Frederick Sturges (June 1, 1833 – December 22, 1917) was an American businessman, philanthropist and art connoisseur who was, briefly, a brother-in-law of J.P. Morgan.
Sturges was born in Fairfield, Connecticut on June 1, 1833. He was the eldest son of Mary Pemberton ( née Cady) Sturges (1806–1894) [1] and Jonathan Sturges. [2] He grew up in New York City and at his parents' Gothic Revival summer house (today known as the Jonathan Sturges House) on Mill Plain Road in Fairfield. [3] [4] His elder sister Virginia was married to railroad executive William H. Osborn. [5] [6] His younger siblings were Amelia Sturges (the first wife of J. P. Morgan), [7] [8] Arthur Pemberton Sturges (who studied at Princeton Theological Seminary, but died before graduating), [9] and historian Henry Cady Sturges. [10]
His paternal grandparents were Barnabas Lothrop Sturges and Mary ( née Sturges) Sturges. His great-uncle, Lewis Burr Sturges, and great-grandfather, Jonathan Sturges, were both U.S. Representatives from Connecticut. [11] His maternal grandparents were Ebenezer Pemberton Cady (a grandson of Ebenezer Pemberton) and Elizabeth Smith Cady. [12]
Sturges maintained the books for the 1,000 family farm in Fairfield, Connecticut, [13] including "daily notations on the weather and the amount of labor expended, accounts with Sturges, and an inventory of 'his place.' [14] He also served as a director of the National Bank of Commerce in New York (alongside J. Pierpont Morgan, James N. Jarvie, Augustus D. Juilliard, John Stewart Kennedy, Charles D. Lanier, and Charles H. Russell), [15] of which his father was a founder and one of the original stockholders and directors in 1839, among John Austin Stevens, Peter Gerard Stuyvesant, Samuel Ward, and Stephen Whitney. [16]
A prominent philanthropist, he was a charter member of the Century Association, a trustee of the New York Public Library, and was especially active in the affairs of the Presbyterian Hospital where he founded the Florence Nightingale School for Trained Nurses. [17]
On July 29, 1863, Sturges was married to Mary Reed Fuller (1834–1886) in Hyde Park, New York by Rev. Thomas House Taylor. [18] Mary was the eldest daughter of Dudley B. Fuller of the Fuller Brothers & Co., manufacturers of nails, nuts, bolts, iron washers and sheet iron. [19] [20] Together, they were the parents of three surviving children, two sons and a daughter: [21]
He was a member of the Union League Club, the Century Club, the Downtown Club and the Grolier Club. [21]
His wife died in Morristown, New Jersey on February 17, 1886. [30] Sturges died on December 22, 1917 [31] at his home, 36 Park Avenue in Manhattan. [21]
A prominent art connoisseur, Sturges owned a number of significant art pieces including The Bashful Cousin ( c. 1841-1842) by Francis William Edmonds, Forest in the Morning Light ( c. 1855) and A Pastoral Scene (1858), both by Asher Brown Durand, Beacon Rock, Newport Harbor (1857) by John Frederick Kensett, View on Lake George (1857) by John William Casilear and Beach at Beverly ( c. 1869/1872) by John Frederick Kensett. [32] His son, Frederick Sturges Jr., bequeathed several of Sturges family paintings to the National Gallery of Art upon his death in 1977. [33]
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Frederick Sturges (June 1, 1833 – December 22, 1917) was an American businessman, philanthropist and art connoisseur who was, briefly, a brother-in-law of J.P. Morgan.
Sturges was born in Fairfield, Connecticut on June 1, 1833. He was the eldest son of Mary Pemberton ( née Cady) Sturges (1806–1894) [1] and Jonathan Sturges. [2] He grew up in New York City and at his parents' Gothic Revival summer house (today known as the Jonathan Sturges House) on Mill Plain Road in Fairfield. [3] [4] His elder sister Virginia was married to railroad executive William H. Osborn. [5] [6] His younger siblings were Amelia Sturges (the first wife of J. P. Morgan), [7] [8] Arthur Pemberton Sturges (who studied at Princeton Theological Seminary, but died before graduating), [9] and historian Henry Cady Sturges. [10]
His paternal grandparents were Barnabas Lothrop Sturges and Mary ( née Sturges) Sturges. His great-uncle, Lewis Burr Sturges, and great-grandfather, Jonathan Sturges, were both U.S. Representatives from Connecticut. [11] His maternal grandparents were Ebenezer Pemberton Cady (a grandson of Ebenezer Pemberton) and Elizabeth Smith Cady. [12]
Sturges maintained the books for the 1,000 family farm in Fairfield, Connecticut, [13] including "daily notations on the weather and the amount of labor expended, accounts with Sturges, and an inventory of 'his place.' [14] He also served as a director of the National Bank of Commerce in New York (alongside J. Pierpont Morgan, James N. Jarvie, Augustus D. Juilliard, John Stewart Kennedy, Charles D. Lanier, and Charles H. Russell), [15] of which his father was a founder and one of the original stockholders and directors in 1839, among John Austin Stevens, Peter Gerard Stuyvesant, Samuel Ward, and Stephen Whitney. [16]
A prominent philanthropist, he was a charter member of the Century Association, a trustee of the New York Public Library, and was especially active in the affairs of the Presbyterian Hospital where he founded the Florence Nightingale School for Trained Nurses. [17]
On July 29, 1863, Sturges was married to Mary Reed Fuller (1834–1886) in Hyde Park, New York by Rev. Thomas House Taylor. [18] Mary was the eldest daughter of Dudley B. Fuller of the Fuller Brothers & Co., manufacturers of nails, nuts, bolts, iron washers and sheet iron. [19] [20] Together, they were the parents of three surviving children, two sons and a daughter: [21]
He was a member of the Union League Club, the Century Club, the Downtown Club and the Grolier Club. [21]
His wife died in Morristown, New Jersey on February 17, 1886. [30] Sturges died on December 22, 1917 [31] at his home, 36 Park Avenue in Manhattan. [21]
A prominent art connoisseur, Sturges owned a number of significant art pieces including The Bashful Cousin ( c. 1841-1842) by Francis William Edmonds, Forest in the Morning Light ( c. 1855) and A Pastoral Scene (1858), both by Asher Brown Durand, Beacon Rock, Newport Harbor (1857) by John Frederick Kensett, View on Lake George (1857) by John William Casilear and Beach at Beverly ( c. 1869/1872) by John Frederick Kensett. [32] His son, Frederick Sturges Jr., bequeathed several of Sturges family paintings to the National Gallery of Art upon his death in 1977. [33]
{{
cite web}}
: CS1 maint: location (
link)