DescriptionThe imposing basilica next to the Forum and its gagantic pillars, also known as Basilica B, Philippi (7272621716).jpg
In the VIth century the inhabitants of Philippi embarked on the construction of an imposing basilica on the site of the town's palaestra; the size of the planned building clearly exceeded the needs of the town, thus indicating that Philippi attracted many pilgrims.
There is uncertainty among archaeologists whether the gigantic pillars of the basilica ever supported a dome; in 547 the so-called Justinian plague devastated the countries of the Mediterranean basin and in the early VIIth century an earthquake struck the region of Philippi; these two catastrophic events could have halted the completion of the basilica.
The decoration of the basilica moved away from classic patterns; all representations of human beings and animals were banished and even the acanthus leaves of Corinthian capitals were depicted in an almost symbolic way; this type of "combed" capitals can be observed also at many Byzantine locations in Syria of the same period.
The basilica was at the centre of a complex of buildings which included a chapel reserved to the bishop and a baptistery; the whole complex was built with materials taken from ancient monuments, but the stones were completely reworked in order to eliminate all references to gods, human beings and animals.
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DescriptionThe imposing basilica next to the Forum and its gagantic pillars, also known as Basilica B, Philippi (7272621716).jpg
In the VIth century the inhabitants of Philippi embarked on the construction of an imposing basilica on the site of the town's palaestra; the size of the planned building clearly exceeded the needs of the town, thus indicating that Philippi attracted many pilgrims.
There is uncertainty among archaeologists whether the gigantic pillars of the basilica ever supported a dome; in 547 the so-called Justinian plague devastated the countries of the Mediterranean basin and in the early VIIth century an earthquake struck the region of Philippi; these two catastrophic events could have halted the completion of the basilica.
The decoration of the basilica moved away from classic patterns; all representations of human beings and animals were banished and even the acanthus leaves of Corinthian capitals were depicted in an almost symbolic way; this type of "combed" capitals can be observed also at many Byzantine locations in Syria of the same period.
The basilica was at the centre of a complex of buildings which included a chapel reserved to the bishop and a baptistery; the whole complex was built with materials taken from ancient monuments, but the stones were completely reworked in order to eliminate all references to gods, human beings and animals.
to share – to copy, distribute and transmit the work
to remix – to adapt the work
Under the following conditions:
attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
share alike – If you remix, transform, or build upon the material, you must distribute your contributions under the
same or compatible license as the original.