"Forever" | ||||
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![]() International standard artwork, also used for US promotional material | ||||
Single by Mariah Carey | ||||
from the album Daydream | ||||
B-side |
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Released | June 18, 1996 | |||
Studio |
| |||
Genre | ||||
Length | 4:01 | |||
Label | Columbia | |||
Composer(s) |
| |||
Lyricist(s) | Mariah Carey | |||
Producer(s) |
| |||
Mariah Carey singles chronology | ||||
| ||||
Music video | ||||
"Mariah Carey - Forever (Live Video Version)" on YouTube |
"Forever" is a song recorded by American singer-songwriter, and record producer Mariah Carey for her fifth studio album, Daydream (1995). It was released by Columbia Records on June 18, 1996, as an airplay-only single and the fifth single from the album. The song was written and produced by Carey and Walter Afanasieff, and was composed throughout 1995. Its lyrics describe a situation where the protagonist knows her relationship with her lover has withered away, however he will continue living in her memory forever.
Music critics gave Carey's performance and the composition positive reviews; some viewed it as unremarkable when compared to other songs on the album. The song's music video is a collage of snippets from Carey's shows at the Tokyo Dome, during her Daydream World Tour in 1996. Most of the video is the performance of the song during one of the three Japanese shows on the tour. Serving as an airplay only song in the US, and a limited release around the world, the song received a well amount of chart success specifically in the U.S.. In the United States, Billboard rules did not allow the charting of non-commercially released songs. For this reason, it did not chart on the Hot 100, however peaking at number two on the Adult Contemporary chart. Outside the US, the song peaked at number 11 in Canada, 40 in New Zealand and 44 in the Netherlands.
"Forever" is a
rock and roll
[1] and
pop song
[2] with elements of
doo-wop.
[3] Composed as a
waltz
[4] that lasts for four minutes and one second,
[5] the track follows
12
8 time and moves at a
tempo of 63
beats per minute.
[6] It is a
sentimental ballad with lyrics about continued affection amidst heartbreak:
[7]
[8] "Forever / You will always be the only one".
[9] In describing Carey's performance,
Billboard said she "plays the romantic ingenue with convincing, wide-eyed innocence and infectious hope".
[10] Her
vocal range spans two
octaves and three
semitones from the low note of E♭3 to the high note of F♯5.
[6]
Walter Afanasieff produced "Forever" with Carey; she wrote the lyrics herself and the pair composed the music together. He also played the keyboards, provided synth bass, and programmed the drums and rhythm electronically. Dan Shea and Gary Cirimelli added additional programming while Dann Huff played the guitars. Jay Healy and Dana Jon Chappelle engineered the song at Wallyworld and The Hit Factory in New York, where Andy Smith, Kurt Lundvall, Brian Vibberts, and Mike Scott acted as second engineers. After Mick Guzauski mixed "Forever" at New York's Sony Studios, Bob Ludwig conducted mastering at Gateway Mastering in Portland, Maine. [9]
Critics said "Forever" shared similarities with music from the 1950s [1] [4] and 1960s. [11] [12] According to biographer Chris Nickson, this is evinced by the song's chord changes and prominent guitar arpeggios. [13] In the Jackson Citizen Patriot, Chris Jorgensen judged it as a homage to the Motown sound. [12] Larry Nager of The Commercial Appeal thought the strings resembled those in the 1959 song " Theme from A Summer Place" [11] and Salvatore Caputo of The Arizona Republic said the composition was inspired by Roy Orbison's music. [14] Rick Mitchell viewed it as an "attempt at an old-fashioned R&B ballad" in the Houston Chronicle. [15]
"Forever" was related to Carey's past work. Nickson perceived similarities with songs from her 1990 debut album [13] and Billboard specified that the "retro-pop musical setting" invoked her first single " Vision of Love". [10] Writing for the same magazine, Sal Cinquemani considered the string-guitar combination a recurring musical motif in Carey's songs. [16]
Carey's delivery received positive commentary from music critics. Billboard contributor Princess Gabbara gauged her as capable of making an emotional impact on listeners. [8] The Post and Courier's Walter Allread complimented Carey for exercising restraint while incorporating melisma in her vocals. [17] According to Nick Krewen of The Spectator, the song helps her move "into the real world of human emotion with truly soulstirring performances". [18]
The composition of "Forever" also received warm reviews. Daina Darzin from Cash Box praised the "lush but unobtrusive orchestration serving as a respectful backdrop" to Carey's vocals. [19] Mitchell and Billboard's Andrew Unterberger viewed it as a successful interpretation of retro styles. [7] [15] Ken Tucker welcomed the waltz form in Entertainment Weekly; [20] Pitchfork writer Jamieson Cox said it shows how Carey's Daydream "performances are uniformly strong no matter the context". [4]
Others considered "Forever" an unimpressive album track. Nickson thought it "came across as something of a throwaway". [13] Cleveland.com writer Troy L. Smith said it paled in comparison with the other singles. [21] Jonathan Takiff of the Philadelphia Daily News suggested it was worse than " One Sweet Day" and " Open Arms". [22]
"Forever" has appeared on rankings of Carey's music. Smith placed it at number 55 of 76 in a 2017 list of Carey's best singles. [21] Billboard named it the 100th greatest song of Carey's career in 2020. [7] Writers for BET and Gold Derby thought it was one of her best singles that did not reach number one on the Hot 100. [23] [24]
"Forever" was released as an airplay only single in the US, and received a limited European release. Due to Billboard rules at the time of its release, "Forever" wasn't eligible to chart on the Hot 100. However, the song charted on the Adult Contemporary chart, peaking at number two. In Canada, the song peaked at number 11 on the Canadian RPM Singles Chart issue dated September 30, 1996. [25] In New Zealand, the song entered the singles chart at its peak of number 40, spending only one week in the chart. [26] On the Dutch Singles Chart, "Forever" peaked at number 47, fluctuating in the chart for a total of nine weeks. [27]
Carey performed "Forever" on October 10, 1995, during a concert at Madison Square Garden in New York City. It was included on her video album, Fantasy: Mariah Carey at Madison Square Garden, the next year. [28] [29] In 1996, she sang it during the Daydream World Tour. [30] Filming for the music video occurred during her March shows at the Tokyo Dome in Japan. [19] [7] The live audio was released on the single as its B-side [5] [19] and later on her 2020 compilation album The Rarities. [31] In a review for KQED, Emmanuel Hapsis ranked the video as the third-worst of Carey's career because "concert videos are so lazy." [32]
|
|
Recording
Personnel
Weekly charts
|
Year-end charts
|
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United States | June 18, 1996 | Columbia |
"Forever" | ||||
---|---|---|---|---|
![]() International standard artwork, also used for US promotional material | ||||
Single by Mariah Carey | ||||
from the album Daydream | ||||
B-side |
| |||
Released | June 18, 1996 | |||
Studio |
| |||
Genre | ||||
Length | 4:01 | |||
Label | Columbia | |||
Composer(s) |
| |||
Lyricist(s) | Mariah Carey | |||
Producer(s) |
| |||
Mariah Carey singles chronology | ||||
| ||||
Music video | ||||
"Mariah Carey - Forever (Live Video Version)" on YouTube |
"Forever" is a song recorded by American singer-songwriter, and record producer Mariah Carey for her fifth studio album, Daydream (1995). It was released by Columbia Records on June 18, 1996, as an airplay-only single and the fifth single from the album. The song was written and produced by Carey and Walter Afanasieff, and was composed throughout 1995. Its lyrics describe a situation where the protagonist knows her relationship with her lover has withered away, however he will continue living in her memory forever.
Music critics gave Carey's performance and the composition positive reviews; some viewed it as unremarkable when compared to other songs on the album. The song's music video is a collage of snippets from Carey's shows at the Tokyo Dome, during her Daydream World Tour in 1996. Most of the video is the performance of the song during one of the three Japanese shows on the tour. Serving as an airplay only song in the US, and a limited release around the world, the song received a well amount of chart success specifically in the U.S.. In the United States, Billboard rules did not allow the charting of non-commercially released songs. For this reason, it did not chart on the Hot 100, however peaking at number two on the Adult Contemporary chart. Outside the US, the song peaked at number 11 in Canada, 40 in New Zealand and 44 in the Netherlands.
"Forever" is a
rock and roll
[1] and
pop song
[2] with elements of
doo-wop.
[3] Composed as a
waltz
[4] that lasts for four minutes and one second,
[5] the track follows
12
8 time and moves at a
tempo of 63
beats per minute.
[6] It is a
sentimental ballad with lyrics about continued affection amidst heartbreak:
[7]
[8] "Forever / You will always be the only one".
[9] In describing Carey's performance,
Billboard said she "plays the romantic ingenue with convincing, wide-eyed innocence and infectious hope".
[10] Her
vocal range spans two
octaves and three
semitones from the low note of E♭3 to the high note of F♯5.
[6]
Walter Afanasieff produced "Forever" with Carey; she wrote the lyrics herself and the pair composed the music together. He also played the keyboards, provided synth bass, and programmed the drums and rhythm electronically. Dan Shea and Gary Cirimelli added additional programming while Dann Huff played the guitars. Jay Healy and Dana Jon Chappelle engineered the song at Wallyworld and The Hit Factory in New York, where Andy Smith, Kurt Lundvall, Brian Vibberts, and Mike Scott acted as second engineers. After Mick Guzauski mixed "Forever" at New York's Sony Studios, Bob Ludwig conducted mastering at Gateway Mastering in Portland, Maine. [9]
Critics said "Forever" shared similarities with music from the 1950s [1] [4] and 1960s. [11] [12] According to biographer Chris Nickson, this is evinced by the song's chord changes and prominent guitar arpeggios. [13] In the Jackson Citizen Patriot, Chris Jorgensen judged it as a homage to the Motown sound. [12] Larry Nager of The Commercial Appeal thought the strings resembled those in the 1959 song " Theme from A Summer Place" [11] and Salvatore Caputo of The Arizona Republic said the composition was inspired by Roy Orbison's music. [14] Rick Mitchell viewed it as an "attempt at an old-fashioned R&B ballad" in the Houston Chronicle. [15]
"Forever" was related to Carey's past work. Nickson perceived similarities with songs from her 1990 debut album [13] and Billboard specified that the "retro-pop musical setting" invoked her first single " Vision of Love". [10] Writing for the same magazine, Sal Cinquemani considered the string-guitar combination a recurring musical motif in Carey's songs. [16]
Carey's delivery received positive commentary from music critics. Billboard contributor Princess Gabbara gauged her as capable of making an emotional impact on listeners. [8] The Post and Courier's Walter Allread complimented Carey for exercising restraint while incorporating melisma in her vocals. [17] According to Nick Krewen of The Spectator, the song helps her move "into the real world of human emotion with truly soulstirring performances". [18]
The composition of "Forever" also received warm reviews. Daina Darzin from Cash Box praised the "lush but unobtrusive orchestration serving as a respectful backdrop" to Carey's vocals. [19] Mitchell and Billboard's Andrew Unterberger viewed it as a successful interpretation of retro styles. [7] [15] Ken Tucker welcomed the waltz form in Entertainment Weekly; [20] Pitchfork writer Jamieson Cox said it shows how Carey's Daydream "performances are uniformly strong no matter the context". [4]
Others considered "Forever" an unimpressive album track. Nickson thought it "came across as something of a throwaway". [13] Cleveland.com writer Troy L. Smith said it paled in comparison with the other singles. [21] Jonathan Takiff of the Philadelphia Daily News suggested it was worse than " One Sweet Day" and " Open Arms". [22]
"Forever" has appeared on rankings of Carey's music. Smith placed it at number 55 of 76 in a 2017 list of Carey's best singles. [21] Billboard named it the 100th greatest song of Carey's career in 2020. [7] Writers for BET and Gold Derby thought it was one of her best singles that did not reach number one on the Hot 100. [23] [24]
"Forever" was released as an airplay only single in the US, and received a limited European release. Due to Billboard rules at the time of its release, "Forever" wasn't eligible to chart on the Hot 100. However, the song charted on the Adult Contemporary chart, peaking at number two. In Canada, the song peaked at number 11 on the Canadian RPM Singles Chart issue dated September 30, 1996. [25] In New Zealand, the song entered the singles chart at its peak of number 40, spending only one week in the chart. [26] On the Dutch Singles Chart, "Forever" peaked at number 47, fluctuating in the chart for a total of nine weeks. [27]
Carey performed "Forever" on October 10, 1995, during a concert at Madison Square Garden in New York City. It was included on her video album, Fantasy: Mariah Carey at Madison Square Garden, the next year. [28] [29] In 1996, she sang it during the Daydream World Tour. [30] Filming for the music video occurred during her March shows at the Tokyo Dome in Japan. [19] [7] The live audio was released on the single as its B-side [5] [19] and later on her 2020 compilation album The Rarities. [31] In a review for KQED, Emmanuel Hapsis ranked the video as the third-worst of Carey's career because "concert videos are so lazy." [32]
|
|
Recording
Personnel
Weekly charts
|
Year-end charts
|
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United States | June 18, 1996 | Columbia |