English: The nude goddess, identified by the crescent moon in her hair and the bow and quiver at her side, reclines on a blue drapery in front of a recumbent stag in a wooded glade. An early inscription identifies this painting as a variant sketch for an overdoor in the hôtel of Achille Fould, the Minister of State. The hôtel, on the rue du Faubourg-Saint-Honoré, was acquired by the Duc d'Aumale in 1872, and its decor was transferred to the Château of Chantilly six years later. The overdoor, "Diane au repos," and another, "Venus jouant avec l'Amour," were both mounted in the Galerie des Cerfs. The actual overdoor is painted in "grisaille" unlike our sketch which is in naturalistic colors. In the overdoor the majestic stag is an integral part of the composition, whereas in this sketch he is barely discernible in the right background.
This composition illustrates the artist's practice of imparting to his traditional subjects an air of modishness or coquetry, that may have resulted from his occasional use of professional beauties as models. The figure of Diana reposing in the sketch and the overdoor bears a striking resemblance to Blanche D'Antigny, an actress who at the age of eighteen modeled for Baudry's famous "The Penitent Madeleine," painted about the same time and acquired by the State at the 1859 Salon for the Nantes Museum.
Date
circa 1859
date QS:P571,+1859-00-00T00:00:00Z/9,P1480,Q5727902
A Baltimorean in Paris: George A. Lucas, 1860-1909. The Walters Art Gallery, Baltimore. 1979. Théophile Gautier dans son cadre. Musée de I'Île-de France, Sceaux. 2011-2012.
This work is
free and may be used by anyone for any purpose. If you wish to use this content, you do not need to request permission as long as you follow any licensing requirements mentioned on this page.
The Wikimedia Foundation has received an e-mail confirming that the copyright holder has approved publication under the terms mentioned on this page. This correspondence has been reviewed by a
Volunteer Response Team (VRT) member and stored in our
permission archive. The correspondence is available to trusted volunteers as ticket #2012021710000834.
This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the
public domain for the following reason:
Public domainPublic domainfalsefalse
This work is in the public domain in its country of origin and other countries and areas where the
copyright term is the author's life plus 100 years or fewer.
You must also include a
United States public domain tag to indicate why this work is in the public domain in the United States.
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
This digital reproduction has been released under the following licenses:
Public domainPublic domainfalsefalse
This work has been released into the public domain by its author, Walters Art Museum. This applies worldwide. In some countries this may not be legally possible; if so: Walters Art Museum grants anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.
Public domainPublic domainfalsefalse
In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see
Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory.
Information
Captions
Diana Reposing (c. 1859). Walters Art Museum, Baltimore, Maryland
== {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Paul Baudry}} |title = ''Diana Reposing'' |description = {{en|The nude goddess, identified by the crescent moon in her hair and the bow and quiver at her ...
File usage
The following pages on the English Wikipedia use this file (pages on other projects are not listed):
English: The nude goddess, identified by the crescent moon in her hair and the bow and quiver at her side, reclines on a blue drapery in front of a recumbent stag in a wooded glade. An early inscription identifies this painting as a variant sketch for an overdoor in the hôtel of Achille Fould, the Minister of State. The hôtel, on the rue du Faubourg-Saint-Honoré, was acquired by the Duc d'Aumale in 1872, and its decor was transferred to the Château of Chantilly six years later. The overdoor, "Diane au repos," and another, "Venus jouant avec l'Amour," were both mounted in the Galerie des Cerfs. The actual overdoor is painted in "grisaille" unlike our sketch which is in naturalistic colors. In the overdoor the majestic stag is an integral part of the composition, whereas in this sketch he is barely discernible in the right background.
This composition illustrates the artist's practice of imparting to his traditional subjects an air of modishness or coquetry, that may have resulted from his occasional use of professional beauties as models. The figure of Diana reposing in the sketch and the overdoor bears a striking resemblance to Blanche D'Antigny, an actress who at the age of eighteen modeled for Baudry's famous "The Penitent Madeleine," painted about the same time and acquired by the State at the 1859 Salon for the Nantes Museum.
Date
circa 1859
date QS:P571,+1859-00-00T00:00:00Z/9,P1480,Q5727902
A Baltimorean in Paris: George A. Lucas, 1860-1909. The Walters Art Gallery, Baltimore. 1979. Théophile Gautier dans son cadre. Musée de I'Île-de France, Sceaux. 2011-2012.
This work is
free and may be used by anyone for any purpose. If you wish to use this content, you do not need to request permission as long as you follow any licensing requirements mentioned on this page.
The Wikimedia Foundation has received an e-mail confirming that the copyright holder has approved publication under the terms mentioned on this page. This correspondence has been reviewed by a
Volunteer Response Team (VRT) member and stored in our
permission archive. The correspondence is available to trusted volunteers as ticket #2012021710000834.
This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the
public domain for the following reason:
Public domainPublic domainfalsefalse
This work is in the public domain in its country of origin and other countries and areas where the
copyright term is the author's life plus 100 years or fewer.
You must also include a
United States public domain tag to indicate why this work is in the public domain in the United States.
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
This digital reproduction has been released under the following licenses:
Public domainPublic domainfalsefalse
This work has been released into the public domain by its author, Walters Art Museum. This applies worldwide. In some countries this may not be legally possible; if so: Walters Art Museum grants anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.
Public domainPublic domainfalsefalse
In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see
Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory.
Information
Captions
Diana Reposing (c. 1859). Walters Art Museum, Baltimore, Maryland
== {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Paul Baudry}} |title = ''Diana Reposing'' |description = {{en|The nude goddess, identified by the crescent moon in her hair and the bow and quiver at her ...
File usage
The following pages on the English Wikipedia use this file (pages on other projects are not listed):