Giovanni Battista Carlone (1603–1684) was an Italian painter of the Baroque period, active mainly in Genoa.
Biography
Carlone was born and died in Genoa. He came from a family of artists: his father Taddeo, uncle, and cousins were sculptors, and his older brother Giovanni Bernardo Carlone was a painter, trained in Rome and married to the daughter of Bernardo Castello. Giovanni Bernardo, however, died at age 40. [1]
Giovanni Battista may have had some training under Domenico Passignano. [2] He was remarkably prolific both in terms of offspring (24 children) by a single matron (Nicoletta Scorza), and paintings and frescoes; and likely these two facts were not independent, since the sheer output strongly suggests the hands of many in his paintings. His paintings throng local churches; for example, the Basilica della Santissima Annunziata del Vastato alone contains nearly 20 canvases and frescoes. However his artistic profligacy also diluted the force of individuality in the paintings which, in style, seem to occupy an imprecise provincial talent between Mannerism and Baroque. His son, Andrea Carlone was a painter.
In the middle and principal nave of the Vastato, he has represented the Adoration of the Magi; the Entrance of Christ into Jerusalem; the Resurrection; the Ascension ; the Descent of the Holy Ghost; and the Assumption of the Virgin. In the same church he painted Presentation in the Temple and Christ preaching to the Pharisees.
Works
- Miracolo del basilisco, crocefissione di San Pietro, conversione di San Pietro, frescoes at the vault of San Siro church, Genoa
- Miracolo del beato Salvatore da Horta - oil on canvas 280 cm × 185 cm, Basilica della Santissima Annunziata del Vastato, Genoa
- Giuseppe riconosciuto dai fratelli, Accademia Ligustica di Belle Arti, Genoa
- Adorazione dei pastori (Adoration of the Shepherds), Accademia Ligustica di Belle Arti, Genoa
- Gesù comunica santa Gertrude, Albergo dei poveri, Genoa
- Flagellazione di Santa Caterina d'Alessandria and Santa Caterina liberata dal demonio, Certosa di Pavia
- Assunzione della Vergine, Cassa di Risparmio, Genoa
- Martirio di San Lorenzo (Martyrdom of Saint Lawrence), San Lorenzo oratory, Cogoleto
- Saint Sebastian, Fondation Bemberg, Toulouse
References
- ^ Dizionario geografico-storico-statistico-commerciale degli stati del Re di Sardegna, Volume 7, by Goffredo Casalis, Turin (1840), page 721.
- ^ see Farquhar
- Bryan, Michael (1886). Robert Edmund Graves (ed.). Dictionary of Painters and Engravers, Biographical and Critical. Vol. I: A-K. London: George Bell and Sons. pp. 233–234.
- Farquhar, Maria (1855). Ralph Nicholson Wornum (ed.). Biographical catalogue of the principal Italian painters. London: Woodfall & Kinder. p. 38.
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Giovanni Battista Carlone (1603–1684) was an Italian painter of the Baroque period, active mainly in Genoa.
Biography
Carlone was born and died in Genoa. He came from a family of artists: his father Taddeo, uncle, and cousins were sculptors, and his older brother Giovanni Bernardo Carlone was a painter, trained in Rome and married to the daughter of Bernardo Castello. Giovanni Bernardo, however, died at age 40. [1]
Giovanni Battista may have had some training under Domenico Passignano. [2] He was remarkably prolific both in terms of offspring (24 children) by a single matron (Nicoletta Scorza), and paintings and frescoes; and likely these two facts were not independent, since the sheer output strongly suggests the hands of many in his paintings. His paintings throng local churches; for example, the Basilica della Santissima Annunziata del Vastato alone contains nearly 20 canvases and frescoes. However his artistic profligacy also diluted the force of individuality in the paintings which, in style, seem to occupy an imprecise provincial talent between Mannerism and Baroque. His son, Andrea Carlone was a painter.
In the middle and principal nave of the Vastato, he has represented the Adoration of the Magi; the Entrance of Christ into Jerusalem; the Resurrection; the Ascension ; the Descent of the Holy Ghost; and the Assumption of the Virgin. In the same church he painted Presentation in the Temple and Christ preaching to the Pharisees.
Works
- Miracolo del basilisco, crocefissione di San Pietro, conversione di San Pietro, frescoes at the vault of San Siro church, Genoa
- Miracolo del beato Salvatore da Horta - oil on canvas 280 cm × 185 cm, Basilica della Santissima Annunziata del Vastato, Genoa
- Giuseppe riconosciuto dai fratelli, Accademia Ligustica di Belle Arti, Genoa
- Adorazione dei pastori (Adoration of the Shepherds), Accademia Ligustica di Belle Arti, Genoa
- Gesù comunica santa Gertrude, Albergo dei poveri, Genoa
- Flagellazione di Santa Caterina d'Alessandria and Santa Caterina liberata dal demonio, Certosa di Pavia
- Assunzione della Vergine, Cassa di Risparmio, Genoa
- Martirio di San Lorenzo (Martyrdom of Saint Lawrence), San Lorenzo oratory, Cogoleto
- Saint Sebastian, Fondation Bemberg, Toulouse
References
- ^ Dizionario geografico-storico-statistico-commerciale degli stati del Re di Sardegna, Volume 7, by Goffredo Casalis, Turin (1840), page 721.
- ^ see Farquhar
- Bryan, Michael (1886). Robert Edmund Graves (ed.). Dictionary of Painters and Engravers, Biographical and Critical. Vol. I: A-K. London: George Bell and Sons. pp. 233–234.
- Farquhar, Maria (1855). Ralph Nicholson Wornum (ed.). Biographical catalogue of the principal Italian painters. London: Woodfall & Kinder. p. 38.
| International | |
|---|---|
| National | |
| Artists | |
| People | |
| Other | |
|
| This article about an Italian painter born in the 17th century is a stub. You can help Wikipedia by expanding it. |