Summary

Biblioteca Nazionale Marciana (Venice) - Interior - Allegory of Astrology by Alessandro Varotari

Object Alessandro Varotari: Italian: Allegoria dell'Astrologia French: Allegorie de l'Astrologie   (   ) Artist Alessandro Varotari  (1588–1649)      Alternative names Padovanino Description Italian painter Date of birth/death 4 April 1588  20 July 1649 / 29 July 1649  Location of birth/death Padua Venice Work location Venice (1614–1648)  Authority file : Q1727824 VIAF:  95836515 ISNI:  0000000117767003 ULAN:  500025136 LCCN:  nr91028767 WGA:  p/padovani WorldCat artist QS:P170,Q1727824 Title Italian: Allegoria dell'Astrologia French: Allegorie de l'Astrologie label QS:Lit,"Allegoria dell'Astrologia" label QS:Lfr,"Allegorie de l'Astrologie" Object type painting object_type QS:P31,Q3305213 Date 1635 date QS:P571,+1635-00-00T00:00:00Z/9 Medium oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 Dimensions diameter: 230 cm (90.5 in) dimensions QS:P2386,230U174728 Collection Biblioteca Nazionale Marciana     Native name Biblioteca Nazionale Marciana Parent institution Ministry of Culture  Location Venice Coordinates 45° 26′ 00″ N, 12° 20′ 21″ E   Established 1468 Website marciana.venezia.sbn.it Authority file : Q578460 VIAF:  156622926 ISNI:  0000000123697435 ULAN:  500312334 LCCN:  n80040307 NLA:  36102714 WorldCat institution QS:P195,Q578460 Place of creation Venice Object history English: Roundel by Alessandro Varotari, called Padovanino, commissioned in 1635 by the Procurators of Saint Mark de supra for the ceiling of the Reading Room of the Biblioteca Marciana in substitution of the damaged roundel by Giambattista Zelotti. [1] All of the roundels (21) were removed by the Austrians at the end of the second period of Austrian occupation (1815–1866) and transported to Vienna. The roundels were restituted as per the Treaty of Vienna of 3 October 1866 between Italy and Austria. Français : Tableau d'Alessandro Varotari, dit Padovanino, commandée en 1635 par les procureurs de Saint-Marc de supra pour le plafond de la salle de lecture de la Biblioteca Marciana en remplacement de la cocarde endommagée de Giambattista Zelotti. [2] Tous les les cocardes (21) ont été enlevées par les Autrichiens à la fin de la deuxième période d'occupation autrichienne (1815-1866) et transportées à Vienne. Les cocardes ont été restituées conformément au Traité de Vienne du 3 octobre 1866 entre l'Italie et l'Autriche. Italiano: Dipinto di Alessandro Varotari, detto il Padovanino, commissionato nel 1635 dai Procuratori di San Marco de supra per il soffitto della Sala di Lettura della Biblioteca Marciana in sostituzione del tondo danneggiato di Giambattista Zelotti. [3] Tutti i i tondi (21) furono rimossi dagli austriaci alla fine del secondo periodo di occupazione austriaca (1815–1866) e trasportati a Vienna. I tondi furono restituiti in base al Trattato di Vienna del 3 ottobre 1866 tra Italia e Austria. Permission ( Reusing this file) Public domainPublic domainfalsefalse This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929. This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse Photograph Date Taken on 12 May 2023 Source Own work Author Didier Descouens Permission ( Reusing this file) This file is copyrighted and has been released under a license which is incompatible with Facebook's licensing terms. It is not permitted to upload this file at Facebook. I, the copyright holder of this work, hereby publish it under the following license: This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International license. You are free: to share – to copy, distribute and transmit the work to remix – to adapt the work Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. share alike – If you remix, transform, or build upon the material, you must distribute your contributions under the same or compatible license as the original. https://creativecommons.org/licenses/by-sa/4.0CC BY-SA 4.0 Creative Commons Attribution-Share Alike 4.0 truetrue Object location 45° 26′ 01.08″ N, 12° 20′ 14.08″ E  View this and other nearby images on: OpenStreetMap 45.433633; 12.337245

1. ↑ The deliberation of the procurators de supra (Archives, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1634, 12 aprile) states the intention to copy two damaged roundels. The originals were by Giulio Licinio and Giambattista Zelotti for which commissions were given to Bernardo Strozzi and Padovanino respectively. Padovanino received higher payment due to the greater number of figures involved (see Archives, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1635, 26 November).
2. ↑ La délibération de les procureurs de supra (Archives, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1634, 12 avril) déclare l'intention de copier deux cocardes endommagées. Les originaux étaient de Giulio Licinio et Giambattista Zelotti pour lesquels les commandes furent respectivement confiées à Bernardo Strozzi et Padovanino. Padovanino a reçu un paiement plus élevé en raison du plus grand nombre de personnages impliqués (voir Archives, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1635, 26 novembre).
3. ↑ La deliberazione di i procuratori de supra (Archivio, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1634, 12 aprile) dichiarano l'intenzione di copiare due tondi danneggiati. Gli originali erano di Giulio Licinio e Giambattista Zelotti per i quali furono commissionati rispettivamente Bernardo Strozzi e Padovanino. Padovanino ricevette compensi maggiori per il maggior numero di personaggi coinvolti (vedi Archivio, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1635, 26 novembre).

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