This is a faithful photographic reproduction of a two-dimensional,
public domain work of art. The work of art itself is in the public domain for the following reason:
Public domainPublic domainfalsefalse
This work is in the public domain in its country of origin and other countries and areas where the
copyright term is the author's life plus 70 years or fewer.
You must also include a
United States public domain tag to indicate why this work is in the public domain in the United States. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the
rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in
World War II (
more information), Russians who served in
the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously
rehabilitated victims of Soviet repressions (
more information).
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain". This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see
Reuse of PD-Art photographs for details.
Information
Captions
Mantegna - Ducal Palace, View of the west and north walls
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
If the file has been modified from its original state, some details may not fully reflect the modified file.
JPEG file comment
MANTEGNA, Andrea
(b. 1431, Isola di Carturo, d. 1506, Mantova)
View of the west and north walls
1465-74
Walnut oil on plaster
Camera degli Sposi, Palazzo Ducale, Mantua
The space of the room with a square plan (8,1 x 8,1 m) is essentially a cube, and in it Mantegna has created a monumental architectural reality by means of ribs on the ceiling connecting with pilasters on the walls, which are in turn supported by a marble socle. In the centre of the ceiling is the much-admired oculus, opening onto a painted sky. The interplay of levels of reality elaborates ideas already set forth in his art. Only the corbels are actually stone, the highly worked ribs, the garlands that encircle the eight busts of emperors supported by putti, and the ensembles in decorative lozenges are painted to simulate marble so convincingly that even the modern viewer is sometimes fooled. In the triangular spaces at the edges of the ceiling are twelve mythological scenes of Orpheus, Orion, and Hercules with backgrounds of simulated mosaics, a device that Raphael was to use in the ceiling of the Stanza della Segnatura. Only two of the walls have figurative narrations: the north wall with a scene that is usually called the Court and the west wall, divided into three scenes, Servants with Horse and Dogs, the Inscription with Putti, and the Meeting. The remaining two walls are painted with imitation leather draperies that encroach upon the other sides as well to create the fiction that there were curtains before all four walls and on two sides they had been opened up to reveal the events depicted.
The central subject of the frescoes is Ludovico III Gonzaga, his wife, his children, and his court. A closed letter held by Cardinal Francesco Gonzaga in the Meeting seems to be the same one, now opened, that Ludovico, seated majestically, holds in the Court, and must be considered important for understanding the paintings. The style of the frescoes is similar to Mantegna's previous works. The compositions are dominated by the narrative elements, with the figures set frieze-like, close to the picture plane within a narrow spatial shelf in front of a landscape or architectural setting.
--- Keywords: --------------
Author: MANTEGNA, Andrea
Title: View of the west and north walls
Time-line: 1451-1500
School: Italian
Form: painting
This is a faithful photographic reproduction of a two-dimensional,
public domain work of art. The work of art itself is in the public domain for the following reason:
Public domainPublic domainfalsefalse
This work is in the public domain in its country of origin and other countries and areas where the
copyright term is the author's life plus 70 years or fewer.
You must also include a
United States public domain tag to indicate why this work is in the public domain in the United States. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the
rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in
World War II (
more information), Russians who served in
the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously
rehabilitated victims of Soviet repressions (
more information).
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain". This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see
Reuse of PD-Art photographs for details.
Information
Captions
Mantegna - Ducal Palace, View of the west and north walls
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
If the file has been modified from its original state, some details may not fully reflect the modified file.
JPEG file comment
MANTEGNA, Andrea
(b. 1431, Isola di Carturo, d. 1506, Mantova)
View of the west and north walls
1465-74
Walnut oil on plaster
Camera degli Sposi, Palazzo Ducale, Mantua
The space of the room with a square plan (8,1 x 8,1 m) is essentially a cube, and in it Mantegna has created a monumental architectural reality by means of ribs on the ceiling connecting with pilasters on the walls, which are in turn supported by a marble socle. In the centre of the ceiling is the much-admired oculus, opening onto a painted sky. The interplay of levels of reality elaborates ideas already set forth in his art. Only the corbels are actually stone, the highly worked ribs, the garlands that encircle the eight busts of emperors supported by putti, and the ensembles in decorative lozenges are painted to simulate marble so convincingly that even the modern viewer is sometimes fooled. In the triangular spaces at the edges of the ceiling are twelve mythological scenes of Orpheus, Orion, and Hercules with backgrounds of simulated mosaics, a device that Raphael was to use in the ceiling of the Stanza della Segnatura. Only two of the walls have figurative narrations: the north wall with a scene that is usually called the Court and the west wall, divided into three scenes, Servants with Horse and Dogs, the Inscription with Putti, and the Meeting. The remaining two walls are painted with imitation leather draperies that encroach upon the other sides as well to create the fiction that there were curtains before all four walls and on two sides they had been opened up to reveal the events depicted.
The central subject of the frescoes is Ludovico III Gonzaga, his wife, his children, and his court. A closed letter held by Cardinal Francesco Gonzaga in the Meeting seems to be the same one, now opened, that Ludovico, seated majestically, holds in the Court, and must be considered important for understanding the paintings. The style of the frescoes is similar to Mantegna's previous works. The compositions are dominated by the narrative elements, with the figures set frieze-like, close to the picture plane within a narrow spatial shelf in front of a landscape or architectural setting.
--- Keywords: --------------
Author: MANTEGNA, Andrea
Title: View of the west and north walls
Time-line: 1451-1500
School: Italian
Form: painting