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Tag: possible conflict of interest |
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{{Infobox artist |
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| bgcolour = #76A8FF |
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| name = Georges Yatridès |
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| image = Georges Yatridès 20100706.JPG |
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| imagesize = 300px |
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| caption = Georges Yatridès in July 2010 |
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| birth_name = |
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| birth_date = {{Birth date |1931|3|5|df=y}} |
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| birth_place = [[Grenoble, France]]<ref>{{cite web |url= http://www.casa-longa.org/fg04/fg04_111.htm |title=Georges YATRIDÈS & Florence POZZO DI BORGO |first= |last= |work=casa-longa.org |year=2013 [last update] |accessdate=3 January 2013}}</ref> |
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| death_date = |
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| death_place = |
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| nationality = American |
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| field = [[Painting]] |
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| training = |
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| movement = |
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| works = |
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| patrons = |
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| influenced by = |
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| influenced = |
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| awards = |
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}} |
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'''Georges Yatridès''' (b. 1931) is an American [[Painting|artist]] based in France. His work is held in various North American private collections, and has been featured in retrospectives and art school events. |
'''Georges Yatridès''' (b. 1931) is an American [[Painting|artist]] based in France. His work is held in various North American private collections, and has been featured in retrospectives and art school events.[[File:Georges Yatridès 20100706.JPG|thumbnail| George Yatrides July 2010 , American born in France]] |
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== Biography == |
== Biography == |
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In 1954 he exhibited paintings produced from 1945 to 1949 in [[Vichy]]. In 1956, his work was shown in Paris at Madame Chastenet de Gery's Gallerie des Voyelles.<ref>{{cite book |first=Arthur |last=Conte |title=Georges Yatridès, maître du temps |publisher=Editions Lumières et Espace |year=1992 |isbn=2-9507049-0-5 }}</ref><ref name="alzieu">{{cite book |title=Dictionnaire des peintres, sculpteurs et graveurs du Dauphiné |first1=Yves |last1=Deshairs |first2=Maurice |last2=Wantellet |publisher=Alzieu Editions |year=2008}}</ref> |
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Still under the influence of Gauguin and the Fauvists (Gauguin and Fauvists), he began to exhibit in Vichy (1954) paintings dating from 1945 to 1949 and in Paris in 1956, Madame Chastenet de Gery’s Gallery of Vowels<ref>{{cite book |first=Arthur |last=Conte |title=Georges Yatridès, maître du temps |publisher=Editions Lumières et Espace |year=1992 |isbn=2-9507049-0-5 }}</ref><ref name="alzieu">{{cite book |title=Dictionnaire des peintres, sculpteurs et graveurs du Dauphiné |first1=Yves |last1=Deshairs |first2=Maurice |last2=Wantellet |publisher=Alzieu Editions |year=2008}}</ref>. It is noticed by an expert attached to the International Galleries Chicago <ref name="chicago">{{cite book |author=International Galleries, Chicago |title=Exhibition. Georges Yatridès. [November 6th through November 30th, 1959] |publisher=Intgal Publications |location=Paris, Chicago |year=1959}}</ref><ref>{{cite book |title=Yatridès |publisher=Juarez Galleries |location=Palm Beach, Florida |year=1963}}</ref> and accepts an exclusive contract for the world total proposed by director Samuel E. Johnson. All production will take the path of the largest Private Collections in the United States and Canada. It appears in many Retrospectives and Events Schools of painting (see below). |
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From 1957 to 1965, according to the same exclusive contracts, held solo exhibitions in the [[United States]]<ref>Catalogues des expositions de Chicago http://www.yatrides-21st-century.fr/c/tag/chicago/</ref> <ref>Extrait du catalogue et articles de presse sur l'exposition à la Galerie Juarez en 1963 à Palm Beach http://www.yatrides-21st-century.fr/c/1963-exposition-a-palm-beach/</ref>, [[Canada]], [[Latin America]], [[Switzerland]], [[Great Britain]] and [[Greece]] where all his works are acquired by preeminent Private Collections and museum <ref>{{cite book |title=A Catalogue of European Painting |first=Dwight Cameron |last=Miller |publisher=Indianpolis Museum of Art |location=Inidanapolis, IN |year=1970 |oclc=603082716 |page=222}}</ref>. A permanent exhibition of his paintings was held in the USA, and Canada, tacitly extending these contracts until George Yatrides terminated them on its own initiative. Begun the "Apodictic period" (1972-1983) |
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Free from external coercion, master of its graphics, its light and its chromaticism George Yatrides is able then, to undertake large-scale compositions which characterize his art of the seventies where the scattered elements will melt in its earlier works <ref>{{ouvrage|titre=Georges Yatridès et son siècle : L'Anti-Picasso|éditeur=Lumières et Espace|isbn=2-9507-0491-3|pages totales=268|langue=fr|prénom1=Alexandre|nom1=Bourmeyster|mois=mars|année=1994}}</ref><ref name="Site Web 'greatsemioticians'">http://www.greatsemioticians.com</ref><ref name="Site Web 'universalis.fr: alexandre-bourmeyster'">http://www.universalis.fr/auteurs/alexandre-bourmeyster/</ref>. Successively are held retrospective exhibitions in the world, including that of Paris in 1974. In 1981, three Crypts in the [[Sacré-Cœur]]’s Basilica in [[Paris]] are attributed to George Yatrides to exhibit paintings of biblical inspiration<ref>Reportage TV sur l'exposition d'art sacré http://www.youtube.com/watch?v=fnoaiCctJJw</ref><ref>"Yatridès, paintings rails of sky" (Sacré-Coeur Montmartre Paris, Provideo S.A. 1981)</ref>. |
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Eight periods characterize his paintings: "Fauvist" (1945-1948) - "Abstract" (1948-1951) - "Pre graphic" (1952-1955/1956-1962) - "Graphics fundamental" 1 and 2 "(1963-71/1973-78) - His own school" apodictic "(1972-1983) -" Synthesis apodictic "1949-2009" : Synthesis first (1945-1988) - "Synthesis last "'1945-2011). Eight Periods carried out 65 years |
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His paintings and drawings raise the enthusiasm of the greatest international collectors, justifying the prices between them. |
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On 17 January 1996, a French organization composed of Senior officials is based : Yatridès and his century. Its objective is to protect George Yatrides personally/professionally<ref>Journal Officiel numéro 3, 17 janvier 1996 </ref>, whose work is recognized Public interest by the French state. |
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==His work, source of inspiration== |
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Yatridès made the large compositions that would characterize his art in the 1970s.<ref>{{cite book |first=Sacha |last=Bourmeyster |title=Georges Yatridès et son siècle: L'Anti-Picasso |publisher=Editions Lumière et Espace |year=1994 |isbn=2-9507-0491-3}}</ref> In 1974 he had a retrospective exhibition at the [[Palais des congrès|Convention Center]] in [[Nice]]. In 1981, he exhibited paintings inspired by the Bible in three crypts in the [[Sacré-Cœur]] in [[Paris]].<ref>"Yatridès, paintings rails of sky" (Sacré-Coeur Montmartre Paris, Provideo S.A. 1981)</ref> |
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Yatrides allowed other artists to make their own masterpiece inspired by the many facets of his work without nevertheless, using his power amplitude metaphysics. |
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==Monoliths and Kubrick's ''2001''== |
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Art critics have noticed similarities between the monolith in [[Stanley Kubrick]]'s 1968 film ''[[2001: A Space Odyssey (film)|2001: A Space Odyssey]]'' and a recurring monolith motif in the artwork of French painter Georges Yatridès. Arthur Conte suggests that Yatridès' ''Adolescent and child'' canvas painted in 1963 has a slab remarkably similar to that of Kubrick.<ref>{{cite book | last = Conte | first = Arthur | title = Yatrides, Maitre du temps | publisher = Espace et Lumières | year = 1992 | isbn = 2-9507049-0-5 | page = 170}}</ref> In Yatridès' artwork, the monolith acts as a mystical symbol, mediating superior knowledge. Sacha Bourmeyster, a [[semiology]] specialist, states that the Yatridès slab communicates supernatural life in a manner similar to that in ''2001''.<ref>{{cite book | last = Bourmeyster | first = Sacha | title = Georges Yatrides et son siècle, l'anti picasso | publisher = Editions Espace et Lumières | year = 1994 | isbn = 2-9507049-1-3 | page = 230}}</ref> Similarities between Yatridès' art and Kubrick's monolith have also been noted in the French architecture website CYBERARCHItecte.<ref>{{cite web |title=Raphaël Gabrion et le mystère des géopglyphes de Nazca |url=http://www.cyberarchi.com/actus&dossiers/hotels/index.php?dossier=67&article=4030}}</ref> |
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Particularly with regard to Stanley Kubrick’s film which cannot be overlooked, "2001: a space odyssey" (1968)<ref>{{Lien web|url= http://greatfilmdirectors.com/Stanley-Kubrick/2001-lodyssee-de-lespace-1968|title= Greatfilmdirectors 2001 l'odyssée de l'espace}}</ref>. That is to say, eleven (11) after the first appearance of Interstellar Yatridès slabs 1954-1965[http://www.yatrides.com/oeuvre/kubrick/kubrick.htm ]<ref name="Site Web officiel 'Yatridès maître du temps'">http://www.yatrides.com</ref>. This is the same Slab on the core and form will adopt Kubrick and Clarke, which is the foundation and the driving force of Kubrick “2001: a Space Odyssey” 2001: a space odyssey whose film will be a triumph; as in " 2010: Odyssey two "(1985) by Peter Hyams and Arthur C. Clarke. In "A.I." Artificial Intelligence (2001) Kubrick and Spielberg, towards the end of the film, a missile composed of non-welded slabs together to form a cube, carry humanoids. Slabs separated, become independent and leave appear the translucent Humanoids who come to save "David" the hero of Spielberg. |
|||
Slabs were one of Yatridès extrapolations from his basic research with those of CEA in 1972, a new property theory of time and its influence in various fields including that of light. See "Tax Expertise - Estimate work" in [http://www.yatrides.org www.yatrides.org] |
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Director Paul Perroud special applications of physics at CEA-CENG (French atomic energy commission, Center for Nuclear Studies) research recognizing the value put at his disposal a team of researchers and laboratories. Yatridès obtained patents approved by the Patent Office, Washington DC 1974 (Paul Perroud Doctor of Knowledge, Doctor of Philosophy at Berkeley [http://www.yatrides.org/expertise/expertise.HTM] |
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Its exclusive basic research from 1971 to 1973 carried out at CEA (1970-1973) on its own initiative according to his own ideas and goals led to the demonstration of the theory that he had developed a new property (of) time dissociated from space and its influence in many fields (areas), including the light emanating from certain solids in different phases of incandescence, their action on the hydrocarbon components. It is worth recalling that the human species is hydrocarbon and the stars are buzzing / incandescent thermonuclear variable like our own star the Sun. Him the necessary materials were provided: by AMERICAN STELL Ltd for metal steel tubes cold drawn and developed under the direction of physicist Hans Rauner radioactive particle logician, introduced in hydrocarbon materials in combustion; by Pierre Ledez, Head of Research at [[SEITA]](French government tabacco monopoly), some other hydrocarbons; by Paul PERROUD CEA combined operations for analysis of temperatures and densities of hydrocarbon materials provided by [[SEITA]]; PROCTER & GAMBLE Co Inc. necessary instrumentation for the analysis of correlative models, their action on muscle tissue. The extrapolation of his research allowed him to apply on a flat surface, a painting, a new artistic approach to light and time separated from space. |
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Chemistry are patentable if the only operations and innovative result of a change of tested substances; they may reveal physics principles and specific theories, such as those discovered by George Yatrides who need these chemistry operations to demonstrate its theory. All exclusive claims of patents granted to him were issued in countries with rigorous examinations, United States, Great Britain, Germany, particularly honored by the Patent Office Washington DC. " |
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== Selected events and exhibitions == |
== Selected events and exhibitions == |
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[[fr:Georges Yatridès]] |
[[fr:Georges Yatridès]] |
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--[[User:Yatrides|Yatrides]] ([[User talk:Yatrides|talk]]) 18:48, 5 February 2013 (UTC) |
Georges Yatridès (b. 1931) is an American artist based in France. His work is held in various North American private collections, and has been featured in retrospectives and art school events.
Still under the influence of Gauguin and the Fauvists (Gauguin and Fauvists), he began to exhibit in Vichy (1954) paintings dating from 1945 to 1949 and in Paris in 1956, Madame Chastenet de Gery’s Gallery of Vowels [1] [2]. It is noticed by an expert attached to the International Galleries Chicago [3] [4] and accepts an exclusive contract for the world total proposed by director Samuel E. Johnson. All production will take the path of the largest Private Collections in the United States and Canada. It appears in many Retrospectives and Events Schools of painting (see below). From 1957 to 1965, according to the same exclusive contracts, held solo exhibitions in the United States [5] [6], Canada, Latin America, Switzerland, Great Britain and Greece where all his works are acquired by preeminent Private Collections and museum [7]. A permanent exhibition of his paintings was held in the USA, and Canada, tacitly extending these contracts until George Yatrides terminated them on its own initiative. Begun the "Apodictic period" (1972-1983) Free from external coercion, master of its graphics, its light and its chromaticism George Yatrides is able then, to undertake large-scale compositions which characterize his art of the seventies where the scattered elements will melt in its earlier works [8] [9] [10]. Successively are held retrospective exhibitions in the world, including that of Paris in 1974. In 1981, three Crypts in the Sacré-Cœur’s Basilica in Paris are attributed to George Yatrides to exhibit paintings of biblical inspiration [11] [12]. Eight periods characterize his paintings: "Fauvist" (1945-1948) - "Abstract" (1948-1951) - "Pre graphic" (1952-1955/1956-1962) - "Graphics fundamental" 1 and 2 "(1963-71/1973-78) - His own school" apodictic "(1972-1983) -" Synthesis apodictic "1949-2009" : Synthesis first (1945-1988) - "Synthesis last "'1945-2011). Eight Periods carried out 65 years His paintings and drawings raise the enthusiasm of the greatest international collectors, justifying the prices between them. On 17 January 1996, a French organization composed of Senior officials is based : Yatridès and his century. Its objective is to protect George Yatrides personally/professionally [13], whose work is recognized Public interest by the French state.
Yatrides allowed other artists to make their own masterpiece inspired by the many facets of his work without nevertheless, using his power amplitude metaphysics.
Particularly with regard to Stanley Kubrick’s film which cannot be overlooked, "2001: a space odyssey" (1968) [14]. That is to say, eleven (11) after the first appearance of Interstellar Yatridès slabs 1954-1965 [1] [15]. This is the same Slab on the core and form will adopt Kubrick and Clarke, which is the foundation and the driving force of Kubrick “2001: a Space Odyssey” 2001: a space odyssey whose film will be a triumph; as in " 2010: Odyssey two "(1985) by Peter Hyams and Arthur C. Clarke. In "A.I." Artificial Intelligence (2001) Kubrick and Spielberg, towards the end of the film, a missile composed of non-welded slabs together to form a cube, carry humanoids. Slabs separated, become independent and leave appear the translucent Humanoids who come to save "David" the hero of Spielberg.
Slabs were one of Yatridès extrapolations from his basic research with those of CEA in 1972, a new property theory of time and its influence in various fields including that of light. See "Tax Expertise - Estimate work" in www.yatrides.org
Director Paul Perroud special applications of physics at CEA-CENG (French atomic energy commission, Center for Nuclear Studies) research recognizing the value put at his disposal a team of researchers and laboratories. Yatridès obtained patents approved by the Patent Office, Washington DC 1974 (Paul Perroud Doctor of Knowledge, Doctor of Philosophy at Berkeley [2] Its exclusive basic research from 1971 to 1973 carried out at CEA (1970-1973) on its own initiative according to his own ideas and goals led to the demonstration of the theory that he had developed a new property (of) time dissociated from space and its influence in many fields (areas), including the light emanating from certain solids in different phases of incandescence, their action on the hydrocarbon components. It is worth recalling that the human species is hydrocarbon and the stars are buzzing / incandescent thermonuclear variable like our own star the Sun. Him the necessary materials were provided: by AMERICAN STELL Ltd for metal steel tubes cold drawn and developed under the direction of physicist Hans Rauner radioactive particle logician, introduced in hydrocarbon materials in combustion; by Pierre Ledez, Head of Research at SEITA(French government tabacco monopoly), some other hydrocarbons; by Paul PERROUD CEA combined operations for analysis of temperatures and densities of hydrocarbon materials provided by SEITA; PROCTER & GAMBLE Co Inc. necessary instrumentation for the analysis of correlative models, their action on muscle tissue. The extrapolation of his research allowed him to apply on a flat surface, a painting, a new artistic approach to light and time separated from space.
Chemistry are patentable if the only operations and innovative result of a change of tested substances; they may reveal physics principles and specific theories, such as those discovered by George Yatrides who need these chemistry operations to demonstrate its theory. All exclusive claims of patents granted to him were issued in countries with rigorous examinations, United States, Great Britain, Germany, particularly honored by the Patent Office Washington DC. "
{{
cite book}}
: Unknown parameter |pages totales=
ignored (
help)
Theroadislong (
talk |
contribs) |
No edit summary
Tag: possible conflict of interest |
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{{Infobox artist |
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| bgcolour = #76A8FF |
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| name = Georges Yatridès |
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| image = Georges Yatridès 20100706.JPG |
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| imagesize = 300px |
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| caption = Georges Yatridès in July 2010 |
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| birth_name = |
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| birth_date = {{Birth date |1931|3|5|df=y}} |
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| birth_place = [[Grenoble, France]]<ref>{{cite web |url= http://www.casa-longa.org/fg04/fg04_111.htm |title=Georges YATRIDÈS & Florence POZZO DI BORGO |first= |last= |work=casa-longa.org |year=2013 [last update] |accessdate=3 January 2013}}</ref> |
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| death_date = |
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| death_place = |
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| nationality = American |
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| field = [[Painting]] |
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| training = |
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| movement = |
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| works = |
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| patrons = |
|||
| influenced by = |
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| influenced = |
|||
| awards = |
|||
}} |
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'''Georges Yatridès''' (b. 1931) is an American [[Painting|artist]] based in France. His work is held in various North American private collections, and has been featured in retrospectives and art school events. |
'''Georges Yatridès''' (b. 1931) is an American [[Painting|artist]] based in France. His work is held in various North American private collections, and has been featured in retrospectives and art school events.[[File:Georges Yatridès 20100706.JPG|thumbnail| George Yatrides July 2010 , American born in France]] |
||
== Biography == |
== Biography == |
||
In 1954 he exhibited paintings produced from 1945 to 1949 in [[Vichy]]. In 1956, his work was shown in Paris at Madame Chastenet de Gery's Gallerie des Voyelles.<ref>{{cite book |first=Arthur |last=Conte |title=Georges Yatridès, maître du temps |publisher=Editions Lumières et Espace |year=1992 |isbn=2-9507049-0-5 }}</ref><ref name="alzieu">{{cite book |title=Dictionnaire des peintres, sculpteurs et graveurs du Dauphiné |first1=Yves |last1=Deshairs |first2=Maurice |last2=Wantellet |publisher=Alzieu Editions |year=2008}}</ref> |
|||
Still under the influence of Gauguin and the Fauvists (Gauguin and Fauvists), he began to exhibit in Vichy (1954) paintings dating from 1945 to 1949 and in Paris in 1956, Madame Chastenet de Gery’s Gallery of Vowels<ref>{{cite book |first=Arthur |last=Conte |title=Georges Yatridès, maître du temps |publisher=Editions Lumières et Espace |year=1992 |isbn=2-9507049-0-5 }}</ref><ref name="alzieu">{{cite book |title=Dictionnaire des peintres, sculpteurs et graveurs du Dauphiné |first1=Yves |last1=Deshairs |first2=Maurice |last2=Wantellet |publisher=Alzieu Editions |year=2008}}</ref>. It is noticed by an expert attached to the International Galleries Chicago <ref name="chicago">{{cite book |author=International Galleries, Chicago |title=Exhibition. Georges Yatridès. [November 6th through November 30th, 1959] |publisher=Intgal Publications |location=Paris, Chicago |year=1959}}</ref><ref>{{cite book |title=Yatridès |publisher=Juarez Galleries |location=Palm Beach, Florida |year=1963}}</ref> and accepts an exclusive contract for the world total proposed by director Samuel E. Johnson. All production will take the path of the largest Private Collections in the United States and Canada. It appears in many Retrospectives and Events Schools of painting (see below). |
|||
From 1957 to 1965, according to the same exclusive contracts, held solo exhibitions in the [[United States]]<ref>Catalogues des expositions de Chicago http://www.yatrides-21st-century.fr/c/tag/chicago/</ref> <ref>Extrait du catalogue et articles de presse sur l'exposition à la Galerie Juarez en 1963 à Palm Beach http://www.yatrides-21st-century.fr/c/1963-exposition-a-palm-beach/</ref>, [[Canada]], [[Latin America]], [[Switzerland]], [[Great Britain]] and [[Greece]] where all his works are acquired by preeminent Private Collections and museum <ref>{{cite book |title=A Catalogue of European Painting |first=Dwight Cameron |last=Miller |publisher=Indianpolis Museum of Art |location=Inidanapolis, IN |year=1970 |oclc=603082716 |page=222}}</ref>. A permanent exhibition of his paintings was held in the USA, and Canada, tacitly extending these contracts until George Yatrides terminated them on its own initiative. Begun the "Apodictic period" (1972-1983) |
|||
Free from external coercion, master of its graphics, its light and its chromaticism George Yatrides is able then, to undertake large-scale compositions which characterize his art of the seventies where the scattered elements will melt in its earlier works <ref>{{ouvrage|titre=Georges Yatridès et son siècle : L'Anti-Picasso|éditeur=Lumières et Espace|isbn=2-9507-0491-3|pages totales=268|langue=fr|prénom1=Alexandre|nom1=Bourmeyster|mois=mars|année=1994}}</ref><ref name="Site Web 'greatsemioticians'">http://www.greatsemioticians.com</ref><ref name="Site Web 'universalis.fr: alexandre-bourmeyster'">http://www.universalis.fr/auteurs/alexandre-bourmeyster/</ref>. Successively are held retrospective exhibitions in the world, including that of Paris in 1974. In 1981, three Crypts in the [[Sacré-Cœur]]’s Basilica in [[Paris]] are attributed to George Yatrides to exhibit paintings of biblical inspiration<ref>Reportage TV sur l'exposition d'art sacré http://www.youtube.com/watch?v=fnoaiCctJJw</ref><ref>"Yatridès, paintings rails of sky" (Sacré-Coeur Montmartre Paris, Provideo S.A. 1981)</ref>. |
|||
Eight periods characterize his paintings: "Fauvist" (1945-1948) - "Abstract" (1948-1951) - "Pre graphic" (1952-1955/1956-1962) - "Graphics fundamental" 1 and 2 "(1963-71/1973-78) - His own school" apodictic "(1972-1983) -" Synthesis apodictic "1949-2009" : Synthesis first (1945-1988) - "Synthesis last "'1945-2011). Eight Periods carried out 65 years |
|||
His paintings and drawings raise the enthusiasm of the greatest international collectors, justifying the prices between them. |
|||
On 17 January 1996, a French organization composed of Senior officials is based : Yatridès and his century. Its objective is to protect George Yatrides personally/professionally<ref>Journal Officiel numéro 3, 17 janvier 1996 </ref>, whose work is recognized Public interest by the French state. |
|||
==His work, source of inspiration== |
|||
Yatridès made the large compositions that would characterize his art in the 1970s.<ref>{{cite book |first=Sacha |last=Bourmeyster |title=Georges Yatridès et son siècle: L'Anti-Picasso |publisher=Editions Lumière et Espace |year=1994 |isbn=2-9507-0491-3}}</ref> In 1974 he had a retrospective exhibition at the [[Palais des congrès|Convention Center]] in [[Nice]]. In 1981, he exhibited paintings inspired by the Bible in three crypts in the [[Sacré-Cœur]] in [[Paris]].<ref>"Yatridès, paintings rails of sky" (Sacré-Coeur Montmartre Paris, Provideo S.A. 1981)</ref> |
|||
Yatrides allowed other artists to make their own masterpiece inspired by the many facets of his work without nevertheless, using his power amplitude metaphysics. |
|||
==Monoliths and Kubrick's ''2001''== |
|||
Art critics have noticed similarities between the monolith in [[Stanley Kubrick]]'s 1968 film ''[[2001: A Space Odyssey (film)|2001: A Space Odyssey]]'' and a recurring monolith motif in the artwork of French painter Georges Yatridès. Arthur Conte suggests that Yatridès' ''Adolescent and child'' canvas painted in 1963 has a slab remarkably similar to that of Kubrick.<ref>{{cite book | last = Conte | first = Arthur | title = Yatrides, Maitre du temps | publisher = Espace et Lumières | year = 1992 | isbn = 2-9507049-0-5 | page = 170}}</ref> In Yatridès' artwork, the monolith acts as a mystical symbol, mediating superior knowledge. Sacha Bourmeyster, a [[semiology]] specialist, states that the Yatridès slab communicates supernatural life in a manner similar to that in ''2001''.<ref>{{cite book | last = Bourmeyster | first = Sacha | title = Georges Yatrides et son siècle, l'anti picasso | publisher = Editions Espace et Lumières | year = 1994 | isbn = 2-9507049-1-3 | page = 230}}</ref> Similarities between Yatridès' art and Kubrick's monolith have also been noted in the French architecture website CYBERARCHItecte.<ref>{{cite web |title=Raphaël Gabrion et le mystère des géopglyphes de Nazca |url=http://www.cyberarchi.com/actus&dossiers/hotels/index.php?dossier=67&article=4030}}</ref> |
|||
Particularly with regard to Stanley Kubrick’s film which cannot be overlooked, "2001: a space odyssey" (1968)<ref>{{Lien web|url= http://greatfilmdirectors.com/Stanley-Kubrick/2001-lodyssee-de-lespace-1968|title= Greatfilmdirectors 2001 l'odyssée de l'espace}}</ref>. That is to say, eleven (11) after the first appearance of Interstellar Yatridès slabs 1954-1965[http://www.yatrides.com/oeuvre/kubrick/kubrick.htm ]<ref name="Site Web officiel 'Yatridès maître du temps'">http://www.yatrides.com</ref>. This is the same Slab on the core and form will adopt Kubrick and Clarke, which is the foundation and the driving force of Kubrick “2001: a Space Odyssey” 2001: a space odyssey whose film will be a triumph; as in " 2010: Odyssey two "(1985) by Peter Hyams and Arthur C. Clarke. In "A.I." Artificial Intelligence (2001) Kubrick and Spielberg, towards the end of the film, a missile composed of non-welded slabs together to form a cube, carry humanoids. Slabs separated, become independent and leave appear the translucent Humanoids who come to save "David" the hero of Spielberg. |
|||
Slabs were one of Yatridès extrapolations from his basic research with those of CEA in 1972, a new property theory of time and its influence in various fields including that of light. See "Tax Expertise - Estimate work" in [http://www.yatrides.org www.yatrides.org] |
|||
Director Paul Perroud special applications of physics at CEA-CENG (French atomic energy commission, Center for Nuclear Studies) research recognizing the value put at his disposal a team of researchers and laboratories. Yatridès obtained patents approved by the Patent Office, Washington DC 1974 (Paul Perroud Doctor of Knowledge, Doctor of Philosophy at Berkeley [http://www.yatrides.org/expertise/expertise.HTM] |
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Its exclusive basic research from 1971 to 1973 carried out at CEA (1970-1973) on its own initiative according to his own ideas and goals led to the demonstration of the theory that he had developed a new property (of) time dissociated from space and its influence in many fields (areas), including the light emanating from certain solids in different phases of incandescence, their action on the hydrocarbon components. It is worth recalling that the human species is hydrocarbon and the stars are buzzing / incandescent thermonuclear variable like our own star the Sun. Him the necessary materials were provided: by AMERICAN STELL Ltd for metal steel tubes cold drawn and developed under the direction of physicist Hans Rauner radioactive particle logician, introduced in hydrocarbon materials in combustion; by Pierre Ledez, Head of Research at [[SEITA]](French government tabacco monopoly), some other hydrocarbons; by Paul PERROUD CEA combined operations for analysis of temperatures and densities of hydrocarbon materials provided by [[SEITA]]; PROCTER & GAMBLE Co Inc. necessary instrumentation for the analysis of correlative models, their action on muscle tissue. The extrapolation of his research allowed him to apply on a flat surface, a painting, a new artistic approach to light and time separated from space. |
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Chemistry are patentable if the only operations and innovative result of a change of tested substances; they may reveal physics principles and specific theories, such as those discovered by George Yatrides who need these chemistry operations to demonstrate its theory. All exclusive claims of patents granted to him were issued in countries with rigorous examinations, United States, Great Britain, Germany, particularly honored by the Patent Office Washington DC. " |
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== Selected events and exhibitions == |
== Selected events and exhibitions == |
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[[fr:Georges Yatridès]] |
[[fr:Georges Yatridès]] |
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--[[User:Yatrides|Yatrides]] ([[User talk:Yatrides|talk]]) 18:48, 5 February 2013 (UTC) |
Georges Yatridès (b. 1931) is an American artist based in France. His work is held in various North American private collections, and has been featured in retrospectives and art school events.
Still under the influence of Gauguin and the Fauvists (Gauguin and Fauvists), he began to exhibit in Vichy (1954) paintings dating from 1945 to 1949 and in Paris in 1956, Madame Chastenet de Gery’s Gallery of Vowels [1] [2]. It is noticed by an expert attached to the International Galleries Chicago [3] [4] and accepts an exclusive contract for the world total proposed by director Samuel E. Johnson. All production will take the path of the largest Private Collections in the United States and Canada. It appears in many Retrospectives and Events Schools of painting (see below). From 1957 to 1965, according to the same exclusive contracts, held solo exhibitions in the United States [5] [6], Canada, Latin America, Switzerland, Great Britain and Greece where all his works are acquired by preeminent Private Collections and museum [7]. A permanent exhibition of his paintings was held in the USA, and Canada, tacitly extending these contracts until George Yatrides terminated them on its own initiative. Begun the "Apodictic period" (1972-1983) Free from external coercion, master of its graphics, its light and its chromaticism George Yatrides is able then, to undertake large-scale compositions which characterize his art of the seventies where the scattered elements will melt in its earlier works [8] [9] [10]. Successively are held retrospective exhibitions in the world, including that of Paris in 1974. In 1981, three Crypts in the Sacré-Cœur’s Basilica in Paris are attributed to George Yatrides to exhibit paintings of biblical inspiration [11] [12]. Eight periods characterize his paintings: "Fauvist" (1945-1948) - "Abstract" (1948-1951) - "Pre graphic" (1952-1955/1956-1962) - "Graphics fundamental" 1 and 2 "(1963-71/1973-78) - His own school" apodictic "(1972-1983) -" Synthesis apodictic "1949-2009" : Synthesis first (1945-1988) - "Synthesis last "'1945-2011). Eight Periods carried out 65 years His paintings and drawings raise the enthusiasm of the greatest international collectors, justifying the prices between them. On 17 January 1996, a French organization composed of Senior officials is based : Yatridès and his century. Its objective is to protect George Yatrides personally/professionally [13], whose work is recognized Public interest by the French state.
Yatrides allowed other artists to make their own masterpiece inspired by the many facets of his work without nevertheless, using his power amplitude metaphysics.
Particularly with regard to Stanley Kubrick’s film which cannot be overlooked, "2001: a space odyssey" (1968) [14]. That is to say, eleven (11) after the first appearance of Interstellar Yatridès slabs 1954-1965 [1] [15]. This is the same Slab on the core and form will adopt Kubrick and Clarke, which is the foundation and the driving force of Kubrick “2001: a Space Odyssey” 2001: a space odyssey whose film will be a triumph; as in " 2010: Odyssey two "(1985) by Peter Hyams and Arthur C. Clarke. In "A.I." Artificial Intelligence (2001) Kubrick and Spielberg, towards the end of the film, a missile composed of non-welded slabs together to form a cube, carry humanoids. Slabs separated, become independent and leave appear the translucent Humanoids who come to save "David" the hero of Spielberg.
Slabs were one of Yatridès extrapolations from his basic research with those of CEA in 1972, a new property theory of time and its influence in various fields including that of light. See "Tax Expertise - Estimate work" in www.yatrides.org
Director Paul Perroud special applications of physics at CEA-CENG (French atomic energy commission, Center for Nuclear Studies) research recognizing the value put at his disposal a team of researchers and laboratories. Yatridès obtained patents approved by the Patent Office, Washington DC 1974 (Paul Perroud Doctor of Knowledge, Doctor of Philosophy at Berkeley [2] Its exclusive basic research from 1971 to 1973 carried out at CEA (1970-1973) on its own initiative according to his own ideas and goals led to the demonstration of the theory that he had developed a new property (of) time dissociated from space and its influence in many fields (areas), including the light emanating from certain solids in different phases of incandescence, their action on the hydrocarbon components. It is worth recalling that the human species is hydrocarbon and the stars are buzzing / incandescent thermonuclear variable like our own star the Sun. Him the necessary materials were provided: by AMERICAN STELL Ltd for metal steel tubes cold drawn and developed under the direction of physicist Hans Rauner radioactive particle logician, introduced in hydrocarbon materials in combustion; by Pierre Ledez, Head of Research at SEITA(French government tabacco monopoly), some other hydrocarbons; by Paul PERROUD CEA combined operations for analysis of temperatures and densities of hydrocarbon materials provided by SEITA; PROCTER & GAMBLE Co Inc. necessary instrumentation for the analysis of correlative models, their action on muscle tissue. The extrapolation of his research allowed him to apply on a flat surface, a painting, a new artistic approach to light and time separated from space.
Chemistry are patentable if the only operations and innovative result of a change of tested substances; they may reveal physics principles and specific theories, such as those discovered by George Yatrides who need these chemistry operations to demonstrate its theory. All exclusive claims of patents granted to him were issued in countries with rigorous examinations, United States, Great Britain, Germany, particularly honored by the Patent Office Washington DC. "
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