From Wikipedia, the free encyclopedia

Roger_Brown_-_Puerto_Rican_Wedding.jpg(300 × 243 pixels, file size: 32 KB, MIME type: image/jpeg)

Summary

File information
Description

Puerto Rican Wedding

Source

Timothy J. Garvey, "Garden Becomes Machine: Images of Suburbia in the Painting of Roger Brown", Smithsonian Studies in American Art, Vol. 3, No. 3. (Summer, 1989), p. 12.

Date

1969

Author

Roger Brown

Permission
( Reusing this file)

See below.


Fair use rationale

Although this image is subject to copyright, it is claimed as fair use in the article Nighthawks (painting) because:

  • it is a low-resolution, black-and-white copy of a painting;
  • it does not affect the copyright owner's ability to sell reproductions of the painting, or interfere with any other established market;
  • it is used to illustrate a discussion of the influence of Edward Hopper's Nighthawks on other painters. This discussion is significantly enhanced by visually comparing Nighthawks and Puerto Rican Wedding.

Licensing

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current 10:47, 15 August 2007 Thumbnail for version as of 10:47, 15 August 2007300 × 243 (32 KB) Celithemis ( talk | contribs)== Summary == {{Information |Description=''Puerto Rican Wedding'' |Source= Timothy J. Garvey, "Garden Becomes Machine: Images of Suburbia in the Painting of Roger Brown", Smithsonian Studies in American Art, Vol. 3, No. 3. (Summer, 1989), p. 12. |Date=
The following pages on the English Wikipedia use this file (pages on other projects are not listed):

Metadata

From Wikipedia, the free encyclopedia

Roger_Brown_-_Puerto_Rican_Wedding.jpg(300 × 243 pixels, file size: 32 KB, MIME type: image/jpeg)

Summary

File information
Description

Puerto Rican Wedding

Source

Timothy J. Garvey, "Garden Becomes Machine: Images of Suburbia in the Painting of Roger Brown", Smithsonian Studies in American Art, Vol. 3, No. 3. (Summer, 1989), p. 12.

Date

1969

Author

Roger Brown

Permission
( Reusing this file)

See below.


Fair use rationale

Although this image is subject to copyright, it is claimed as fair use in the article Nighthawks (painting) because:

  • it is a low-resolution, black-and-white copy of a painting;
  • it does not affect the copyright owner's ability to sell reproductions of the painting, or interfere with any other established market;
  • it is used to illustrate a discussion of the influence of Edward Hopper's Nighthawks on other painters. This discussion is significantly enhanced by visually comparing Nighthawks and Puerto Rican Wedding.

Licensing

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current 10:47, 15 August 2007 Thumbnail for version as of 10:47, 15 August 2007300 × 243 (32 KB) Celithemis ( talk | contribs)== Summary == {{Information |Description=''Puerto Rican Wedding'' |Source= Timothy J. Garvey, "Garden Becomes Machine: Images of Suburbia in the Painting of Roger Brown", Smithsonian Studies in American Art, Vol. 3, No. 3. (Summer, 1989), p. 12. |Date=
The following pages on the English Wikipedia use this file (pages on other projects are not listed):

Metadata


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