Original file (1,210 × 1,440 pixels, file size: 1.88 MB, MIME type: image/png)
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| Description |
An ad from a 1932 issue of Advertising Arts featuring all four weights of both Metro No. 1 and No. 2, touting the No. 2 replacement characters as a way for the typeface to do "double duty". Of particular note is the straight-bar e on the Metro No. 1 side, which was an alternative to the original curved e even before the introduction of Metro No. 2. | ||
|---|---|---|---|
| Source |
An ad from a 1932 issue of Advertising Arts | ||
| Date |
c. 1932 | ||
| Author |
| ||
| Permission ( Reusing this file) |
See below.
|
 
 | This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 License. |
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 03:46, 11 December 2017 |
| 1,210 × 1,440 (1.88 MB) | Julian Grybowski ( talk | contribs) | Uploading a slightly less-huge version of the file. |
| 18:29, 10 December 2017 |
 | 2,233 × 3,209 (5.59 MB) | Julian Grybowski ( talk | contribs) | An ad from a 1932 issue of ''Advertising Arts'' featuring all four weights of both Metro (typeface) No. 1 and No. 2, touting the No. 2 replacement characters as a way for the typeface to do "double duty". Of particular note is the straight-bar ''e... |
You cannot overwrite this file.
File usage
Metadata
Original file (1,210 × 1,440 pixels, file size: 1.88 MB, MIME type: image/png)
| This image may not have the proper
copyright or licensing information, or there is a conflict of license. An experienced editor should contact the uploader and add the proper tag, or discuss the issue on the talk page. If the image has no source, add {{
subst:Di-no source}}. If the image has no licensing information, add {{
subst:Di-no license}}. If the copyright tag may need discussion, please list at
Wikipedia:Files for discussion. |
| Description |
An ad from a 1932 issue of Advertising Arts featuring all four weights of both Metro No. 1 and No. 2, touting the No. 2 replacement characters as a way for the typeface to do "double duty". Of particular note is the straight-bar e on the Metro No. 1 side, which was an alternative to the original curved e even before the introduction of Metro No. 2. | ||
|---|---|---|---|
| Source |
An ad from a 1932 issue of Advertising Arts | ||
| Date |
c. 1932 | ||
| Author |
| ||
| Permission ( Reusing this file) |
See below.
|
|
| This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 License. |
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 03:46, 11 December 2017 |
| 1,210 × 1,440 (1.88 MB) | Julian Grybowski ( talk | contribs) | Uploading a slightly less-huge version of the file. |
| 18:29, 10 December 2017 |
| 2,233 × 3,209 (5.59 MB) | Julian Grybowski ( talk | contribs) | An ad from a 1932 issue of ''Advertising Arts'' featuring all four weights of both Metro (typeface) No. 1 and No. 2, touting the No. 2 replacement characters as a way for the typeface to do "double duty". Of particular note is the straight-bar ''e... |
You cannot overwrite this file.