Soteriou contributed greatly to the organisation of the
Greek Archaeological Service and Byzantine archaeology in Greece. Among his excavations where, the Byzantine church at
Ilisos in Athens, at
Nea Anchialos; he also studied the church of
Agios Demetrios in order to conserve the monument after the
Great Thessaloniki Fire of 1917.[2] The conservation of the church was an arduous project that lasted into the 1950's, due to financial challenges, war and political volatility.[4] Furthermore he studied with his wife, Maria, the icons from
Saint Catherine's Monastery in Sinai.[5]
He was invited by
Kyrillos III of Cyprus to study the Byzantine monuments of Cyprus.[6] Where he published Byzantine monuments, among them Saint George of the Greeks.[7] Some of the drawings of his publications in Cyprus were done by the topographer
Theophilus Amin Halil Mogabgab. He coined the term Franco-Byzantine to describe the church architecture of
Medieval Cyprus.[8]
Σωτηρίου, Γ. (1915). Το Αγιον Όρος: Ιστορία και Τέχνη. Εν Αθήναις: Σιδέρης, Ι.
Σωτηρίου, Γ. (1918). ‘Έκθεσις περί των εργασιών των εκτελεσθεισών εν τη ηρειπωμένη εκ της πυρκαϊάς Βασιλική του Αγ. Δημητρίου Θεσσαλονίκης κατά τα έτη 1917–1918’, Αρχαιολογικόν Δελτίον, 4, 1–47.
Σωτηρίου, Γ. (1955). Οι εικονογραφικοί κύκλοι του βυζαντινού ναού.
Σωτηρίου, Γ. (1958). Λεσβιακή Αγιολογία ή Λεσβιακόν Λειμωνάριον: Ιστορική έρευνα-βίοι-ακολουθίαι-μνημεία-εικόνες των είκοσι και τριών Αγίων της Λέσβου. Μυτιλήνη.
Σωτηρίου, Γ. (1968). Η τοπική αγιολογία εις την Λέσβον. Μυτιλήνη.
^Mersch, Margit (2014). "Hybridity in Late Medieval ecclesiastical architecture on Cyprus and the difficulties of identifying Saints Peter and Paul of Famagusta". Identity/Identities in Late Medieval Cyprus. Nicosia. pp. 241–279.{{
cite book}}: CS1 maint: location missing publisher (
link)
Soteriou contributed greatly to the organisation of the
Greek Archaeological Service and Byzantine archaeology in Greece. Among his excavations where, the Byzantine church at
Ilisos in Athens, at
Nea Anchialos; he also studied the church of
Agios Demetrios in order to conserve the monument after the
Great Thessaloniki Fire of 1917.[2] The conservation of the church was an arduous project that lasted into the 1950's, due to financial challenges, war and political volatility.[4] Furthermore he studied with his wife, Maria, the icons from
Saint Catherine's Monastery in Sinai.[5]
He was invited by
Kyrillos III of Cyprus to study the Byzantine monuments of Cyprus.[6] Where he published Byzantine monuments, among them Saint George of the Greeks.[7] Some of the drawings of his publications in Cyprus were done by the topographer
Theophilus Amin Halil Mogabgab. He coined the term Franco-Byzantine to describe the church architecture of
Medieval Cyprus.[8]
Σωτηρίου, Γ. (1915). Το Αγιον Όρος: Ιστορία και Τέχνη. Εν Αθήναις: Σιδέρης, Ι.
Σωτηρίου, Γ. (1918). ‘Έκθεσις περί των εργασιών των εκτελεσθεισών εν τη ηρειπωμένη εκ της πυρκαϊάς Βασιλική του Αγ. Δημητρίου Θεσσαλονίκης κατά τα έτη 1917–1918’, Αρχαιολογικόν Δελτίον, 4, 1–47.
Σωτηρίου, Γ. (1955). Οι εικονογραφικοί κύκλοι του βυζαντινού ναού.
Σωτηρίου, Γ. (1958). Λεσβιακή Αγιολογία ή Λεσβιακόν Λειμωνάριον: Ιστορική έρευνα-βίοι-ακολουθίαι-μνημεία-εικόνες των είκοσι και τριών Αγίων της Λέσβου. Μυτιλήνη.
Σωτηρίου, Γ. (1968). Η τοπική αγιολογία εις την Λέσβον. Μυτιλήνη.
^Mersch, Margit (2014). "Hybridity in Late Medieval ecclesiastical architecture on Cyprus and the difficulties of identifying Saints Peter and Paul of Famagusta". Identity/Identities in Late Medieval Cyprus. Nicosia. pp. 241–279.{{
cite book}}: CS1 maint: location missing publisher (
link)