Liber primus sacrarum cantionum for 2-5 voices and instruments (Nürnberg, 1651)
Operis secundi liber I missarum, psalmorum et Magnificat for 5 voices and instruments (Innsbruck, 1656)
Liber II sacrarum cantionum for 4–7 voices and instruments (Innsbruck, 1661)
Psalmi de Beata Maria Virgine for 3 voices and instruments (Innsbruck, 1662)
Psalmi vespertini for 2 solo voices, ripieno choir and Instruments (Bamberg, 1663)
Opus sextum. Tres missae pro defunctis et alia missa laudativa for 4–7 voices and instruments (Bamberg, 1665)
Mottetae tredecim selectissimae de nomine Jesu for solo voice and instruments (Kempten, 1672)
Prima pars. Quatuor missae for 4 voices and instruments (Bamberg, 1672/1673), republished as Missarum quaternio (Bamberg, 1675)
Instrumental music
Canzoni, ariae et sonatae for 1-4 violins, Violas and Bc. (Innsbruck, 1659)
References
^Erik Kjellberg The Dissemination of Music in Seventeenth-century Europe: 2010 "Dagegen konnte Georg Arnold (1621-1676), der seit 1649 Hoforganist des Fürstbischofs von Bamberg war, nicht wenige Werke in einer Reihe von Drucken publizieren."
Liber primus sacrarum cantionum for 2-5 voices and instruments (Nürnberg, 1651)
Operis secundi liber I missarum, psalmorum et Magnificat for 5 voices and instruments (Innsbruck, 1656)
Liber II sacrarum cantionum for 4–7 voices and instruments (Innsbruck, 1661)
Psalmi de Beata Maria Virgine for 3 voices and instruments (Innsbruck, 1662)
Psalmi vespertini for 2 solo voices, ripieno choir and Instruments (Bamberg, 1663)
Opus sextum. Tres missae pro defunctis et alia missa laudativa for 4–7 voices and instruments (Bamberg, 1665)
Mottetae tredecim selectissimae de nomine Jesu for solo voice and instruments (Kempten, 1672)
Prima pars. Quatuor missae for 4 voices and instruments (Bamberg, 1672/1673), republished as Missarum quaternio (Bamberg, 1675)
Instrumental music
Canzoni, ariae et sonatae for 1-4 violins, Violas and Bc. (Innsbruck, 1659)
References
^Erik Kjellberg The Dissemination of Music in Seventeenth-century Europe: 2010 "Dagegen konnte Georg Arnold (1621-1676), der seit 1649 Hoforganist des Fürstbischofs von Bamberg war, nicht wenige Werke in einer Reihe von Drucken publizieren."