Flanders Recorder Quartet | |
---|---|
Background information | |
Origin | Belgium |
Years active | 1987 | –2018
Members | Bart Spanhove, Tom Beets, Joris van Goethem, Paul van Loey |
Past members | Geert Van Gele |
Website |
www |
The Flanders Recorder Quartet was a professional recorder group based in Belgium.
The group initially formed in 1987 and became more well known upon winning the 1990 competition Musica Antiqua Bruges, Belgium. [1]
Previous Members: Geert Van Gele, Fumiharu Yoshimine, Peter Van Heyghen, Han Tol
Reviews for the Flanders Recorder Quartet have been positive, with The New York Times praising the band's performance. [2] The Columbia Spectator also positively reviewed the group, citing the flexibility of the recorders as a highlight. [3] The Flanders Recorder Quartet has also received positive reviews from the Milwaukee Express and CultureMap Houston. [4] [5]
Of a 1998 performance of The Four Seasons, the Pittsburgh Post-Gazette wrote that the band was "brilliant" but that "for maintaining rhythmic vitality" the band "couldn't match good string playing". [6]
Flanders Recorder Quartet | |
---|---|
Background information | |
Origin | Belgium |
Years active | 1987 | –2018
Members | Bart Spanhove, Tom Beets, Joris van Goethem, Paul van Loey |
Past members | Geert Van Gele |
Website |
www |
The Flanders Recorder Quartet was a professional recorder group based in Belgium.
The group initially formed in 1987 and became more well known upon winning the 1990 competition Musica Antiqua Bruges, Belgium. [1]
Previous Members: Geert Van Gele, Fumiharu Yoshimine, Peter Van Heyghen, Han Tol
Reviews for the Flanders Recorder Quartet have been positive, with The New York Times praising the band's performance. [2] The Columbia Spectator also positively reviewed the group, citing the flexibility of the recorders as a highlight. [3] The Flanders Recorder Quartet has also received positive reviews from the Milwaukee Express and CultureMap Houston. [4] [5]
Of a 1998 performance of The Four Seasons, the Pittsburgh Post-Gazette wrote that the band was "brilliant" but that "for maintaining rhythmic vitality" the band "couldn't match good string playing". [6]