
slate roof. It has three storeys and is in three
bays. All the windows have wedge
lintels. Those in the second floor are
casements; the others are
sashes. The doorcase has
pilasters, a panelled
tympanum, and a
cornice.[209]
Town house c. 1800, converted into a public house later in the 19th century. It is a
stuccoed building in three storeys and four
bays. The windows have decorated
architraves, including
pediments, and
friezes carved with laurels.[210]
A warehouse, possibly originally a school, in brick with stone dressings and a
slate roof. It has two storeys and a basement, and is in five
bays. At the top is a
pediment containing a plaque. The windows are
casements.[211]
Three houses in brick with stone dressings and a
slate roof. No 79 has four
bays, and the other have three. No 79 is
stuccoed, has
casement windows in the ground floor, and a
Doric doorcase. All the other windows are
sashes with wedge
lintels. The doorcase of No 81/83 is in
Composite style.[212]
A terrace of six houses, with three storeys, each house having two
bays. They are constructed in brick with stone dressings and
slate roofs. Some of the windows are original
sashes; others are later inserted
casements. The interiors have been altered, but some earlier features have survived.[142][213]
An office building designed by Charles E. Deacon in
French Renaissance style. It is built in stone on a
granite base, and has three storeys, a basement and an attic. The windows in the ground floor are arched and surrounded by
pilasters and a
pediment. Above are two two-storey
oriel windows; the other windows are
mullioned and
transomed. On the front are two
friezes, and at the top of the building is a
cornice, and three ornamented
dormers, two of them with round pediments, balconies and lions' heads.[216][217]
Stuccoed shops in three storeys with a
slate roof. Along Sir Thomas Street are six
bays, with two bays on Whitechapel, and a
canted bay on the corner between them. All the windows are
sashes, some of which are round-headed. On Sir Thomas Street are two balconies with
pediments above.[218]
Office building in stone with slate roof having four storeys plus basement and attic. There are seven bays of varying widths; the basement, first and second floor bays are separated by attached shafts with foliated capitals supporting a cornice.
This consists of a simple block with a bronze
relief on each side, one side depicting mourners, with marching soldiers on the other side. It was designed by
L. B.Budden and executed by
H. Tyson Smith.[219][223]
The 41 lamp standards are in
cast iron and each contains a depiction of three dolphins twined around the base. They were designed by
Sir Charles Cockerell, and are placed between the west side of St George's Hall and Lime Street.[219][226]
A monument to Canon T. Major Lester, a founder of children's charities, designed by
George Frampton. It consists of a bronze figure, standing and holding a child, on a stone
pedestal.[235][238]
The monument to
W. E. Gladstone was designed by
Sir Thomas Brock. It consists of the bronze figure of Gladstone, standing and holding rolls of parchment and books, on a stone
plinth with female figures depicting virtues.[235][239]
Built for Pearl Life Assurance, this office building was designed by
Alfred Waterhouse. It is in stone with a
granite ground floor and a
slate roof. The building has three storeys and attics. Five
bays face St John's Lane, and three face Tryon Street. On the corner between them is an octagonal tower and spire. In the ground floor are round-headed arches containing shop fronts, the first and second floors have paired
sash windows, and in the attic are three-light sash windows under
gables containing
tracery.[244][245]
A
K6 type telephone kiosk, designed by
Giles Gilbert Scott. It has a square plan, is in
cast iron and has a domed top. The top panels contain unperforated crowns.[246]
A shop built in brick, partly
stuccoed, with stone dressings and a
slate roof. It is in three storeys and has a symmetrical front of five
bays, plus an additional bay to the left. In the ground floor are six round-arched openings, each of which is surrounded by elaborate decoration. A
cornice decorated with a
Greek key design runs above the ground floor. In the upper two storeys most of the windows are
sashes, with one
casement window.[247]
The building houses offices and was designed by
G. E. Grayson and constructed in
granite. There were originally three
gables, but the middle one is missing. The building is in four storeys with a basement, and stretches for nine
bays. Along the ground floor are five entrances. Most of the windows have three lights, other than those next to the entrances, which are paired, and those in the third floor, which have four lights. Between the windows are cylindrical columns.[216][248]
A terrace of five houses in three storeys and a basement. Each house has three
bays, the middle house projecting forward with a
pediment. The terrace is constructed in brick with stone dressings, including the base, a
string course, a
cornice, and a
parapet. The roof is
slated, and the windows are
sashes.[229][249]
The bank is built in brick with stone dressings, and is in four storeys. There are five
bays on Victoria Street and eleven bays on Stanley Street.[251]
This was built as a warehouse for the
Midland Railway, and designed by
Henry Sumners. It is constructed in brick with stone dressings, and has a
slate roof. Externally it is expressed in three and four storeys. In 2005–06 it was converted into the National Conservation Centre for
National Museums Liverpool.[252][253][254]
A bank designed by
G. E. Grayson. It is in stone on a
granite base, and has three storeys with a basement and attic. There are seven
bays on Victoria Street, and five bays on Sir Thomas Street. The ground floor contains
casement windows, with
sashes above.[255][256]
An office, built in brick with stone dressings, with a
slate roof. It is in four storeys, with four
bays on Victoria Street, and seven bays on Preston Street. At the corner is an octagonal
turret with a short spire and an iron
finial.[257][258]
These are office buildings built by
John Cragg, using ironwork from his foundry, for H. Rankin. They form one building, are built in brick with
sandstone dressings, and have a tiled roof. The building is in three storeys with an attic and basement, and has six
bays.[257][259]
An office building and warehouse, constructed in brick with stone dressings, with a
slate roof. It is in four storeys with an attic, and has five
bays. It is in
Tudor Revival, and has three
gables, and an
oriel window.[257][260]
^These figures are taken from a search in the National Heritage List for England in May 2013, and are subject to variation as further buildings are listed, grades are revised, or buildings are delisted.