Georges Brassens | |
---|---|
![]() Georges Brassens in concert at the Théâtre national populaire, September–October 1966 | |
Background information | |
Birth name | Georges Charles Brassens |
Born | Cette (now Sète), France | 22 October 1921
Died | 29 October 1981 Saint-Gély-du-Fesc, France | (aged 60)
Genres | |
Occupation(s) | Singer-songwriter |
Instrument(s) | Acoustic guitar, Piano, Organ, Banjo, Drums |
Years active | 1951–1981 |
Labels | Universal Music |
Georges Charles Brassens (French pronunciation: [ʒɔʁʒ(ə) ʃaʁl bʁasɛ̃s], Occitan: [ˈbɾasens]; 22 October 1921 – 29 October 1981) was a French singer-songwriter and poet.
As an iconic figure in France, he achieved fame through his elegant songs with their harmonically complex music for voice and guitar and articulate, diverse lyrics. He is considered one of France's most accomplished postwar poets. He has also set to music poems by both well-known and relatively obscure poets, including Louis Aragon ( Il n'y a pas d'amour heureux), Victor Hugo (La Légende de la Nonne, Gastibelza), Paul Verlaine, Jean Richepin, François Villon (La Ballade des Dames du Temps Jadis), and Antoine Pol (Les Passantes).
Brassens was born in Sète, a commune in the Hérault department of the Occitanie region, to a French father and an Italian mother from the town of Marsico Nuovo (in the province of Potenza, Southern Italy). [1]
Brassens grew up in the family home in Sète with his mother Elvira Dagrosa, father Jean-Louis, half-sister Simone (daughter of Elvira and her first husband, who was killed in World War I), and paternal grandfather Jules. His mother, whom Brassens labeled a "activist for songs" (militante de la chanson), had a love for music. [2]
He toured with Pierre Louki, who wrote a book of recollections entitled Avec Brassens (éditions Christian Pirot, 1999, ISBN 2-86808-129-0). After 1952, Brassens rarely left France. A few trips to Belgium and Switzerland; a month in Canada (1961, recording issued on CD in 2011) and another in North Africa were his only trips outside France – except for his concerts in Wales in 1970 and 1973 (Cardiff). [3] His concert at Cardiff's Sherman Theatre in 1973 saw Jake Thackray — a great admirer of his work – open for him. [4]
Brassens accompanied himself on acoustic guitar. Most of the time the only other accompaniment came from his friend Pierre Nicolas with a double bass, and sometimes a second guitar ( Barthélémy Rosso, Joël Favreau ).
His songs often decry hypocrisy and self-righteousness in the conservative French society of the time, especially among the religious, the well-to-do, and those in law enforcement. The criticism is often indirect, focusing on the good deeds or innocence of others in contrast. His elegant use of florid language and dark humor, along with bouncy rhythms, often give a rather jocular feeling to even the grimmest lyrics.
Some of his most famous songs include:
In 2014, Australian-French duo Mountain Men released a live tribute album Mountain Men chante Georges Brassens. [8]
Georges Brassens | |
---|---|
![]() Georges Brassens in concert at the Théâtre national populaire, September–October 1966 | |
Background information | |
Birth name | Georges Charles Brassens |
Born | Cette (now Sète), France | 22 October 1921
Died | 29 October 1981 Saint-Gély-du-Fesc, France | (aged 60)
Genres | |
Occupation(s) | Singer-songwriter |
Instrument(s) | Acoustic guitar, Piano, Organ, Banjo, Drums |
Years active | 1951–1981 |
Labels | Universal Music |
Georges Charles Brassens (French pronunciation: [ʒɔʁʒ(ə) ʃaʁl bʁasɛ̃s], Occitan: [ˈbɾasens]; 22 October 1921 – 29 October 1981) was a French singer-songwriter and poet.
As an iconic figure in France, he achieved fame through his elegant songs with their harmonically complex music for voice and guitar and articulate, diverse lyrics. He is considered one of France's most accomplished postwar poets. He has also set to music poems by both well-known and relatively obscure poets, including Louis Aragon ( Il n'y a pas d'amour heureux), Victor Hugo (La Légende de la Nonne, Gastibelza), Paul Verlaine, Jean Richepin, François Villon (La Ballade des Dames du Temps Jadis), and Antoine Pol (Les Passantes).
Brassens was born in Sète, a commune in the Hérault department of the Occitanie region, to a French father and an Italian mother from the town of Marsico Nuovo (in the province of Potenza, Southern Italy). [1]
Brassens grew up in the family home in Sète with his mother Elvira Dagrosa, father Jean-Louis, half-sister Simone (daughter of Elvira and her first husband, who was killed in World War I), and paternal grandfather Jules. His mother, whom Brassens labeled a "activist for songs" (militante de la chanson), had a love for music. [2]
He toured with Pierre Louki, who wrote a book of recollections entitled Avec Brassens (éditions Christian Pirot, 1999, ISBN 2-86808-129-0). After 1952, Brassens rarely left France. A few trips to Belgium and Switzerland; a month in Canada (1961, recording issued on CD in 2011) and another in North Africa were his only trips outside France – except for his concerts in Wales in 1970 and 1973 (Cardiff). [3] His concert at Cardiff's Sherman Theatre in 1973 saw Jake Thackray — a great admirer of his work – open for him. [4]
Brassens accompanied himself on acoustic guitar. Most of the time the only other accompaniment came from his friend Pierre Nicolas with a double bass, and sometimes a second guitar ( Barthélémy Rosso, Joël Favreau ).
His songs often decry hypocrisy and self-righteousness in the conservative French society of the time, especially among the religious, the well-to-do, and those in law enforcement. The criticism is often indirect, focusing on the good deeds or innocence of others in contrast. His elegant use of florid language and dark humor, along with bouncy rhythms, often give a rather jocular feeling to even the grimmest lyrics.
Some of his most famous songs include:
In 2014, Australian-French duo Mountain Men released a live tribute album Mountain Men chante Georges Brassens. [8]