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(Redirected from Gaspar Dughet)
Aminta About to Rescue Silvia, c. 1633–35

Gaspard Dughet (15 June 1615 – 25 May 1675), also known as Gaspard Poussin, was a French painter born in Rome.

Life

Dughet was born in Rome, the son of a French pastry-cook [1] and his Italian wife. [2] He has always generally been considered as a French painter, although in fact he never visited France. [1] Between around 1631 and 1635 he became a pupil of Nicolas Poussin, who had married his sister Anne five years earlier. [1] Because of this connection he was widely known as "Gaspard Poussin." [2] After leaving Poussin's studio his works developed a more fluid style and developed his pictures of storms which account for 30 out of his 400 known works. [3]

He specialised in painting landscapes of the Roman Campagna [4] becoming, along with his exact contemporary Salvator Rosa, one of the two leading landscape painters of his time. [1] He painted several cycles of frescoes, including one, showing various sites around Rome, at the Colonna Palace. [1] He worked with Pier Francesco Mola, Cozza, and Mattia Preti at the Palazzo Pamphilj in Valmontone. [4] He often collaborated with Guillaume Courtois who painted the staffage in his landscapes. This was the case, for instance, in the works for the Palazzo Pamphilj. [5] There is another fresco cycle by Dughet, though in a bad state of preservation, in San Martino ai Monti. [4]

Dughet died in Rome on 25 May 1675.

Influence

During the 18th century Dughet's work became especially popular amongst British collectors, [2] to such an extent that his name became attached to almost any classical landscape, [1] and his style proved influential on British landscape painting and garden design. [2] His Sacrifice of Abraham, once the property of the Colonna, is now, with other of his works, in the National Gallery, London. [4] Thomas Gainsborough and John Constable were inspired by Dughet and recommended him as a model. [3]

His pupils included Crescenzio Onofri (1634–1712/14), Jacques de Rooster ( fl. late 17th century) and Jan Frans van Bloemen (1662–1749). [3]

References

  1. ^ a b c d e f Rosenberg, Pierre (1982). "DUGHET Gaspar also known as Gaspar Poussin". France in the Golden Age: Seventeenth Century Paintings in American Collections. New York: Metropolitan Museum of Art. p. 243. ISBN  9780870992957.
  2. ^ a b c d "Treasure of the Month – February 2012". Wallace Collectionn. Archived from the original on 25 October 2015. Retrieved 6 July 2015.
  3. ^ a b c Grove Dictionary of Art vol 9 pps 375 - 378
  4. ^ a b c d  One or more of the preceding sentences incorporates text from a publication now in the public domain Chisholm, Hugh, ed. (1911). " Poussin, Nicolas s.v. Gaspar Poussin". Encyclopædia Britannica. Vol. 22 (11th ed.). Cambridge University Press. p. 222.
  5. ^ Simonetta Prosperi Valentini Rodinò, Courtois, Guillaume, in: Treccani, accessed 14 March 2015 (in Italian)

External links

From Wikipedia, the free encyclopedia
(Redirected from Gaspar Dughet)
Aminta About to Rescue Silvia, c. 1633–35

Gaspard Dughet (15 June 1615 – 25 May 1675), also known as Gaspard Poussin, was a French painter born in Rome.

Life

Dughet was born in Rome, the son of a French pastry-cook [1] and his Italian wife. [2] He has always generally been considered as a French painter, although in fact he never visited France. [1] Between around 1631 and 1635 he became a pupil of Nicolas Poussin, who had married his sister Anne five years earlier. [1] Because of this connection he was widely known as "Gaspard Poussin." [2] After leaving Poussin's studio his works developed a more fluid style and developed his pictures of storms which account for 30 out of his 400 known works. [3]

He specialised in painting landscapes of the Roman Campagna [4] becoming, along with his exact contemporary Salvator Rosa, one of the two leading landscape painters of his time. [1] He painted several cycles of frescoes, including one, showing various sites around Rome, at the Colonna Palace. [1] He worked with Pier Francesco Mola, Cozza, and Mattia Preti at the Palazzo Pamphilj in Valmontone. [4] He often collaborated with Guillaume Courtois who painted the staffage in his landscapes. This was the case, for instance, in the works for the Palazzo Pamphilj. [5] There is another fresco cycle by Dughet, though in a bad state of preservation, in San Martino ai Monti. [4]

Dughet died in Rome on 25 May 1675.

Influence

During the 18th century Dughet's work became especially popular amongst British collectors, [2] to such an extent that his name became attached to almost any classical landscape, [1] and his style proved influential on British landscape painting and garden design. [2] His Sacrifice of Abraham, once the property of the Colonna, is now, with other of his works, in the National Gallery, London. [4] Thomas Gainsborough and John Constable were inspired by Dughet and recommended him as a model. [3]

His pupils included Crescenzio Onofri (1634–1712/14), Jacques de Rooster ( fl. late 17th century) and Jan Frans van Bloemen (1662–1749). [3]

References

  1. ^ a b c d e f Rosenberg, Pierre (1982). "DUGHET Gaspar also known as Gaspar Poussin". France in the Golden Age: Seventeenth Century Paintings in American Collections. New York: Metropolitan Museum of Art. p. 243. ISBN  9780870992957.
  2. ^ a b c d "Treasure of the Month – February 2012". Wallace Collectionn. Archived from the original on 25 October 2015. Retrieved 6 July 2015.
  3. ^ a b c Grove Dictionary of Art vol 9 pps 375 - 378
  4. ^ a b c d  One or more of the preceding sentences incorporates text from a publication now in the public domain Chisholm, Hugh, ed. (1911). " Poussin, Nicolas s.v. Gaspar Poussin". Encyclopædia Britannica. Vol. 22 (11th ed.). Cambridge University Press. p. 222.
  5. ^ Simonetta Prosperi Valentini Rodinò, Courtois, Guillaume, in: Treccani, accessed 14 March 2015 (in Italian)

External links


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